Skip to main content.
Bard Conservatory
  • Menu sub-menuMenu
      Programs
    • Undergraduate Double Degree
    • Graduate Vocal Arts
    • Graduate Conducting
    • Graduate Instrumental Arts
    • Collaborative Piano Fellowship
    • Advanced Performance Studies
    • MA in Chinese Music and Culture
    • US-China Music Institute
    • Preparatory Division
      About
    • Our Story
    • Facilities
    • Staff
    • Faculty
    • Contact Us
      News + Events
    • Newsroom
    • Events
    • Kurtag Festival
    • 20th Anniversary
    • Archive
    • Information For:
    • Admitted Undergraduate Students
    • Admitted Graduate Students
  • Bard Conservatory Logo
  • Apply
  • Inquire
  • Events
  • Support
  • Search

     

     

Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

More About Us
  • Visiting Bard
    Interested in visiting Bard for a campus tour or performance? 
    Learn More
A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
Learn More
The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

A professional photo of Composer in Residence Missy Mazzoli.

Composer in Residence Missy Mazzoli Profiled in the New York Times

“We want the field to expand,” said Mazzoli, “and so bringing in [diversity] helps the field survive and thrive.”
 

Read More
a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

Read More
a man conducts an orchestra

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily 

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

Read More

Meet Our Faculty

See All Faculty
  • Honggang Li
    Violin Masterclasses

    Honggang Li

    Honggang Li is the founding member of the Shanghai Quartet, now in it’s 30th season, has performed over two thousand concerts in 30 countries, and can be heard on more than 30 CD albums. Mr. Li began studying the violin with his parents at age seven. When the Central Conservatory of music in Beijing reopened in 1977 after the Cultural Revolution, Mr. Li was selected to attend from a group of over five hundred applicants. He continued his training at the Shanghai Conservatory and co- founded the Shanghai Quartet with his brother Weigang while in his senior year in the conservatory. The quartet soon became the first Chinese quartet to win a major international chamber music competition (the London International) and came to the US in 1985. He received MM of North Illinois University and served as a teaching assistant at the Juilliard School in New York. In 1987, he won the special prize (a 1757 DeCable violin) given by Elisa Pegreffi of Quartetto Italiano at the First Paolo Borciani International Competition in Italy. In addition to his work at the Bard Conservatory of Music Mr. Li is currently also an artist-in-residence and faculty at Montclair State University. He also held the title of artist in residence at University of Richmond in Virginia from 1989 to 2003. He has been the guest professor of both conservatories of Shanghai and Beijing. Mr. Li is also the guest principal violist of the Shanghai Symphony Orchestra since 2009.
  • Terrence Wilson
    Piano

    Terrence Wilson

    Acclaimed by the Baltimore Sun as “...one of the biggest pianistic talents to have emerged in this country in the last 25 years” pianist Terrence Wilson has appeared as soloist with the symphony orchestras of Atlanta, Baltimore, Cincinnati, Dallas, Detroit, Houston, Washington, DC (National Symphony), San Francisco, St. Louis, and with the orchestras of Cleveland, Minnesota, and Philadelphia and the Saint Paul Chamber Orchestra. Conductors with whom he has worked include Christoph Eschenbach, Alan Gilbert, Neeme Järvi, Jesús López-Cobos, Lawrence Renes, Robert Spano, Yuri Temirkanov, Stanislaw Skrowaczewski, Gunther Herbig and Michael Morgan.

    Abroad, Terrence Wilson has played concerti with such ensembles as the Lausanne Chamber Orchestra in Switzerland, the Malaysian Philharmonic, the Royal Scottish National Orchestra, and the Orquestra Sinfonica do Estado de Minas Gerais in Belo Horizonte, Brazil. He has toured with orchestras in the US and abroad, including a tour of the US with the Sofia Festival Orchestra (Bulgaria) and in Europe with the Baltimore Symphony Orchestra conducted by Yuri Temirkanov.



    An active recitalist, Terrence Wilson made his New York City recital debut at the 92nd Street Y, and his Washington, DC recital debut at the Kennedy Center. In Europe he has given recitals at the Verbier Festival in Switzerland, the Lourvre in Paris, and countless other major venues. In the US he has given recitals at Lincoln Center in New York City (both Alice Tully Hall and Avery Fisher Hall), the Ravinia Festival in Chicago, the Caramoor Festival in Katonah, NY, San Francisco’s Herbst Theatre, and for the La Jolla Chamber Music Society. An avid chamber musician, he performs regularly with the Ritz Chamber Players. Festival appearances include Aspen, Blossom, Grant Park, Tanglewood and Wolf Trap.



    In the last couple seasons, Wilson performed as soloist with the Symphony Orchestras of Anchorage, Brevard (FL), Greensboro, Harrisburg, Memphis, Portland (ME), Raleigh and Wichita to name a few. He also appeared as soloist with the Madison Symphony in their gala season-opening concert in September 2023. Other highlights included a multi-city chamber music tour with Imani Winds with performances at such venues as the Isabella Stuart Gardner Museum in Boston and the 92nd Street Y in New York City, a recital tour culminating in a recital at the prestigious Ravinia Festival - 25 years since his debut, and a return as soloist with the Grant Park Orchestra in Chicago with performances of Beethoven’s “Emperor” Concerto with Music Director Giancarlo Guerrero. Wilson also performed with Symphony Tacoma as well as the Symphony Orchestras of Roanoke and Toledo among others. He also made a recital appearance in Brookings, OR and performed chamber music with the Escher Quartet in New Orleans.



    In 2025-2026, Wilson performs with the Folsom and Stockton Symphonies (Beethoven piano concertos 3 and 4 respectively). He will also perform with ProMusica Chamber Orchestra in Columbus, OH and at the Metropolitan Museum of Art (MET) in New York City with The Orchestra Now (TŌN) - Bard College’s graduate training orchestra - in Saint-Saëns’ 2nd and 5th piano concertos respectively. The season will see Wilson in recitals at Boston Conservatory’s (at Berklee) Piano Masters Series, and in Washington, DC at the Bender Jewish Community Center of Greater Washington. Other highlights of the season include a tour with mezzo-soprano J’Nai Bridges and the Catalyst Quartet with performances in San Francisco and at the Library of Congress, as well as a performance in Montréal at Fondation Arte Musica with the Escher Quartet.



    Committed to education, Wilson serves as a member of the piano faculty at the Brevard Music Center (BMC) Institute and Festival in Brevard, NC for six weeks each summer. In July 2024, he was featured as faculty soloist with the Brevard Chamber Symphony at Whittington-Pfohl Auditorium at BMC. He is also a frequent guest teacher, lecturer and adjudicator in numerous international piano competitions. In 2025, Terrence Wilson was a pre-screening juror in the junior division of the Palm Springs International Piano Competition and adjudicated in the Hilton Head International Piano Competition. In April 2026, Wilson will perform a joint faculty recital at Bard Conservatory with Raman Ramakrishnan, in a program including the cello sonatas of Frank Bridge and Sergei Rachmaninoff.



    Terrence Wilson has received several awards and prizes, including the SONY ES Award for Musical Excellence, an Avery Fisher Career Grant, and the Juilliard Petschek Award. He has also been featured on several radio and television broadcasts, including NPR’s “Performance Today,” WQXR radio in New York, and programs on the BRAVO Network, the Arts & Entertainment Network, public television, and as a guest on late night network television. In 2011, Wilson was nominated for a Grammy in the category of “Best Instrumental Soloist With an Orchestra” for his (world premiere) recording with the Nashville Symphony conducted by Giancarlo Guerrero of Michael Daugherty’s Deus ex Machina for piano and orchestra - written for Wilson in 2007.



    Terrence Wilson is a graduate of The Juilliard School, where he studied with Yoheved Kaplinsky. He has also enjoyed the invaluable mentorship of the Romanian pianist and teacher Zitta Zohar, as well as that of Maria Clodes-Jaguaribe. A native of the Bronx, he resides in Montclair, New Jersey. In March 2021, Wilson was appointed to the piano faculty at Bard College Conservatory of Music.
  • David Krakauer
    Clarinet

    David Krakauer

    Internationally acclaimed clarinetist David Krakauer redefines the notion of a concert artist. Known for his mastery of myriad styles, he occupies the unique position of being one of the world’s leading exponents of Eastern European Jewish klezmer music, and at the same time is a major voice in classical music. As one of the foremost musicians of the vital new wave of klezmer, David Krakauer tours the globe with his celebrated Klezmer Madness! ensemble. While firmly rooted in traditional klezmer folk tunes, the band “hurls the tradition of klezmer music into the rock era” (Jon Pareles, The New York Times). In addition to his annual European tours to major international festivals and jazz clubs, recent seasons brought Krakauer and his band to the Library of Congress, Stanford Lively Arts, San Francisco Performances, the Krannert Center, Carnegie’s Zankel Hall, the Venice Biennale, Krakow Jewish Culture Festival, BBC Proms, Saalfelden Jazz Festival, Transmusicales de Rennes, La Cigale, New Morning in Paris, and many others. His newest project, The Big Picture, re-imagines familiar themes by such renowned film music composers as John Williams, Marvin Hamlisch, Randy Newman, Wojciech Kilar and Vangelis, and interprets melodic gems by the likes of Sidney Bechet, Sergei Prokofiev, Mel Brooks, Ralph Burns, John Kander & Fred Ebb and Jerry Bock that have appeared in popular films. In addition, Krakauer is in demand worldwide as a guest soloist with the finest ensembles including the Emerson, Orion and Kronos String Quartets, as well as orchestras including the Amsterdam Sinfonietta, the Detroit Symphony, the Weimar Staatskapelle, the Phoenix Symphony, the Dresdener Philharmonie, and the Seattle Symphony. Krakauer’s discography contains some of the most important klezmer recordings of the past decade including six CDs under his own name: two on John Zorn's Tzadik Label and four on Label Bleu; plus collaborations with the Klezmatics, Itzak Perlman, the Kronos Quartet/Osvaldo Golijov and Socalled. Abraham Inc’s "Tweet-Tweet" on his own label, Table Pounding Records (and Label Bleu in Europe) was released in early 2010. Composers who have written major pieces for him include David del Tredici, Paul Moravec, Ofer Ben-Amots, Jean Philippe Calvin, George Tsontakis, Anthony Coleman and Wlad Marhulets. David Krakauer is on the clarinet and chamber music faculties of Mannes College of Music, the Manhattan School of Music, NYU and the Bard College Conservatory of Music. His unique sound can be heard as soloist in Danny Elfman's score for the film "Taking Woodstock" and throughout "The Tango Lesson".
  • Gil Shaham
    Violin

    Gil Shaham

    Gil Shaham is one of the foremost violinists of our time; his flawless technique combined with his inimitable warmth and generosity of spirit has solidified his renown as an American master. The Grammy Award-winner, also named Musical America’s “Instrumentalist of the Year,” is sought after throughout the world for concerto appearances with leading orchestras and conductors, and regularly gives recitals and appears with ensembles on the world’s great concert stages and at the most prestigious festivals.

    Highlights of recent years include the acclaimed recording and performances of J.S. Bach’s complete sonatas and partitas for solo violin. In the coming seasons in addition to championing these solo works he will join his long time duo partner pianist, Akira Eguchi in recitals throughout North America, Europe, and Asia.

    Appearances with orchestra regularly include the Berlin Philharmonic, Boston Symphony, Chicago Symphony, Israel Philharmonic, Los Angeles Philharmonic, New York Philharmonic, Orchestre de Paris, and San Francisco Symphony as well as multi-year residencies with the Orchestras of Montreal, Stuttgart and Singapore. With orchestra, Mr. Shaham continues his exploration of “Violin Concertos of the 1930s,” including the works of Barber, Bartok, Berg, Korngold, Prokofiev, among many others.

    Mr. Shaham has more than two dozen concerto and solo CDs to his name, earning multiple Grammys, a Grand Prix du Disque, Diapason d’Or, and Gramophone Editor’s Choice. Many of these recordings appear on Canary Classics, the label he founded in 2004. His CDs include 1930s Violin Concertos, Virtuoso Violin Works, Elgar’s Violin Concerto, Hebrew Melodies, The Butterfly Lovers and many more. His most recent recording in the series 1930s Violin Concertos Vol. 2, including Prokofiev’s Violin Concerto and Bartok’s Violin Concerto No. 2, was nominated for a Grammy Award. He will release a new recording of Beethoven and Brahms Concertos with The Knights in 2020.

    Mr. Shaham was born in Champaign-Urbana, Illinois, in 1971. He moved with his parents to Israel, where he began violin studies with Samuel Bernstein of the Rubin Academy of Music at the age of 7, receiving annual scholarships from the America-Israel Cultural Foundation. In 1981, he made debuts with the Jerusalem Symphony and the Israel Philharmonic, and the following year, took the first prize in Israel’s Claremont Competition. He then became a scholarship student at Juilliard, and also studied at Columbia University.

    Gil Shaham was awarded an Avery Fisher Career Grant in 1990, and in 2008 he received the coveted Avery Fisher Prize. In 2012, he was named “Instrumentalist of the Year” by Musical America. He performs on an Antonio Stradivari violin, Cremona c1719, with the assistance of Rare Violins In Consortium Artists and Benefactors Collaborative, and lives in New York City with his wife, violinist Adele Anthony, and their three children.

Preparatory Division Fall Registration Now Open

Apply & Register Here →

Powered by Curator.io

Follow @bardcollegeconservatory on Instagram!

Bard College
Bard College
Conservatory of Music
30 Campus Road
Annandale-on-Hudson
New York 12504-5000
845-758-7196
[email protected]
More Music at Bard: 
Bard Music Program
The Orchestra Now
Musical Mentorship Initiative
Contact Us
Visit the Conservatory
Join our Mailing List
Support Us
Accreditation 
Undergraduate Inquiry Form
Graduate Inquiry Form
Virtual Viewbook
Join the Conversation
Facebook
Twitter
Instagram
YouTube

All photos by Karl Rabe unless stated otherwise.