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Edward Carroll

Edward Carroll’s long and distinguished career has taken many twists and turns. It began as an orchestral musician at age 21 with his appointment to the Houston Symphony, detoured back to Juilliard (BM, MM) and New York City as a trumpet soloist making over 20 recordings on the Sony, Vox, MHS, and Newport Classic labels and performing with the Chamber Music Society of Lincoln Center, matured as he conducted his first concerts, detoured once again as he fulfilled a lifelong dream of moving to Europe assuming the position of principal trumpet of the Rotterdam Philharmonic, eventually embarked on what has become a distinguished teaching career and now, in the final quarter of his musical journey, returned to his life-long passion of conducting. Mr. Carroll has served on the faculties of the Rotterdam Conservatory, London’s Royal Academy of Music, McGill University, the Bard Conservatory, and the California Institute of the Arts. He has performed with conductors such as Leonard Bernstein, Bernard Haitink, Valery Gergiev, James Conlon, Esa-Pekka Salonen, and Simon Rattle in concert halls around the world, listing Amsterdam’s Concertgebouw, Vienna’s Grosser Musikvereinsaal, Moscow’s Tchaikovsky Hall, New York’s Carnegie Hall, Boston’s Symphony Hall, and Tokyo’s Suntory Hall amongst his favorites. He has appeared as a soloist with the Rotterdam Philharmonic, the Netherlands Radio Chamber Orchestra, the London Sinfonietta, Virtuosi di Roma, the Gulbenkian Orchestra of Lisbon, the Hong Kong Philharmonic, and a variety of North American orchestras. Edward Carroll’s recordings conducting the Metamorphosis Ensemble of London (Cantoris) and Chamber Soloists of Washington (Sony) have received critical acclaim, as have his many performances conducting the Peruvian National Symphony and National Youth Orchestras. In addition to teaching and conducting, Edward Carroll is currently the director of the Center for Advanced Musical Studies (www.chosenvalemusic.org) where he presents the annual Chosen Vale International Seminars with friends such as Hakan Hardenberger, John Wallace, Markus Stockhausen, Mark Gould, Colin Currie, and Steve Reich. Author Alexander McGrattan states in his book THE TRUMPET (Yale University Press) that “the work of Ed Carroll has been seminal to the creation of a new generation of adventurous young trumpet players since his work at the Rotterdam Conservatory and the establishment of the Lake Placid Music Seminars in the mid-1990s in New York State.” Mr. Carroll feels otherwise but perhaps that can be left for another biography.

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Jack Ferver

Jack Ferver is a New York–based writer, choreographer, and director. Their genre defying performances, which have been called “so extreme that they sometimes look and feel like exorcisms” (New Yorker), explore the tragicomedy of the human psyche. Ferver’s “darkly humorous” (New York Times) works interrogate and indict an array of psychological and sociopolitical issues, particularly in the realms of gender, sexual orientation, and power struggles. Their visionary direction blurs boundaries between fantastic theatrics and stark naturalism, character and self, humor and horror.

Ferver’s works have been presented in New York City at the New Museum; New York Live Arts; The Kitchen; The French Institute Alliance Française, as part of Crossing the Line; Abrons Arts Center; Gibney Dance; Performance Space 122; the Museum of Arts and Design, as part of Performa 11; Danspace Project; and Dixon Place. Domestically and internationally, Ferver has been presented by the Richard B. Fisher Center for the Performing Arts at Bard College; American Dance Institute (Maryland); Chicago Department of Cultural Affairs and Special Events (Illinois); Portland Institute of Contemporary Art (Oregon); Institute of Contemporary Art at MECA (Maine); Institute of Contemporary Art (Massachussets); Diverse Works in collaboration with the Contemporary Arts Museum of Houston; and Théâtre de Vanves (France).

Ferver’s work has been critically acclaimed in the New York Times, La Monde, Artforum, New Yorker, Time Out NY, Modern Painters, Financial Times, Village Voice, and ArtsJournal. Ferver has received residencies and fellowships from the Maggie Allesee National Center of Choreography at Florida State (2012); Baryshnikov Arts Center (2013); Watermill Center (2014); Institute of Contemporary Art at Maine College of Art (2014); and Live Arts Bard, the commissioning and residency program of The Richard B. Fisher Center for the Performing Arts at Bard College (2014); and Abrons Art Center (2014-2015). They are a 2016 recipient of the Foundation for Contemporary Arts Grant.

Ferver teaches at Bard College in  the Theater and Performance Program and for the graduate Vocal Arts Program. They have also taught at NYU Tisch, SUNY Purchase, and have set choreography at The Juilliard School. As an actor they have appeared in numerous films and television series and plays. They are currently working on a solo work to be presented in collaboration with the visual artist Marc Swanson at Mass MoCA and a new play with the playwright Jeremy O Harris.