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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

More About Us
  • Visiting Bard
    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
Learn More
The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a woman in a pink dress sings on stage

Opera Concert by Bard Conservatory of Music and Bard Graduate Vocal Arts Program Reviewed in the Millbrook Independent

A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney. 

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Jindong Cai conducts The Orchestra Now onstage at Jazz at Lincoln Center.

Seventh Annual Sound of Spring Concert Reviewed in Several Publications

The Millbrook Independent describes the concert as “a mélange of city and landscape visions."

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Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

“[Tower has] expanded the possibilities and audiences of modern classical Composition,” wrote GSAS Dean Carlos Alonso.

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Upcoming Events and Performances

  • Signs, Games, and Messages 2026: A Kurtág Festival
    3/14
    Saturday
    Signs, Games, and Messages 2026: A Kurtág Festival Bitó Conservatory Building, Performance Space
  • Michael Jones and Shaoai Ashley Zhang reflected in a mirror with greenery.; Duo Refracta
    3/23
    Monday
    Duo Refracta 7:00 pm
    Edith C. Blum Institute
  • Photo above of composer György Kurtág.; Signs, Games, and Messages 2026 - Program Two
    3/27
    Friday
    Signs, Games, and Messages 2026 - Program Two
    Abrahamsen’s Schnee

    7:00 pm
    Bitó Conservatory Building, Performance Space
  • Signs, Games, and Messages 2026 - Program Three
    3/28
    Saturday
    Signs, Games, and Messages 2026 - Program Three
    Bach Inventions and Sinfonias

    1:00 pm
    Bitó Conservatory Building, Performance Space
  • Kurtág Fragments, film poster.; Signs, Games, and Messages 2026: Special Program
    3/28
    Saturday
    Signs, Games, and Messages 2026: Special Program
    Film: Kurtág Fragments

    3:30 pm
    Jim Ottaway Jr. Film Center

Meet Our Faculty

See All Faculty
  • Satoshi Okamoto
    Double Bass

    Satoshi Okamoto

    Satoshi Okamoto has been a member of New York Philharmonic since 2003. He served as an acting principal and assistant principal in 2013-16. Prior to the Philharmonic he was an assistant principal double bassist in the San Antonio Symphony for eight years and a member of the New York City Ballet Orchestra for a year. As a soloist, he was a finalist of the International Society of Bassist Solo Competition and the Izuminomori International Double Bass Competition, also a twice winner of the Aspen bass competition. He was a faculty member at Stonybrook University from 2023-24. He has given master classes at institutions such as The Juilliard School Pre-College, Toho school of music, LSU at Baton Rouge, TCU, Aichi University of fine arts, and Pyongyang Conservatory. He received his master’s degree from The Juilliard School, and a bachelor’s degree from Tokyo University of Fine Arts.
  • Christopher H. Gibbs
    James H. Ottaway Jr. Professor of Music; Faculty, Bard College Conservatory of Music; Artistic Codirector, Bard Music Festival

    Christopher H. Gibbs

    Christopher H. Gibbs is executive editor of The Musical Quarterly; editor of The Cambridge Companion to Schubert (1997); author of The Life of Schubert (2000), which has been translated into five languages; coeditor of Franz Liszt and His World (2006) and Franz Schubert and His World (2014); and coauthor of The Oxford History of Western Music, College Edition (2013; 2nd ed., 2018). He is a contributor to New Grove Dictionary of Music and Musicians, 19th-Century Music, Schubert durch die Brille, Current Musicology, Opera Quarterly, and Chronicle of Higher Education. Additionally, he has served as program annotator and musicological consultant to the Philadelphia Orchestra (2000– ); musicological director of the Schubertiade at the 92nd Street Y in New York City; musicological adviser for the Schubert Festival at Carnegie Hall (1997); and artistic codirector of the Bard Music Festival (2003– ). Gibbs is the recipient of numerous honors, including the Dissertation Prize of the Austrian Cultural Institute (1992), ASCAP–Deems Taylor Award (1998), and American Council of Learned Societies fellowship (1999–2000). He previously taught at SUNY Buffalo (1993–2003). BA, Haverford College; MA, MPhil, PhD, Columbia University. At Bard since 2002.
  • Da Capo Chamber Players
    Ensemble In Residence

    Da Capo Chamber Players

    Winners of the Naumburg Chamber Music Award, the internationally acclaimed Da Capo Chamber Players has worked closely with countless distinguished composers, representing an enormous spectrum of compositional styles. Da Capo's virtuoso artists bring years of creative insight, involvement and artistic leadership to performances of today's repertoire, including well over 150 works written especially for the group, from composers such as Joan Tower, John Harbison, Shulamit Ran, Valerie Coleman, Philip Glass, George Perle, Shirish Korde, Tania León, and Milton Babbitt, among many others.

    In tour concerts and mini-residencies across the country, Da Capo works with young composers everywhere, giving them opportunities to try out things with highly experienced virtuoso performers as well as recordings (often award-winning!) of their works. The ensemble has been in residence at Bard College for over three decades, and since 2006 has been Ensemble in Residence with the Bard College Conservatory of Music.  In May 2012, the Naumburg Foundation invited Da Capo to premiere works by their first ever composition winners.  National Public Radio named Da Capo’s CD, Chamber Music of Chinary Ung on Bridge Records, as one of the 5 Best Contemporary Classical CDs of the year in 2010. 

    In May 2016, a 45th Anniversary Program offered several themes tied to Da Capo’s identity: “rhythmnation”, long-standing collaborations with gifted composers, honoring black history.  The Da Capo Chamber Players’ history includes a number of exemplary programs highlighting superb works by minority composers, including African-American, Latino, and Asian.  Further, these works are routinely included in Da Capo’s “normal” programming (which we of course think is “supra-normal”). 

    The members of the Da Capo Chamber Players are Curtis Macomber, violin; Chris Gross, cello; Patricia Spencer, flute; Marianne Gythfeldt, clarinet; and Steven Beck, piano.
  • Yang Xu
    Ruan

    Yang Xu

    Xu Yang, the leader of contemporary ruan scholars in China, performer, educator, professor and doctoral supervisor at Central Conservatory of Music in Beijing, China. Ms. Xu is the associate director of ruan profession committee in China Nationalities Orchestra Society (CNOS), the committee of the national professional skill appraisal expert association, the executive director of Chinese Music Instrument Society, the committee of Chinese Music Instrument Qualification Exam Council, artist director of Ruan Family Orchestra at Central Conservatory of Music, the founder and executive director of Ruan Family at The Ocean of Music instrument company, the director of Xu Yang Ruan Family International Cultural Research Institute. She had studied with Pang Yuzhang, Lin Jiliang, Ning Yong. Yang has published few ruan text books and ruan recordings, such as "The best way to learn is learn from the best - Ruan Tutorial" Book 1 and 2, "Central Conservatory Ruan Qualification Exam Repertoire", "Chinese National Ruan Qualification Exam Repertoire", "Happy Learning Ruan - Study with Famous Teacher!", "The Rhythm of the mountain", etc. Over more than 40 Xu's students were winning in different national and international Chinese Music competitions, and many of the students have became ruan professor in different schools and also professional ruan players in the professional orchestras. In view of her outstanding artistic innovation ability and teaching achievements, Ms. Xu has won several awards, including selected into the ministry of education's program called "Outstanding Backbone Teacher Supporting Program" in 2009; the "Excellent Gardener Award" from the youth vanguard team of the central league and the foreign exchange center of the ministry of culture, the "Excellent Instructor Award" from "The Talented Musicians Raising Program" in 2016, central conservatory BOB excellent instructor, the title of "Outstanding Performer" in 2018.
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Bard College
Bard College
Conservatory of Music
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Annandale-on-Hudson
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All photos by Karl Rabe unless stated otherwise.