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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

More About Us
  • Visiting Bard
    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

International Auditions

Bard Conservatory to host auditions in China and Hungary in November for fall 2026 admission. 
All auditions in China and Budapest will serve as the pre-screening round of auditions. Following a successful pre-screening audition, applicants will be invited to complete an application. 

Auditions in China will be held in Hong Kong on November 14, in Shenzhen on November 15, in Shanghai on November 16, and in Beijing on November 22. 

 Auditions in Budapest, Hungary will be held on November 22, 2025 at Tóth Aladár Zeneiskola. 
Learn More →

News

two men raise their hands to conduct against a black backdrop

Bard Conservatory Orchestra Innovation and Legacy Concert Featured in China Daily and Xinhua

The concert, notes Xinhua, was “more than a performance—it was a profound musical dialogue across eras and cultures.”

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The Eighth Annual China Now Music Festival Reviewed in <em>China Daily</em>

The Eighth Annual China Now Music Festival Reviewed in China Daily

The final performance of the festival, a chamber opera and dance concert by the Bard East/West Ensemble, will take place on October 5 at 3 pm at Jazz at Lincoln Center. 

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Two classical music maestros side by side

Bard Conservatory Celebrates 20 Years with Landmark Lincoln Center Concert on October 29

Dual Milestone Event Honors Bard College Conservatory’s 20th Anniversary and Leon Botstein’s 50th Year as President, Highlighting a Half-Century of Classical Music and Higher Education

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Upcoming Events and Performances

  • Marka Gustavsson (left) holding a viola; Frank Corliss (middle) leaning on a tan wall; Mark Gallagher (right)holding a clarinet. Postponed.; POSTPONED: Faculty Spotlight Series: Marka Gustavsson, viola, and Frank Corliss, piano, with guest artist Mark Gallagher, clarinet
    11/16
    Sunday
    POSTPONED: Faculty Spotlight Series: Marka Gustavsson, viola, and Frank Corliss, piano, with guest artist Mark Gallagher, clarinet 2:00 pm
    Bitó Conservatory Building, Performance Space
  • A misty autumn landscape with bare trees, yellow leaves, and a rustic wooden fence under a pale sky.; Noon Concert Series
    11/17
    Monday
    Noon Concert Series 12:00 pm
    Bitó Conservatory Building, Performance Space
  • Pierre Vallet smiling with his head tilted back and eyes closed, with a blue background.; Vocal Arts Residency: M&eacute;lodies Masterclass with&nbsp;Pierre Vallet
    11/18
    Tuesday
    Vocal Arts Residency: Mélodies Masterclass with Pierre Vallet 7:30 pm
    Bitó Conservatory Building, Performance Space
  • Pierre Vallet with his arms crossed, locking at the camera, with a grey background.; Vocal Arts Residency: Arias Masterclass with&nbsp;Pierre Vallet
    11/20
    Thursday
    Vocal Arts Residency: Arias Masterclass with Pierre Vallet 7:30 pm
    Bitó Conservatory Building, Performance Space
  • A violinist and a cellist playing their instruments in front of a piano.; Chamber Music Marathon: Part I
    11/21
    Friday
    Chamber Music Marathon: Part I 2:00 pm
    Bitó Conservatory Building, Performance Space

Meet Our Faculty

See All Faculty
  • Howard Watkins
    Opera Studies

    Howard Watkins

    American pianist Howard Watkins is a frequent associate of some of the world’s leading musicians both on the concert stage and as an assistant conductor at the Metropolitan Opera. He has performed in numerous recitals and concerts throughout the Americas, Europe, Russia, Israel, and the Far East. In past seasons, he has appeared in concert and on television with Joyce DiDonato, Kathleen Battle, Grace Bumbry, Mariusz Kwiecien, Matthew Polenzani, Michelle De Young, Marcello Giordani, Diana Damrau, Ben Heppner, Anna Netrebko, Rolando Villazón, Alexandra Deshorties, Lawrence Brownlee, Anthony Dean Griffey, and violinists Xiang Gao and Sarah Chang. Under the aegis of the Marilyn Horne Foundation, Mr. Watkins has performed in recitals and educational residencies in the United States, and he has also appeared in the Horne Foundation gala New York recital.

    Mr. Watkins made his Carnegie Hall performing debut in 2002 as the harpsichord recitative accompanist in Haydn's Die Schöpfung with James Levine and the Metropolitan Opera Orchestra and Chorus.  He has given recitals and concerts at the Metropolitan Museum of Art, Spivey Hall, Kennedy Center, the Pierpont Morgan Library, the United States Supreme Court, Alice Tully Hall with the Chamber Music Society of Lincoln Center, the three stages of Carnegie Hall, and the Bolshoi Theater in Moscow, Russia. In addition, he has performed with the MET Chamber Ensemble in Weill and Zankel Halls under the baton of James Levine. He has accompanied the classes of such legendary artists as Marilyn Horne, Renata Scotto, Regina Resnik, Regine Crespin, Frederica von Stade, Birgit Nilsson, Shirley Verrett, Håkan Hagegård, Elisabeth Soderstrom, and Josef Gingold among others. A number of his performances have been broadcast on WQXR in New York as part of George Jellinek’s “The Vocal Scene” and the “Young Artist Showcase”, and he has recorded for the Centaur and Prestant labels.

    As an educator, Mr. Watkins was formerly the Vocal Arts Program Co Coordinator of the Tanglewood Music Center, and he has taught at the Aspen Music Festival; the Banff Centre; Meadowmount School of Music; the International Vocal Arts Institute in Virginia, Israel, Japan, and China; VOICExperience in Florida and Savannah, Georgia with Sherrill Milnes and Maria Zouves; and the International Institute of Vocal Arts in Chiari, Italy. In 2015, he was a founding member of the Tokyo International Vocal Arts Academy. Currently on the faculties of The Juilliard School and the Washington National Opera Cafritz Young Artist Program, he was formerly a faculty member of the Mannes College of Music and the North Carolina School of the Arts in the A.J. Fletcher Opera Institute. He has worked on the music staffs of the Los Angeles Opera, the Washington National Opera, and Palm Beach Opera.

    A native of Dayton, Ohio, Mr. Watkins received his undergraduate degree from the University of Dayton, and he completed his Doctor of Musical Arts Degree in 1998 at the University of Michigan. In 2004, Mr. Watkins was honored as the recipient of both the Paul C. Boylan award from the University of Michigan for his outstanding contributions to the field of music, and a Special Achievement Award from the National Alumni Association of the University of Dayton. He is the 2019 recipient of the “Lift Every Voice” Legacy Award from the National Opera Association. He is currently a resident of New York City.

    Mr. Watkins appears courtesy of the Metropolitan Opera.
  • Renée Anne Louprette
    Bard Baroque Ensemble, director

    Renée Anne Louprette

    Renée Anne Louprette maintains an international career as organ recitalist, conductor, and teacher. She was appointed Bard College Organist, Assistant Professor of Music, and director of the Bard Baroque Ensemble in 2019. The ensemble takes a leading role in an annual series of Bach cantata presentations in the Chapel of the Holy Innocents on the Bard campus and in the local region and collaborates with other Bard ensembles and personnel (Chamber Singers, the Graduate Vocal Arts Program, the Preparatory Division Chorus, members of The Orchestra Now, and faculty from other branches of the College) in an effort to bring outstanding presentations of Baroque music to the wider community.

    Renée Anne Louprette has been University Organist and Organ Area Coordinator at Mason Gross School of the Arts, Rutgers University since 2013 and is a former member of the faculty at the Manhattan School of Music, The Hartt School of the University of Hartford, and the John J. Cali School of Music at Montclair State University. She is associated with a number of distinguished music programs in the New York City area, having served as Associate Director of Music at the Church of St. Ignatius Loyola, Associate Director of Music and the Arts at Trinity Wall Street, Organist and Associate Director at the Unitarian Church of All Souls, and Director of Music at the Church of Notre Dame.

    She was selected as a conducting fellow of the Mostly Modern Festival in 2019, premiering several new works with the New York-based American Modern Ensemble. In her over 20-year career as choral director, she has led performances by various professional choirs in the greater New York City area accompanied by members of Orchestra of St. Luke’s, Trinity Baroque Orchestra, and the American Brass Quintet, among other ensembles.

    As collaborative keyboardist, she has performed with the Los Angeles Dance Project, Mostly Mozart Festival Orchestra, Voices of Ascension, American Brass Quintet, Clarion Music Society, American Symphony Orchestra, The Dessoff Choirs, Oratorio Society of New York, and Piffaro. She made her recital debut in 2018 at Walt Disney Concert Hall in Los Angeles with Irish uilleann piper Ivan Goff, featuring the world premiere of “Were You at the Rock?” by Eve Beglarian, commissioned for the Louprette-Goff duo by the Los Angeles Philharmonic.

    Renée Anne Louprette made her solo debuts at the Royal Festival Hall in London and the Cathedral of Notre Dame in Paris in 2018. Additional European festival appearances include Magadino, Switzerland; In Tempore Organi, Italy; Ghent and Hasselt, Belgium; Copenhagen and Aarhus, Denmark; Bordeaux Cathedral and Toulouse Les Orgues, France; and Dún Laoghaire, Ireland. She appeared as organ soloist with the Queensland Symphony Orchestra in Brisbane, Australia, in Saint-Saëns’ Organ Symphony broadcast live on ABC radio.

    Ms. Louprette’s recording of the "Great Eighteen Chorales&" of J. S. Bach was named a Critics' Choice 2014 by The New York Times. Her recent recordings of 20th-century French organ masterworks, and a duo recording of original compositions and arrangements of traditional Irish music with uilleann piper Ivan Goff, were also released to critical acclaim.

    Renée Anne Louprette holds a Master’s degree in conducting from Bard College Conservatory and degrees in piano and organ from The Hartt School, University of Hartford. She was awarded a Premier Prix from the Conservatoire National de Région de Toulouse, France and a Diplôme Supérieur in organ from the Centre d’Études Supérieures de Musique et de Danse de Toulouse.
  • Daniel Phillips
    Violin

    Daniel Phillips

    Violinist Daniel Phillips enjoys a versatile career as an established chamber musician, solo artist, and teacher. A graduate of Juilliard, his major teachers were his father, Eugene Phillips, Ivan Galamian, Sally Thomas, Nathan Milstein, Sandor Vegh, and George Neikrug. He is a founding member of the 32-year-old Orion String Quartet, long time artist members of The Chamber Music Society of Lincoln Center. Available on recording are the complete quartets of Beethoven and Leon Kirchner. Since winning the 1976 Young Concert Artists Competition, he has been an up and coming soloist , including engagements with many orchestras, like the Pittsburgh, Boston,  Houston, New Jersey, Phoenix, San Antonio, and Yakima symphonies. He appears regularly at the Spoleto USA Festival, Santa Fe Chamber Music Festival, Chamber Music Northwest, Chesapeake Music Festival, Music@Menlo, and has participated in the International Musicians Seminar in Cornwall, England since its inception. He also has served on the summer faculty of the Heifetz Institute , St. Lawrence String Quartet Seminar at Stanford, the new Vivace online festival. He was a member of the renowned Bach Aria Group, and has toured and recorded in a string quartet for SONY with Gidon Kremer, Kim Kashkashian, and Yo-Yo Ma. A judge in the 2018 Seoul International Violin Competition, he is a professor at the Aaron Copland School of Music at Queens College and on the faculties of the Mannes College of Music, Bard College Conservatory, and The Juilliard School. And his wife, flutist Tara Helen O'Connor, are newly appointed artistic directors of Music from Angel Fire in New Mexico, They live on Manhattan's upper west side with their two adorable dachshunds. 
  • Jenny Q Chai
    Piano Masterclasses; Chinese Admissions Ambassador

    Jenny Q Chai

    An artist of singular vision, pianist Jenny Q Chai is widely renowned for her

    ability to illuminate musical connections throughout the centuries. With radical

    joie de vivre and razor-sharp intention, Chai creates layered multimedia

    programs which explore and unite elements of science, nature, fashion, and art.

    The New Yorker describes Chai as “a pianist whose dazzling facility is matched

    by her deep musicality.”

    Chai’s instinctive understanding of new music is complemented by a deep

    grounding in core repertoire, with special affinity for Schumann, Scarlatt

    Beethoven, Bach, Debussy, and Ravel. She is a noted interpreter of 20th-century

    masters Cage, Messiaen, and Ligeti, and her career is threaded through with

    strong relationships and close collaborations with a range of notable contemporary

    composers, including Tan Dun, Jarosław Kapuściński, Andy Akiho, Pamela Z,

    Lukas Ligeti, Cindy Cox, Annie Gosfield and György Kurtág. With a deft poeti

    touch, Chai weaves this wide-ranging repertoire into a gorgeous and lucid

    musical tapestry. Chai is also a vital champion and early tester of the groundbreaking

    synchronous score following software program, Antescofo. Developed at IRCAM by

    scientist Arshia Cont, the software offers a real time computer and animation respons

    to live performance elements, enabling performers to create multimedia presentations

    of AI sophisticated and expressive fluency. Chai explored and helped hone Antescof

    in residence at IRCAM alongside frequent collaborator Jarosław Kapuściński, and has

    since toured internationally with the software offering multimedia performances i

    Shanghai, New York, Havana, and elsewhere. In September 2019, Chai gave a TEDx

    Talk titled When Classical Music Meets Technology.

    Other notable highlights include her 2024 Shanghai Symphony Hall Audiovisual AI

    Concert, 2012 Carnegie Hall recital debut; many

    performances at (le) Poisson Rouge, including a 2016 Antescofo-supported

    program, Where’s Chopin?; her 2018 Wigmore Hall debut with a program

    exploring the relation between color and sound; lectures and recitals at Shanghai

    Symphony Hall, Shanghai Concert Hall, and Shanghai Mercedes Benz Arena; a

    featured performance at Tan Dun’s International Music Medicine Festival in Qingdao;

    the Leo Brouwer Festival in Havana, Cuba; Philippe Manoury’s double-piano concerto,

    Zones de turbulences, at the Warsaw Autumn International Festival of Contemporary

    Music with duo partner, pianist Adam Kośmieja and the Polish National Radio

    Symphony Orchestra; and much more.



    Her immersive approach to music is also channeled into her work with FaceArt Institute

    of Music, the Shanghai-based organization she founded and runs, offering musi

    education and an international exchange of music and musicians in China and beyond.

    In summer 2019, Chai oversees FaceArt’s first ever month-long Co-Creation Summe

    Festival, which invites International piano and composition faculty. Additionally, Chai

    served on the Board of Directors of the New York City-based contemporary music

    organization Ear to Mind, and has published a doctoral dissertation on Marco Stroppa’s

    Miniature Estrose which is collected by many schools including Stanford and Harvard

    University.

    Chai has recorded for labels such as Divine Art, Deutschlandfunk, Naxos, ArpaViva and

    MSR. In 2010, she released her debut recording, New York Love Songs, featuring

    interpretations of works by Cage and Ives among others, and her most recent

    recording, (S)yn(e)sth(e)te, was released by MSR Records in 2017. She can also be

    heard on Michael Vincent Waller’s Five Easy Pieces and Cindy Cox’s Hierosgamos. In

    2021, her newest album on Bach, Ives and Schumann Kreisleriana received positive

    reviews globally. The album was featured by Apple Music as one of its selected best

    Classical Music albums.

    The recipient of the Yvar Mikhashoff Trust’s 2011 Pianist/Composer Commissionin

    Project, the DAAD Arts and Performance award in 2010, Chamber Music America

    commissioning award and first prize winner of the Keys to the Future Contemporar

    Solo Piano Festival, Jenny Q Chai studied at the Shanghai Music Conservatory, the

    Curtis Institute of Music, the Manhattan School of Music, and in Cologne University of

    Music and Dance. Her teachers include Pierre-Laurent Aimard, Seymour Lipkin,

    Solomon Mikowsky, Marilyn Nonken, and Anthony de Mare.

    Academically, Chai has given lecture recitals at universities such as Stanford, Harvard,

    University of California Berkeley, NYU, Shanghai Conservatory and more.

    Chai is a former piano faculty member of the University of California Berkeley, an

    alumni mentor at Curtis Institute of Music and an official career mentor at Manhatt

    School of Music. In 2022, Chai became Fazioli Global Piano Ambassador.

    Chai is a social activist who works passionately on environmental causes through her

    music and runs a personal animal shelter. She has rescued over one hundred small

    animals in China since the pandemic and is an active donor to many animal rescue

    organizations.
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All photos by Karl Rabe unless stated otherwise.