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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a woman in a pink dress sings on stage

Opera Concert by Bard Conservatory of Music and Bard Graduate Vocal Arts Program Reviewed in the Millbrook Independent

A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney. 

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Jindong Cai conducts The Orchestra Now onstage at Jazz at Lincoln Center.

Seventh Annual Sound of Spring Concert Reviewed in Several Publications

The Millbrook Independent describes the concert as “a mélange of city and landscape visions."

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Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

“[Tower has] expanded the possibilities and audiences of modern classical Composition,” wrote GSAS Dean Carlos Alonso.

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Upcoming Events and Performances

  • Signs, Games, and Messages 2026: A Kurtág Festival
    3/27
    Friday
    Signs, Games, and Messages 2026: A Kurtág Festival Bitó Conservatory Building, Performance Space
  • Photo above of composer György Kurtág.; Signs, Games, and Messages 2026 - Program Two
    3/27
    Friday
    Signs, Games, and Messages 2026 - Program Two
    Abrahamsen’s Schnee

    7:00 pm
    Bitó Conservatory Building, Performance Space
  • Signs, Games, and Messages 2026 - Program Three
    3/28
    Saturday
    Signs, Games, and Messages 2026 - Program Three
    Bach Inventions and Sinfonias

    1:00 pm
    Bitó Conservatory Building, Performance Space
  • Kurtág Fragments, film poster.; Signs, Games, and Messages 2026: Special Program
    3/28
    Saturday
    Signs, Games, and Messages 2026: Special Program
    Film: Kurtág Fragments

    3:30 pm
    Jim Ottaway Jr. Film Center
  • Photo above of composer György Kurtág.; Signs, Games, and Messages 2026 - Program Four
    3/28
    Saturday
    Signs, Games, and Messages 2026 - Program Four
    Songs, Laments, Dances, Games

    7:00 pm
    Chapel of the Holy Innocents

Meet Our Faculty

See All Faculty
  • Derek Fenstermacher
    Tuba

    Derek Fenstermacher

    Currently principal tubist with both the New Jersey and Chattanooga Symphony Orchestras, Derek Fenstermacher received his B.M. from the University of Alabama, an M.M. from the Cincinnati College/Conservatory of Music. His primary instructors have included Mark Barton, Timothy Northcut, Demondrae Thurman, Mike Dunn, and Philip Moore, with additional tutelage from Andrew Miller, Warren Deck, Gene Pokorny, Dan Perantoni, Dave Kirk, Cristian Ganicenco, Gil Long, Sam Pilafian, and Pat Sheridan. Mr. Fenstermacher won his first orchestral position at the age of 20 and has since performed with the Nashville Symphony, New World Symphony, Houston Ballet, Alabama Symphony, Cincinnati Chamber, Huntsville Symphony, Dayton Philharmonic, West Virginia Symphony, Mobile Symphony, Tuscaloosa Symphony, and Meridian Symphony Orchestras. As a soloist, he has won many prestigious music competitions, including 1st place at the Leonard Falcone Artist Tuba Competition, and three 1st place awards at the 2008 International Tuba/Euphonium Conference. An avid chamber musician, he currently performs with the Boreas Tuba Quartet, and will be joining the New York Tuba Quartet in 2012. With over 10 years teaching experience, Mr. Fenstermacher has given masterclasses at the University of Wisconsin–Madison and Montclair State University, as well as numerous other schools in Alabama, Texas, Ohio, Kentucky, and New Jersey.
  • Robert Warner

    Robert Warner

    Robert began his musical training at an early age in his native Pennsylvania, studying both piano and violin as a child.  He earned his bachelor’s degree from the University of Rochester where he majored in both music and mathematics, during which time he also took harpsichord lessons and studied Baroque performance practice at the Eastman School of Music.  He continued his early music studies at Stony Brook University under the tutelage of Arthur Haas, serving as manager and assistant director of the Stony Brook Baroque ensemble and eventually earning a master's degree in music history as well as a DMA in harpsichord performance.​



    Upon graduating from Stony Brook, Robert was accepted into the Juilliard School’s Historical Performance program where he took harpsichord lessons with Peter Sykes, Richard Egarr and Beatrice Martin and performed extensively as a continuo keyboardist and violist in projects led by Jordi Savall, William Christie and others.  He currently resides in New York City and is once again splitting his time between music and math, maintaining an active performing schedule while working as a math tutor.  Recent musical engagements have included concerts with Philharmonia Baroque Orchestra, Boston Baroque and Upper Valley Baroque.  He also performs regularly with Musicivic Baroque and Relic Ensemble as the primary harpsichordist for both groups.



     
  • Tara Helen O'Connor
    Flute

    Tara Helen O'Connor

    Tara Helen O'Connor is a charismatic performer noted for her artistic depth, brilliant technique and colorful tone spanning every musical era. Recipient of an Avery Fisher Career Grant and a two-time Grammy nominee, she was the first wind player chosen to participate in The Bowers Program (formerly CMS Two) and is now a Season Artist of the Chamber Music Society of Lincoln Center. A Wm. S. Haynes flute artist, Tara is a regular participant in the Santa Fe Chamber Music Festival, Music@Menlo, Chamber Music Festival of the Bluegrass, Spoleto Festival USA, Chamber Music Northwest, Mainly Mozart Festival, Music from Angel Fire, Rockport Music, Bay Chamber Concerts, Manchester Music Festival, the Banff Centre, the Great Mountains Music Festival, Chesapeake Music Festival and the Bravo! Vail Valley Music Festival. Along with her husband Daniel Phillips, she is the newly appointed Co-Artstic Director of the Music From Angel Fire Festival in New Mexico.

    A much sought-after chamber musician and soloist, she has premiered hundreds of new works and has collaborated with the Orion String Quartet, St. Lawrence Quartet, Emerson String Quartet, Jaime Laredo, Dawn Upshaw, Eliot Fisk, Jeremy Denk, Ida Kavafian, Peter Serkin and David Shifrin. Tara is a member of the woodwind quintet Windscape, the legendary Bach Aria Group and is a founding member of the Naumburg Award-winning New Millennium Ensemble. A passionate advocate of new music, she is a member of the Talea and Cygnus Ensembles. Tara has appeared on A&E's Breakfast with the Arts and PBS' Live from Lincoln Center. She has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings with the Chamber Music Society of Lincoln Center and Bridge Records. She has just released a solo CD of American flute works entitled The Way Things Go on Bridge Records with pianist Margaret Kampmeier.

    Tara holds a DMA from Stony Brook University where she studied with the late Samuel Baron. Her other teachers include Julius Levine, Thomas Nyfenger, Robert Dick and Keith Underwood. Her yearly summer flute master class at the Banff Centre in Canada was legendary.  She is Associate Professor of Flute, Head of the Woodwinds Department and the Coordinator of Classical Music Studies at Purchase College School of the Arts Conservatory of Music. Additionally, Tara is on the faculty of Bard College Conservatory of Music, the Contemporary Performance Program at Manhattan School of Music and is a visiting artist, teacher and coach at the Royal Conservatory of Music in Toronto.  She lives with her husband, violinist Daniel Phillips and their two miniature dachshunds, Chloé and Ava on the Upper West Side of Manhattan.  



    For more information about the flute studio at Bard, please visit: https://bardconservatoryfl.wixsite.com/my-site.
  • Garry Kvistad
    Percussion Advisor

    Garry Kvistad

    Garry Kvistad joins the Bard Conservatory faculty in the fall of 2011 as an advisor to its newly founded percussion program. Garry attended the Interlochen Arts Academy where he studied with Jack McKenzie and Michael Ranta. He earned his BM from the Oberlin Conservatory of Music where he studied with Cloyd Duff and Richard Weiner and his MM from Northern Illinois University, where he studied music, art and physics in the pursuit of musical instrument building. In 1993 Northern Illinois University honored him with its Distinguished Alumni Award. In the 1970s, Garry worked with composer/conductor Lucas Foss as a Creative Associate in Buffalo, New York, after which he joined the faculties of Northern Illinois University and the University of Cincinnati College Conservatory of Music. During that time he co-founded the Blackearth Percussion Group which recorded and toured in the US, Canada, and Europe. Kvistad has served as the timpanist and percussionist with the Chicago Grant Park Symphony, was a summer Tanglewood Fellow, and a percussionist with the Cabrillo Music Festival Orchestra, California. He joined the percussion ensemble Nexus in the Fall of 2002 when John Wyre, one of the group's original members, retired. He has been performing and recording with Nexus co-founders Bob Becker and Russell Hartenberger since joining Steve Reich and Musicians in 1980. Garry is one of 18 musicians to win a Grammy award for the 1998 recording of Steve Reich's Music for 18 Musicians. He has been featured in performances with the Chicago Symphony Orchestra, the Cleveland Orchestra, the Israel Philharmonic, as well as many others in North America and Europe. The Balinese Gong Kebyar Gamelan ensemble, Giri Mekar, which he formed in 1987, is currently in residence at Bard College. Garry is the founder and CEO of Woodstock Percussion, Inc., makers of Woodstock Chimes® and musical instruments for children. He is a 1995 winner of Ernst & Young/Inc. Magazine's Entrepreneur of the Year Award for the Southern New England Region and served as a New York state delegate to the 1995 White House Conference on Small Business. Garry served as Chairman of the Board of Directors of The Woodstock Guild, Woodstock, NY until 2008; and as a member of the Board of Advisors of The Catskill Center for Conservation and Development, Arkville, NY. Garry lives in beautiful upstate New York with his wife Diane, lots of pets and houseplants. They have two daughters, Tasa and Maya, both following artistic paths.
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Bard College
Bard College
Conservatory of Music
30 Campus Road
Annandale-on-Hudson
New York 12504-5000
845-758-7196
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All photos by Karl Rabe unless stated otherwise.