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Jason Haaheim

Jason Haaheim was appointed a Principal Timpanist of the Metropolitan Opera Orchestra in 2013. In addition to performances at New York's Lincoln Center and Carnegie Hall, Mr. Haaheim can be seen and heard performing with the MET Orchestra on television, international radio, and Live in HD movie theater broadcasts. Guest principal timpanist engagements have included the Seoul Philharmonic, the Mostly Mozart Festival Orchestra, and the Milwaukee Symphony. Mr. Haaheim has also been principal timpanist of the Lakes Area Music Festival, and a resident artist of the Twickenham Festival. A sought-after clinician, Mr. Haaheim gives masterclasses both nationally and internationally, and is a founder of the multi-day Northland Timpani Summit. He is an adjunct faculty member of the NYU Steinhardt School of Music, and a frequent coach for the National Youth Orchestra (NYO) and the New York Youth Symphonies (NYYS). Prior to the Met, Mr. Haaheim was principal timpanist of the Southwest Michigan Symphony and the Civic Orchestra of Chicago, and he performed regularly as timpanist with the Madison Symphony, Illinois Symphony, Peoria Symphony, and the Illinois Philharmonic. Mr. Haaheim has also been invited to perform as guest principal timpanist with the Chicago Symphony, the Detroit Symphony, the International Contemporary Ensemble (ICE), the Glimmerglass Festival, the Auckland Philharmonia, the Fort Wayne Philharmonic, and the Hong Kong Philharmonic. Mr. Haaheim began studying piano in 4th grade, adding percussion studies in 5th grade. He holds a bachelor of arts degree with a double major in honors-music-performance and physics from Gustavus Adolphus College (St. Peter, MN); he also holds a master’s degree in electrical engineering from UC-Santa Barbara. Influential teachers have included John Tafoya (Indiana University, National Symphony), Dean Borghesani (Milwaukee Symphony), Jonathan Haas (Aspen Music Festival, NYU), and Robert Adney (Gustavus Adolphus College, MacPhail Music School). While auditioning and freelancing, Mr. Haaheim worked as “Senior Research and Development Engineer” at NanoInk, a Chicago-area tech company. In this capacity, he gave invited talks on nanotechnology, authored multiple peer-reviewed publications, and was granted numerous patents. In 2017, this dual-career path was highlighted in an interview with Melissa Block on NPR’s Weekend Edition. Active in all musical areas, Mr. Haaheim has also performed extensively as a chamber musician and jazz drummer. He collaborated with Yo-Yo Ma in a Civic Orchestra / Silk Road Ensemble performance, and recorded the premiere of Augusta Read Thomas’s “Terpsichore’s Dream” with members of the Chicago Symphony. Mr. Haaheim has performed with Chicago’s ensemble dal niente, and premiered Ryosuke Yagi’s “Mirrors…for timpani” with the UCSB Ensemble of Contemporary Music. Other projects have included drumming for the jazz-fusion quartet “The J3 Intent” and the alt-country band “The Lost Cartographers.” At Gustavus, Mr. Haaheim was selected for the honors recital and won first place in the orchestra’s concerto competition. Extra-musical interests include backpacking and hiking, rock climbing, and both downhill and cross-country skiing.

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Hongmei Yu

A graduate of the Central Conservatory of Music (CCOM), Yu Hongmei is one of the most brilliant erhu virtuosos as well as the most influential erhu educator in contemporary China. She currently serves as the Dean of the Chinese Music Department in CCOM, and is the designated guest erhu soloist for the China National Traditional Orchestra. Yu Hongmei maintains an active solo career in erhu performing. She has toured Europe, America, Africa, and many regions in Asia, and has successfully held hundreds of recitals in the United States, France, Canada, Japan, Hong Kong and mainland China. Her album String Glamour won the Best Traditional World Music award by Indie Music in the United States. She was the first Chinese recipient honored for this award in its 30-year history. Yu Hongmei has premiered many classic erhu works and core repertoires, and has produced exemplary works embodying different times in Chinese history: Dreams of Jinghua, Eight Banners, Tianxiang, West Rhapsody. She has appeared in many world class concert halls: Musikverein (Golden Hall in Vienna), Carnegie Hall in New York, Avery Fisher Hall of Lincoln Center, John F. Kennedy Center for the Performing Arts in Washington D.C., Théâtre des Champs-Élysées in Paris, Lucerne Concert Hall at KKL Luzern. She participated in many major performance events such as American Culture in China, New Culture in Australia with Chinese Culture, Spring Prague in the Czech Republic, Chinese Arts Festival, Beijing International Music Festival, Shanghai International Arts Festival, German Music Festival, and the Macao Arts Festival. As an educator, Yu Hongmei recorded Erhu by Maestros, and edited and published Collections of Erhu Works presented by China Central Television, the most predominant state television broadcaster. Her publications, such as Dynamics in Erhu Performance and How to play A Flower (an erhu piece by Song Fei) are well recognized and widely cited in Chinese music journals. Yu Hongmei has been invited to lecture at various institutions including California Institute of the Arts and the City University of Hong Kong. New York Concert Journal complimented her on her exquisite touching sounds as she “represents the contemporary spirit of Chinese musical culture.” Joining the US-China Music Institute of Bard Conservatory of Music, Yu Hongmei continues committing herself to preserving cultural heritage, promoting and developing Chinese music in America.