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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a black and white archival photo of a man at a piano

Bard Conservatory of Music Announces Seventh Annual Kurtág Festival Honoring György Kurtág’s 100th Birthday, March 11–April 4

The 2026 edition highlights the clarity, precision, and expressive depth of Kurtág’s music.

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two men raise their hands to conduct against a black backdrop

Bard Conservatory Orchestra Innovation and Legacy Concert Featured in China Daily and Xinhua

The concert, notes Xinhua, was “more than a performance—it was a profound musical dialogue across eras and cultures.”

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The Eighth Annual China Now Music Festival Reviewed in <em>China Daily</em>

The Eighth Annual China Now Music Festival Reviewed in China Daily

The final performance of the festival, a chamber opera and dance concert by the Bard East/West Ensemble, will take place on October 5 at 3 pm at Jazz at Lincoln Center. 

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Upcoming Events and Performances

  • Laurie Smukler (left) playing the violin and Qing Jiang (right) wearing a blue blouse.; Guest Artist Recital: Laurie Smukler, violin&nbsp;and Qing Jiang, piano
    1/25
    Sunday
    Guest Artist Recital: Laurie Smukler, violin and Qing Jiang, piano 4:00 pm
    Bitó Conservatory Building, Performance Space
  • Hugo Valverde (left) holding a french horn. Enriqueta Somarriba (right) leaning on a building.; Faculty Spotlight Series: Hugo Valverde, horn, with Enriqueta Somarriba, piano
    1/31
    Saturday
    Faculty Spotlight Series: Hugo Valverde, horn, with Enriqueta Somarriba, piano 5:00 pm
    Bitó Conservatory Building, Performance Space
  • Peter Wiley (left) wearing black and holding a cello. Anna Polonsky (right) wearing black and leaning on a piano.; Faculty Spotlight Series: Peter Wiley, cello, with guest artist Anna Polonsky, piano
    2/1
    Sunday
    Faculty Spotlight Series: Peter Wiley, cello, with guest artist Anna Polonsky, piano 4:00 pm
    Bitó Conservatory Building, Performance Space
  • Teresa Buchholz (left) with hair styled up, wearing long earrings. Kayo Iwama (right) wearing a colorful blouse.; Faculty Spotlight Series: Teresa Buchholz, mezzo-soprano and Kayo Iwama, piano
    2/14
    Saturday
    Faculty Spotlight Series: Teresa Buchholz, mezzo-soprano and Kayo Iwama, piano 7:00 pm
    Bitó Conservatory Building, Performance Space
  • Rosemary Nelis holding a viola.; Alumni/ae Spotlight Series:&nbsp;Rosemary Nelis, viola
    2/27
    Friday
    Alumni/ae Spotlight Series: Rosemary Nelis, viola 7:30 pm
    Bitó Conservatory Building, Performance Space

Meet Our Faculty

See All Faculty
  • Leon Botstein
    Codirector, Graduate Conducting Program; Music Director, Bard Conservatory; President, Bard College

    Leon Botstein

    Leon Botstein has been music director and principal conductor of the American Symphony Orchestra since 1992. This year he becomes conductor laureate of the Jerusalem Symphony Orchestra, where he had served as music director since 2003. He is also the founder and co-artistic director of the Bard Music Festival, now in its 21st year. He has been president of Bard College in New York since 1975. Upcoming engagements include the Russian National Philharmonic, the Odessa Symphony, and the Budapest Opera Orchestra. Recent engagements have included the BBC Philharmonic, Bamberg Symphony; the Budapest Festival Orchestra; Düsseldorf Symphony; the London Philharmonic; NDR-Hamburg and Hannover; the Royal Scottish National Orchestra; the St. Petersburg Philharmonic; and Teatro Real Madrid, among others. Among Leon Botstein’s recordings are operas by Strauss, Dukas, and Chausson, as well as works of Shostakovich, Dohnanyi, Liszt, Bruckner, Bartók, Hartmann, Reger, Glière, Szymanowski, Brahms, Copland, Sessions, Perle, and Rands. Many live recordings with the American Symphony Orchestra are now available to download on the Internet. Mr. Botstein is the editor of The Musical Quarterly and the author of numerous articles and books. For his contributions to music he has received the award of the American Academy of Arts and Letters and Harvard University’s prestigious Centennial Award, as well as the Cross of Honor, First Class from the government of Austria. He is a 2009 recipient of the Carnegie Foundation’s Academic Leadership Award, and earlier this year he was inducted into the American Philosophical Society.
  • David Krakauer
    Clarinet

    David Krakauer

    Internationally acclaimed clarinetist David Krakauer redefines the notion of a concert artist. Known for his mastery of myriad styles, he occupies the unique position of being one of the world’s leading exponents of Eastern European Jewish klezmer music, and at the same time is a major voice in classical music. As one of the foremost musicians of the vital new wave of klezmer, David Krakauer tours the globe with his celebrated Klezmer Madness! ensemble. While firmly rooted in traditional klezmer folk tunes, the band “hurls the tradition of klezmer music into the rock era” (Jon Pareles, The New York Times). In addition to his annual European tours to major international festivals and jazz clubs, recent seasons brought Krakauer and his band to the Library of Congress, Stanford Lively Arts, San Francisco Performances, the Krannert Center, Carnegie’s Zankel Hall, the Venice Biennale, Krakow Jewish Culture Festival, BBC Proms, Saalfelden Jazz Festival, Transmusicales de Rennes, La Cigale, New Morning in Paris, and many others. His newest project, The Big Picture, re-imagines familiar themes by such renowned film music composers as John Williams, Marvin Hamlisch, Randy Newman, Wojciech Kilar and Vangelis, and interprets melodic gems by the likes of Sidney Bechet, Sergei Prokofiev, Mel Brooks, Ralph Burns, John Kander & Fred Ebb and Jerry Bock that have appeared in popular films. In addition, Krakauer is in demand worldwide as a guest soloist with the finest ensembles including the Emerson, Orion and Kronos String Quartets, as well as orchestras including the Amsterdam Sinfonietta, the Detroit Symphony, the Weimar Staatskapelle, the Phoenix Symphony, the Dresdener Philharmonie, and the Seattle Symphony. Krakauer’s discography contains some of the most important klezmer recordings of the past decade including six CDs under his own name: two on John Zorn's Tzadik Label and four on Label Bleu; plus collaborations with the Klezmatics, Itzak Perlman, the Kronos Quartet/Osvaldo Golijov and Socalled. Abraham Inc’s "Tweet-Tweet" on his own label, Table Pounding Records (and Label Bleu in Europe) was released in early 2010. Composers who have written major pieces for him include David del Tredici, Paul Moravec, Ofer Ben-Amots, Jean Philippe Calvin, George Tsontakis, Anthony Coleman and Wlad Marhulets. David Krakauer is on the clarinet and chamber music faculties of Mannes College of Music, the Manhattan School of Music, NYU and the Bard College Conservatory of Music. His unique sound can be heard as soloist in Danny Elfman's score for the film "Taking Woodstock" and throughout "The Tango Lesson".
  • Tan Dun
    Dean of Bard Conservatory

    Tan Dun

    The world-renowned artist and UNESCO Global Goodwill Ambassador Tan Dun, has made an indelible mark on the world’s music scene with a creative repertoire that spans the boundaries of classical music, multimedia performance, and Eastern and Western traditions. A winner of today’s most prestigious honors including the Grammy Award, Oscar/Academy Award, Grawemeyer Award, Bach Prize, Shostakovich Award, and most recently Italy’s Golden Lion Award for Lifetime Achievement, Tan Dun’s music has been played throughout the world by leading orchestras, opera houses, international festivals, and on radio and television. Most recently, Tan Dun was named as Dean of the Bard College Conservatory of Music. As dean, Tan Dun will further demonstrate music’s extraordinary ability to transform lives and guide the Conservatory in fulfilling its mission of understanding music’s connection to history, art, culture, and society.

    As a conductor of innovative programs around the world, Tan Dun has led the China tours of the Mahler Chamber Orchestra and Japan’s NHK Symphony Orchestra. His current season includes leading the Orchestre National de Lyon in a six-city China tour, the Guangzhou Symphony Orchestra in a four-city tour of Switzerland and Belgium as well as engagements with the Rai National Symphony Orchestra, Oslo Philharmonic, Hong Kong Philharmonic and Melbourne Symphony Orchestra where he was recently named Artistic Ambassador. Tan Dun currently serves as the Principle Guest Conductor of the Shenzhen Symphony Orchestra. In 2016, Tan Dun conducted the grand opening celebration of Disneyland Shanghai which was broadcast to a record-breaking audience worldwide. Tan Dun has led the world’s most esteemed orchestras, including the Royal Concertgebouw Orchestra, London Symphony Orchestra, the Philadelphia Orchestra, Metropolitan Opera Orchestra, Royal Stockholm Philharmonic Orchestra, Los Angeles Philharmonic, Orchestre National de France, BBC Symphony Orchestra, Filarmonica della Scala, Münchner Philharmoniker, the Orchestra dell’Accademia Nazionale di Santa Cecilia, Sydney Symphony Orchestra, among others.

    Tan Dun’s individual voice has been heard widely by international audiences. His first Internet Symphony, which was commissioned by Google/YouTube, has reached over 23 million people online. His Organic Music Trilogy of Water, Paper and Ceramic has frequented major concert halls and festivals. Paper Concerto was premiered with the Los Angeles Philharmonic at the opening of the Walt Disney Hall. His multimedia work, The Map, premiered by YoYo Ma and the Boston Symphony Orchestra, has toured more than 30 countries worldwide. Its manuscript has been collected by the Carnegie Hall Composers Gallery. His Orchestral Theatre IV: The Gate was premiered by Japan’s NHK Symphony Orchestra and crosses the cultural boundaries of Peking Opera, Western Opera and puppet theatre traditions. Other important premieres include Four Secret Roads of Marco Polo for the Berlin Philharmonic, Piano Concerto “The Fire” for Lang Lang and the New York Philharmonic. In recent seasons, his percussion concerto, The Tears of Nature, for soloist Martin Grubinger premiered in 2012 with the NDR Symphony Orchestra and Nu Shu: The Secret Songs of Women Symphony for 13 Microfilms, Harp and Orchestra was co-commissioned by The Philadelphia Orchestra, NHK Symphony Orchestra and the Royal Concertgebouw Orchestra Amsterdam. Most recently, Tan Dun conducted the premiere of his new oratorio epic Buddha Passion at the Dresden Festival with the Münchner Philharmoniker, the piece was co-commissioned by the New York Philharmonic, Los Angeles Philharmonic, Melbourne Symphony Orchestra and the Dresden Festival and will go on to have performances in Melbourne, Hong Kong, Los Angeles, Rome, Hamburg, Paris, Singapore and London in the coming seasons.

    As a visual artist, Tan Dun’s work has been featured at the opening of the China Pavilion at the 56th Venice Art Biennale. Other solo exhibitions include the New York’s Guggenheim Museum, Museum of Modern Art (MoMA), Beijing’s Chambers Fine Art Gallery, and Shanghai Gallery of Art. Most recently, Tan Dun conducted The Juilliard Orchestra in the world premiere of his Symphony of Colors: Terracotta for the opening of New York’s Metropolitan Museum of Art’s epic exhibition The Age of Empires.

    As a global cultural leader, Tan Dun uses his creativity to raise awareness of environmental issues and to protect cultural diversity. In 2010, as “Cultural Ambassador to the World” for the World EXPO Shanghai, Tan Dun envisioned, curated and composed two special site-specific performances that perform year-round and have since become cultural representations of Shanghai: Peony Pavilion, a Chinese opera set in a Ming Dynasty garden and his Water Heavens string quartet which promotes water conservation and environmental awareness. Tan Dun was also commissioned by the International Olympic Committee (IOC) to write the Logo Music and Award Ceremony Music for the Beijing 2008 Olympic Games. Tan Dun currently serves as Honorary Chair of Carnegie Hall’s China Advisory Council, and has previously served as Creative Chair of the 2014 Philadelphia Orchestra China Tour, Associate Composer/Conductor of the BBC Scottish Symphony, and Artistic Director of the Festival Water Crossing Fire held at the Barbican Centre.

    Tan Dun records for Sony Classical, Deutsche Grammophon, EMI, Opus Arte, BIS and Naxos. His recordings have garnered many accolades, including a Grammy Award (Crouching Tiger, Hidden Dragon) and nomination (The First Emperor; Marco Polo; Pipa Concerto), Japan’s Recording Academy Awards for Best Contemporary Music CD (Water Passion after St. Matthew) and the BBC’s Best Orchestral Album (Death and Fire). Tan Dun’s music is published by G. Schirmer, Inc. and represented worldwide by the Music Sales Group of Classical Companies.
  • Jason Treuting
    Percussion

    Jason Treuting

    Jason Treuting has performed and recorded in venues as diverse as the Brooklyn Academy of Music, the Walker Art Center, the Knitting Factory, the Andy Warhol Museum, Zankel Hall, Lincoln Center, DOM (Moscow) and Le National (Montreal). As a member of So Percussion, he has collaborated with artists and composers including Steve Reich, David Lang, John Zorn, Dan Trueman, tabla master Zakir Hussain, the electronic music duo Matmos and choreographer Eliot Feld. In addition to his work with So, Jason performs improvised music with Simpl, a group with laptop artist/composer Cenk Ergun; Alligator Eats Fish with guitarist Grey McMurray; Little Farm, with guitarist/composer Steve Mackey; QQQ (a quartet consisting of hardinger fiddle, viola, guitar and drums); and Big Farm (a foursome led by Rinde Eckert and Steve Mackey). Jason also composes music. His many compositions for So Percussion include So's third album Amid the Noise, and contributions to Imaginary City, an evening length work that appeared on the Brooklyn Academy of Music's 2009 Next Wave Festival. Recent commissions for other ensembles have included Oblique Music for 4 plus (blank), a concerto for So Percussion and string orchestra for the League of Composers Orchestra; Circus of One, music for a video installation in collaboration with Alison Crocetta; and Diorama, an evening length collaboration with the French choreographers in Project Situ. Jason received his Bachelors in Music and the Performer's Certificate at the Eastman School of Music where he studied percussion with John Beck and drum set and improvisation with Steve Gadd, Ralph Alessi and Michael Cain. He received his Masters in Music along with an Artist Diploma from Yale University where he studied percussion with Robert Van Sice. Jason has also traveled to Japan to study marimba with Keiko Abe and to Bali to study gamelan with Pac I Nyoman Suadin. He joins the Bard Conservatory faculty in the fall of 2011.
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Bard College
Bard College
Conservatory of Music
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Annandale-on-Hudson
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All photos by Karl Rabe unless stated otherwise.