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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

More About Us
  • Visiting Bard
    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
Learn More
The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

US-China Music Institute of the Bard College Conservatory of Music Presents Ninth Annual China Now Music Festival, "Chasing Dreams," October 2–11, 2026

US-China Music Institute of the Bard College Conservatory of Music Presents Ninth Annual China Now Music Festival, "Chasing Dreams," October 2–11, 2026

This year’s festival “Chasing Dreams” reminds us that the pursuit of dreams is a shared human experience that connects all people.

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Professional photo of Composer in Residence Missy Mazzoli.

The Galloping Cure by Composer in Residence Missy Mazzoli Featured by the BBC

"Losing someone to addiction [is] hard to have the words for. My attempt to talk about it was to make this piece,” said Mazzoli.

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A professional photo of Composer in Residence Missy Mazzoli.

Composer in Residence Missy Mazzoli Profiled in the New York Times

“We want the field to expand,” said Mazzoli, “and so bringing in [diversity] helps the field survive and thrive.”
 

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Upcoming Events and Performances

  • Sun-Ly Pierce sitting at a cafe table, wearing a dress and a long suede coat.; Alumni/ae Spotlight: Sun-Ly Pierce '19, mezzo-soprano, with Kayo Iwama, piano
    9/19
    Saturday
    Alumni/ae Spotlight: Sun-Ly Pierce '19, mezzo-soprano, with Kayo Iwama, piano 4:00 pm
    Bitó Conservatory Building, Performance Space
  • Joan Tower smiling against a solid red wall. ; Celebration: A Concert honoring Joan Tower's 54th year at Bard, "My longtime home"
    10/3
    Saturday
    Celebration: A Concert honoring Joan Tower's 54th year at Bard, "My longtime home"
    Presented by the Altalena Artists Collective

    4:00 pm
    Bitó Conservatory Building, Performance Space
  • Headshots of Sohyun Ahn, Junah Chung, and Paolo Marchettini; Trio Apex
    10/16
    Friday
    Trio Apex
    Sohyun Ahn, piano; Junah Chung, viola; and Paolo Marchettini, clarinet

    7:00 pm
    Bitó Conservatory Building, Performance Space
  • From left to right: Erika Switzer, Helena Baillie, Anita Balázs
; Elegies
    10/17
    Saturday
    Elegies
    A program of radiance and remembrance

    4:00 pm
    Bitó Conservatory Building, Performance Space
  • A sepia toned image of apple branches.; Noon Concert Series
    10/19
    Monday
    Noon Concert Series 12:00 pm
    Bitó Conservatory Building, Performance Space

Meet Our Faculty

See All Faculty
  • George Tsontakis
    Distinguished Composer in Residence; Composition, Bard College Conservatory of Music

    George Tsontakis

    George Tsontakis has been the recipient of the two richest prizes awarded in all of classical music; the international Grawemeyer Award, in 2005, for his Second Violin Concerto and the 2007 Ives Living, awarded every three years by the American Academy of Arts and Letters. He studied with Roger Sessions at Juilliard and, in Rome, with Franco Donatoni. Born in Astoria, New York, into a strongly Cretan heritage, he has, in recent years, become an important figure in the music of Greece, and his music is increasingly performed abroad, with dozens of performances in Europe every season. Most of his music, including eleven major orchestral works and four concertos have been recorded by Hyperion and Koch, leading to two Grammy Nominations for Best Classical Composition, in 2009 and 1999. He is Distinguished Composer in Residence at Bard and artist-faculty emeritus with the Aspen Music Festival, where he was founding director of the Aspen Contemporary Ensemble from 1991 to 1999. He served three years as composer in residence with the Oxford (England) Philomusica; was the featured composer in residence with the Chamber Music Society of Lincoln Center for the 2008-09 season; and is continuing a six-year Music Alive residency with the Albany Symphony. He lives in New York State’s Catskill Mountains, in Shokan.
  • Sasha Romero
    Trombone

    Sasha Romero

    Sasha Romero was appointed principal trombone of the Metropolitan Opera Orchestra in 2018. Prior to her appointment at The MET, she held the position of principal trombone with the Fort Worth Symphony Orchestra from 2016-2018.

    Hailing from Longview, Texas, Sasha grew up within the acclaimed and robust Texas band system and achieved great musical success at a young age. She went on to earn her Bachelor of Music degree at Baylor University, where she studied with Brent Phillips; and her Master of Music degree at Rice University, studying with Allen Barnhill.

    In addition to a lengthy list of national and international solo and chamber music competition wins to her name, Sasha is honored to have been a semi-finalist in the first Brass Division of the 2019 XVI International Tchaikovsky Competition in St. Petersburg, Russia.

    Sasha is a passionate educator, and currently serves on the trombone faculties at Rutgers University, Mannes School of Music, and Bard College Conservatory of Music. A highly sought-after teacher, soloist, and clinician, she has presented solo recitals and masterclasses at numerous colleges, universities, music conservatories, and industry conventions across the United States.

    When she is not at The MET, teaching, or screaming into the night at the shortcomings of NYC’s public transportation system (looking at you, weekend subway service), Sasha is occasionally invited to perform as a guest trombonist with the world’s major orchestras, including the New York Philharmonic, London Philharmonic, Dallas Symphony, Houston Symphony, and others. She can be heard on Weezer’s OK Human album, as well as the film soundtracks to The Good Liar (2019) and Joker (2019).

    Sasha currently makes her home in New York City, where she spends an embarrassing amount of time catering to the demands of her absurdly adorable cats and searching endlessly for decent Mexican food.

    Sasha Romero is an S.E. Shires Performing Artist and she has a signature mouthpiece line with Long Island Brass Co.
  • Christopher H. Gibbs
    James H. Ottaway Jr. Professor of Music; Faculty, Bard College Conservatory of Music; Artistic Codirector, Bard Music Festival

    Christopher H. Gibbs

    Christopher H. Gibbs is executive editor of The Musical Quarterly; editor of The Cambridge Companion to Schubert (1997); author of The Life of Schubert (2000), which has been translated into five languages; coeditor of Franz Liszt and His World (2006) and Franz Schubert and His World (2014); and coauthor of The Oxford History of Western Music, College Edition (2013; 2nd ed., 2018). He is a contributor to New Grove Dictionary of Music and Musicians, 19th-Century Music, Schubert durch die Brille, Current Musicology, Opera Quarterly, and Chronicle of Higher Education. Additionally, he has served as program annotator and musicological consultant to the Philadelphia Orchestra (2000– ); musicological director of the Schubertiade at the 92nd Street Y in New York City; musicological adviser for the Schubert Festival at Carnegie Hall (1997); and artistic codirector of the Bard Music Festival (2003– ). Gibbs is the recipient of numerous honors, including the Dissertation Prize of the Austrian Cultural Institute (1992), ASCAP–Deems Taylor Award (1998), and American Council of Learned Societies fellowship (1999–2000). He previously taught at SUNY Buffalo (1993–2003). BA, Haverford College; MA, MPhil, PhD, Columbia University. At Bard since 2002.
  • Joan Patenaude-Yarnell
    Graduate Voice

    Joan Patenaude-Yarnell

    Following her debut with the Canadian Opera Company as Micaela in Carmen, this Canadian-born soprano joined both the New York City and San Francisco Operas. She has also sung with opera companies throughout North America and Europe. Her roles have included Violetta in La Traviata, Alice Ford in Falstaff, Gilda in Rigoletto, Nedda in I Pagliacci, the title role in Suor Angelica, Mimì in La Bohème, Juliette in Roméo et Juliette, Elle in La Voix Humaine, and Héro in Béatrice et Bénédict. As a recitalist she performed internationally under the auspices of the Canadian Government, the Australian Broadcasting Corporation, Les Jeunesses musicales, and the United States Department of State. With orchestra she sang under the batons of Sir Charles Mackerras, Charles Dutoit, Seiji Ozawa, Julius Rudel, and James De Preist. Her recordings include Songs of the Great Opera Composers with Mikael Eliasen, pianist, on the Musical Heritage Society label, as well as releases on the C.B.C. International Series and Vanguard labels. In addition to her position at Bard Conservatory, Miss Patenaude-Yarnell also serves on the voice faculties of Manhattan School of Music and the Curtis Institute of Music. Her students perform with the Metropolitan Opera, New York City Opera, San Francisco Opera, Royal Opera Covent Garden, Paris Opéra, Chicago Lyric Opera, and Stuttgart Opera and are participants in the young artists programs at Santa Fe Opera, Houston Grand Opera, Seattle Opera, Opera Center (Zurich, Switzerland), and Volksoper (Vienna). Several of her students are current winners of the George London Foundation Awards, Marilyn Horne Foundation Awards, and Puccini Foundation Awards, as well as the Metropolitan Opera National Council Auditions First Prize Winner, 2004. She has presented her master class “The Principals of Bel Canto” throughout the U.S. and Canada. In the 2014-15 season Miss Patenaude-Yarnell has given master classes in the Art of Bel Canto at the Royal Opera House (Covent Garden) Young Artists Program, Princeton University, and the University of Southern Ontario (Canada). She is presenting classes in spring 2015 at Guild Hall (London, England), the Royal Welsh College of Music/Drama (Cardiff, Wales), and Oberlin in Italy (Arezzo, Italy).



    For more information about Ms. Patenaude-Yarnell and her teaching philosophy, please visit singingwithmanyvoices.com. 

     

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Bard College
Bard College
Conservatory of Music
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Annandale-on-Hudson
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All photos by Karl Rabe unless stated otherwise.