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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

More About Us
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    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
Learn More
The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a woman in a pink dress sings on stage

Opera Concert by Bard Conservatory of Music and Bard Graduate Vocal Arts Program Reviewed in the Millbrook Independent

A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney. 

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Jindong Cai conducts The Orchestra Now onstage at Jazz at Lincoln Center.

Seventh Annual Sound of Spring Concert Reviewed in Several Publications

The Millbrook Independent describes the concert as “a mélange of city and landscape visions."

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Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

“[Tower has] expanded the possibilities and audiences of modern classical Composition,” wrote GSAS Dean Carlos Alonso.

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Upcoming Events and Performances

  • Signs, Games, and Messages 2026: A Kurtág Festival
    3/23
    Monday
    Signs, Games, and Messages 2026: A Kurtág Festival Bitó Conservatory Building, Performance Space
  • Michael Jones and Shaoai Ashley Zhang reflected in a mirror with greenery.; Duo Refracta
    3/23
    Monday
    Duo Refracta 7:00 pm
    Edith C. Blum Institute
  • Photo above of composer György Kurtág.; Signs, Games, and Messages 2026 - Program Two
    3/27
    Friday
    Signs, Games, and Messages 2026 - Program Two
    Abrahamsen’s Schnee

    7:00 pm
    Bitó Conservatory Building, Performance Space
  • Signs, Games, and Messages 2026 - Program Three
    3/28
    Saturday
    Signs, Games, and Messages 2026 - Program Three
    Bach Inventions and Sinfonias

    1:00 pm
    Bitó Conservatory Building, Performance Space
  • Kurtág Fragments, film poster.; Signs, Games, and Messages 2026: Special Program
    3/28
    Saturday
    Signs, Games, and Messages 2026: Special Program
    Film: Kurtág Fragments

    3:30 pm
    Jim Ottaway Jr. Film Center

Meet Our Faculty

See All Faculty
  • Peter Wiley
    Cello

    Peter Wiley

    Peter Wiley attended the Curtis Institute at just 13 years of age, under the tutelage of David Soyer. He continued his impressive youthful accomplishments with his appointment as principal cellist of the Cincinnati Symphony at age 20, after one year in the Pittsburgh Symphony. He has been awarded an Avery Fisher Career Grant and was nominated with the Beaux Arts Trio for a Grammy Award in 1998. As a member of the Beaux Arts Trio, Wiley performed over a thousand concerts, including appearances with many of the world's greatest orchestras. He continues his association with the Marlboro Music Festival, dating from 1971. He has also been a faculty artist at Caramoor's "Rising Stars" program and has taught at the Cincinnati College Conservatory of Music, Mannes College of Music, and Manhattan School of Music. He is also on the faculty of the Curtis Institute of Music and a member of the Guarneri String Quartet.
  • Junzhi Cui
    Konghou

    Junzhi Cui

    Cui Junzhi is a leading pioneer of the modern art of konghou (Chinese harp) performance. With her incomparable style, she continues to shine on the world's musical stage.

    A recipient of many prestigious accolades, she has been honored with a medal from UNESCO and a Lifetime Achievement Award from the United Nations. She was awarded first prize in the World Broadcasting Competition, garnered a Gold Award at the Philadelphia International Music Festival for Chinese Composition Performance, and earned the title of "Outstanding Artist" at the inaugural International Harp Competition in the United States. Moreover, she consistently excels in national competitions for instrumental music and composition competitions sponsored by the Ministry of Culture in China.

    Cui serves as a leader in numerous konghou-related arenas, from performance and education to international outreach and multimedia recordings. With the endorsement of several major music schools, she pioneered the establishment of the konghou performance major. Invitations to perform and lecture have taken her to dozens of countries, where she has broken new ground with her konghou concertos. She wrote the book The World of Konghou and edited the inaugural "Central Conservatory of Music Examination Syllabus," for konghou performance. These works have served as milestones in the developing landscape of modern konghou artistry.

    Currently, she holds the titles of National First-Class Performer, professor of konghou, and Master's Degree supervisor. Additionally, she serves as the president of the Konghou Research Association, which operates under the auspices of the China Musicians Association. She joined the faculty of the Bard College Conservatory of Music in 2023, where she serves as master teacher to majors in konghou performance in the US-China Music Institute.
  • Mira Wang
    Violin, Artist in Residence

    Mira Wang

    Mira Wang has built a remarkable bridge from her time as a child prodigy in Beijing, China to an acclaimed soloist on the world stage today.

    She has appeared as a soloist with many prestigious orchestras all over the world including the Boston Symphony Orchestra, Staatskapelle Dresden, Royal Liverpool Philharmonic, Orchestre de la Suisse Romande, Saarbrücken Radio Orchestra, New Zealand Symphony Orchestra, Singapore Symphony Orchestra, Hong Kong Philharmonic and NDR Philharmonic Hannover. 

    An avid chamber musician, Mira’s partners include Hélène Grimaud , Oli Mustonen, Alice Sara Ott, Lise de la Salle, Louis Lortie, Jeremy Denk, Pamela Frank, Daniel Müller-Schott, Gautier Capucon, Jan Vogler,  Lawrence Power and Lars Anders Tomter.

    She is an enthusiastic exponent of contemporary music, premiering the violin concerto Spring in Dresden by Chinese-American composer Chen Yi with the Staatskapelle Dresden, conducted by Ivan Fischer and John Harbison’s Double Concerto for Violin and Cello with the Boston Symphony Orchestra, under the direction of Carlos Kalmar.  In 2015 she premiered the double concerto by Wolfgang Rihm, with Jan Vogler and the Orpheus Chamber orchestra at Carnegie Hall. In 2018, She premiered a triple concerto “Alisma” by Swiss composer William Blank with Jan Vogler, Daniel Ottensamer and the Philharmonische Staatsorchester Hamburg, conducted by Kent Nagano at Elbphilharmonie in Hamburg. 

    Mira has recorded extensively for many labels including Sony Classical and Edel Classics.  Her discography includes violin concerto No. 2 by Prokofieff with the Saarbrücken Radio Symphony, the violin concerto No. 3 by Saint-Saens with NDR Philharmonic Hannover, a duo album with cellist Jan Vogler and several chamber music recordings with Artists of the Moritzburg Festival.

    Mira has been Artistic Director of the Model Room Musicales concert series in New York City since 2005 and in 2013, she became Director of the Moritzburg Festival Academy in Germany, a training program for young musicians that is part of the annual Moritzburg Chamber Music Festival.

    Born in China, Ms. Wang studied at Central Conservatory in Beijing.  She was sponsored by renowned violin teacher, the late Roman Totenberg to further her studies at Boston University, where she graduated summa cum laude and received the prestigious Kahn Award given to outstanding performers.  She has won 1st prizes in several international violin competitions including the Geneva Competition.

     
  • Yi-Wen Jiang
    Violin

    Yi-Wen Jiang

    Violinist Yi-Wen Jiang was born in Beijing to a family with a strong musical background, his father having spent over 35 years as a Concertmaster and his mother as a soprano soloist. Jiang's destiny was revealed at three years old when he listened to Beethoven's violin concerto, instilling in him the desire to become a professional violinist.

    Jiang gave his concerto debut in Beijing at 17. He secured the top prize at the inaugural China Youth Violin Competition, enabling him to study with Professor Han Li at the Central Conservatory of Music. Subsequently, he received a full scholarship from McDonnell-Douglas at the St. Louis Conservatory and relocated to the U.S. in 1985 to study with Taras Gabora and Michael Tree. Following his tenure in St. Louis, he enrolled in Rutgers University's graduate program, where he studied for four years with Arnold Steinhardt. Jiang credits Steinhardt with having the most profound influence on his playing, followed

    by highly influential master classes with Pinchas Zukerman. In the wake of his prize-winning performance at the Montreal International Competition, he appeared as a soloist with the Victoria Symphony and Montreal Symphony, and was featured at numerous international music festivals by the age of 22.

    Jiang's 26-year tenure with the Shanghai Quartet, which began in 1994, encompassed over 3,000 concerts in 37 countries. The ensemble's collaborations with distinguished artists were extensive, including performances with the Tokyo, Juilliard, and Guarneri Quartets, cellists Yo-Yo Ma and Lynn Harrell, pianists Roth Laredo, Menahem Pressler, Peter Serkin, Jean-Yves Thibaudet, and Yuja Wang, many of whom developed into lasting friendships. The ensemble was a regular performer at many of Europe's and North America's most prestigious music festivals.

    As a composer, Jiang has developed a distinctive style, arranging dozens of pieces for violin-piano and string quartet that blend Eastern and Western influences. His arrangement of Chinese folk songs, ChinaSong, is particularly notable, drawing on his childhood experiences during the Cultural Revolution in China. The Shanghai Quartet, joined by Eugenia Zukerman, recorded this collection of 24 pieces, which was released on the Delos International label in 2002. In 2018, Flower City Publisher in Guangzhou published 38 of these arrangements. 

    Jiang holds a position as a founding faculty member at The Bard College Conservatory of Music.
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Bard College
Bard College
Conservatory of Music
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Annandale-on-Hudson
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All photos by Karl Rabe unless stated otherwise.