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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

More About Us
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    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
Learn More
The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

Jindong Cai conducts The Orchestra Now onstage at Jazz at Lincoln Center.

Seventh Annual Sound of Spring Concert Reviewed in Several Publications

The Millbrook Independent describes the concert as “a mélange of city and landscape visions."

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Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

“[Tower has] expanded the possibilities and audiences of modern classical Composition,” wrote GSAS Dean Carlos Alonso.

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a black and white archival photo of a man at a piano

Bard Conservatory of Music Announces Seventh Annual Kurtág Festival Honoring György Kurtág’s 100th Birthday, March 11–April 4

The 2026 edition highlights the clarity, precision, and expressive depth of Kurtág’s music.

Read More

Upcoming Events and Performances

  • Rosemary Nelis holding a viola.; Alumni/ae Spotlight Series: Rosemary Nelis '17, viola
    2/27
    Friday
    Alumni/ae Spotlight Series: Rosemary Nelis '17, viola 7:30 pm
    Bitó Conservatory Building, Performance Space
  • Raman Ramakrishnan (left) wearing a green sweater and holding a cello against a blue and white background. Thomas Sauer (right) wearing a black button up shirt, with a grey background.; Faculty Spotlight Series: Raman Ramakrishnan, cello, with guest artist Thomas Sauer, piano
    2/28
    Saturday
    Faculty Spotlight Series: Raman Ramakrishnan, cello, with guest artist Thomas Sauer, piano 4:00 pm
    Bitó Conservatory Building, Performance Space
  • 2/28
    Saturday
    Third Year Recital: Drew Frankenberg, composition 6:00 pm
    Bard Hall
  • An empty recital hall.; Third Year Recital Marathon
    3/1
    Sunday
    Third Year Recital Marathon 1:00 pm
    Olin Hall
  • An empty recital hall.; Third Year Recital: Jiayi Sun, konghou
    3/1
    Sunday
    Third Year Recital: Jiayi Sun, konghou 7:00 pm
    Bitó Conservatory Building, Performance Space

Meet Our Faculty

See All Faculty
  • Christopher H. Gibbs
    James H. Ottaway Jr. Professor of Music; Faculty, Bard College Conservatory of Music; Artistic Codirector, Bard Music Festival

    Christopher H. Gibbs

    Christopher H. Gibbs is executive editor of The Musical Quarterly; editor of The Cambridge Companion to Schubert (1997); author of The Life of Schubert (2000), which has been translated into five languages; coeditor of Franz Liszt and His World (2006) and Franz Schubert and His World (2014); and coauthor of The Oxford History of Western Music, College Edition (2013; 2nd ed., 2018). He is a contributor to New Grove Dictionary of Music and Musicians, 19th-Century Music, Schubert durch die Brille, Current Musicology, Opera Quarterly, and Chronicle of Higher Education. Additionally, he has served as program annotator and musicological consultant to the Philadelphia Orchestra (2000– ); musicological director of the Schubertiade at the 92nd Street Y in New York City; musicological adviser for the Schubert Festival at Carnegie Hall (1997); and artistic codirector of the Bard Music Festival (2003– ). Gibbs is the recipient of numerous honors, including the Dissertation Prize of the Austrian Cultural Institute (1992), ASCAP–Deems Taylor Award (1998), and American Council of Learned Societies fellowship (1999–2000). He previously taught at SUNY Buffalo (1993–2003). BA, Haverford College; MA, MPhil, PhD, Columbia University. At Bard since 2002.
  • Elizabeth Reese
    Alexander Technique

    Elizabeth Reese

    Elizabeth Reese (AmSAT, M.Ed, LMHC), began studying the Alexander Technique in 1981 and considered the work as a core part of her training as a choreographer/performer in NYC. She certified as an Alexander teacher in 1994 at the American Center for the Alexander Technique and, in 2006, as a teacher of Breathing Coordination with Jessica Wolf. Elizabeth was senior faculty for ten years at AT-NYC, a certification course for AT teachers, and is a founder and instructor at Postural Rehabilitation, a continuing education program for veterinarians. In 1999, she created and established The Warwick Summer Arts Festival, producing performance events at farms, parks and lakes around the town of Warwick, NY, which continues today. Her interest in the embodied experience of trauma led her to her masters work in mental health counseling and, in 2014, her work as a research associate on a study exploring the significance of posture in performance, injury, relationship and emotional regulation, using horses as models, funded by the American Holistic Veterinary Foundation. Elizabeth has presented workshops and seminars throughout the US as well as Ireland and Denmark and has presented at numerous national conferences for the American Society of the Alexander Technique. She is currently on faculty at Neighborhood Playhouse and maintains a private practice at her farm in Sugar Loaf, New York and in New York City.
  • Tao Chen
    Dizi

    Tao Chen

    Chen Tao is an internationally acclaimed Chinese flutist, music educator, composer, and conductor of Chinese orchestra; founder and director of Melody of Dragon, Inc., and of Melody of Dragon & the Youth; artistic director and conductor of the Chinese Music Ensemble of New York and conductor of New Jersey Buddha’s Light Youth Chinese Orchestra; artistic director of New York Guqin Association; and executive chairman of the New York Chinese Music Instruments International Competition since 2015. He is also a 27th-generation musician of Zhi-Hua Buddhism music. The New York Times called Chen Tao a “poet in music” and his playing “a miracle of the oriental flute.” Conductor Herbert von Karajan praised him as an artist who “performs with his soul.” 

    A graduate of the Central Conservatory of Music in Beijing, Chen Tao was the winner of the 1989 National Folk Instrument Competition in China and has toured the United States, Germany, Italy, France, England, Holland, Singapore, and elsewhere. He has collaborated with the BBC Philharmonic and National Orchestra of Lyon. His playing can be heard on soundtracks of Hollywood movies including Seven Years in Tibet, Corrupter (with the New York Philharmonic) and on the PBS documentary Under the Red Flag. Since coming to the United States in 1993, Chen Tao has been invited to perform and lecture throughout the country. His second Flute Recital was performed in Carnegie Hall by the New York Flute Club in 2001. He has performed at Lincoln Center and the New Jersey Performing Arts Center with groups such as the Manhattan School of Music’s Chamber Orchestra, Nai-Ni Chen Dance Company, and H. T. Chen Dancers. China Institute in America has invited him to perform and lecture on the Chinese flute since 1995. The World Journal and Tsingtao Daily have called him “king of the flute.” 

    As a music educator, Chen Tao has been leading Melody of Dragon in collaboration with the Midori & Friends Foundation to develop Chinese music culture in elementary schools and high schools throughout the New York metropolitan area.
  • Alexandra Knoll
    Oboe

    Alexandra Knoll

    Alexandra was born in Zimbabwe and emigrated to South Africa at age eleven. After graduating from high school, she worked professionally for two years in the Natal Philharmonic Orchestra and then moved to the United States for further studies. She is an alumna of the Curtis Institute of Music and The Juilliard School. Alexandra is much in demand as an oboist in New York City. She is Associate Principal Oboist of the New York City Ballet Orchestra, Principal Oboist of the American Symphony Orchestra and a member of New York City Opera. Alexandra frequently plays with the Metropolitan Opera, the New Jersey Symphony Orchestra, the American Composers Orchestra and the Knights. On Broadway, she was the oboist for “Mary Poppins”, “Fiddler on the Roof” and “Miss Saigon” and has been featured on recordings by Rufus Wainwright, Lenny Kravitz, Antony and the Johnsons and Baby Dee. Alexandra is on the oboe faculty of the Bard College Conservatory of Music. She lives in Brooklyn with her husband, Maxim Moston, their daughter and cats.
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Bard College
Bard College
Conservatory of Music
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Annandale-on-Hudson
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All photos by Karl Rabe unless stated otherwise.