Music, like all art, engages the mind and the heart.
The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.
Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.
The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.
A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney.
Shiqi Zhong is an acclaimed percussionist and DMA candidate at New York University, recognized for his extensive cross-cultural expertise and academic background in percussion. His varied career spans world, classical, contemporary, and popular music, showcasing his versatility and commitment to advancing the art of percussion.
A graduate of the China Conservatory of Music Affiliated Middle School, Juilliard Pre-College, Curtis Institute of Music, Yale School of Music, and New York University, Shiqi Zhong’s comprehensive education forms the bedrock of his emerging career. As deputy editor of the Percussive Arts Society (PAS) China and board member of the Asian Youth Musician Alliance (AYMA), Shiqi Zhong has made significant contributions to percussion education and outreach. His mentorship has led to the acceptance of his former students into prestigious institutions such as the Curtis Institute of Music, Juilliard Pre-College, Manhattan School of Music, and San Francisco Conservatory.
An active percussionist, Shiqi Zhong has played with renowned ensembles including the New Jersey Symphony Orchestra, the American Symphony Orchestra, and the Composer Symphony Orchestra. He has worked with esteemed conductors such as Leon Botstein, Xian Zhang, Yannick Nézet-Séguin, Vladimir Jurowski, and Osmo Vänskä. As a prominent percussion soloist, Shiqi Zhong has received numerous international accolades, including awards from the World Percussion Competition, the Piazzolla International Music Competition, the PAS KoSA Marimba Competition, and the Singapore Chinese Percussion Competition.
In addition to his performance career, Shiqi Zhong is an innovative composer. His works include China’s first electronic music and traditional Chinese percussion piece, The Monkey King’s Havoc in Heaven, as well as Unity, a Chinese Drum Ensemble piece, and Nezha, for solo timpani and drum ensemble. His educational method books, Rhythm Master and Handpan for Beginners, reflect his dedication to expanding and bridging cultures through percussion music.
Adele Anthony
Violin
Adele Anthony
Since her triumph at Denmark’s 1996 Carl Nielsen International Violin Competition, Adele Anthony has enjoyed an acclaimed and expanding international career. Performing as a soloist with orchestra and in recital, as well as being active in chamber music, Ms. Anthony’s career spans the continents of North America, Europe, Australia, India and Asia.
In addition to appearances with all six symphonies of the Australian Broadcasting Corporation, Ms. Anthony’s highlights from recent seasons have included performances with the symphony orchestras of Houston, San Diego, Seattle, Ft. Worth, and Indianapolis, as well as the Leipzig Gewandhaus Orchestra and the Orchestre Philharmonique de Radio France. Being an avid chamber music player, Ms. Anthony appears regularly at La Jolla SummerFest and Aspen Music Festival. Her wide-ranging repertoire extends from the Baroque of Bach and Vivaldi to contemporary works of Ross Edwards, Arvo Pärt and Phillip Glass.
An active recording artist, Ms. Anthony’s work includes releases with Sejong Soloists, Eric Ewazen, Concerto for Violin and String Orchestra (Albany), a recording of the Philip Glass Violin Concerto with Takuo Yuasa and the Ulster Orchestra (Naxos), Arvo Pärt’s ‘Tabula rasa’ with Gil Shaham, Neeme Järvi and the Gothenburg Symphony Orchestra (Deutsche Grammophon), and her latest recording of the Sibelius Violin Concerto and Ross Edwards “Maninyas” with the Adelaide Symphony Orchestra (Canary Classics/ABC Classics).
Adele Anthony performs on an Antonio Stradivarius violin, crafted in 1728.
Weston Sprott
Trombone
Weston Sprott
Weston Sprott enjoys an exciting career that includes orchestral, chamber, and solo performances, as well as numerous educational and outreach efforts. He is Dean of the Preparatory Division at The Juilliard School, leading Juilliard Pre-College and the Music Advancement Program, and a trombonist in New York’s Metropolitan Opera Orchestra, of which he has been a member since 2005. He has been recognized as “an excellent trombonist” with a “sense of style and phrasing [that] takes a backseat to no one”. He is a recipient of the Sphinx Medal of Excellence and the Atlanta Symphony Talent Development Program Aspire Award.
Sprott has performed frequently with the Philadelphia Orchestra, held a position with the Zurich Opera/Philharmonia, and has appeared with numerous other major orchestras, including the New York Philharmonic, Atlanta Symphony, and Oslo Philharmonic. He previously held principal positions with the Pennsylvania Ballet Orchestra and the Delaware Symphony Orchestra. His chamber music and festival engagements include the Stellenbosch International Chamber Music Fesitval (SICMF), Classical Tahoe, Festival Napa Valley, Walla Chamber Music Festival, Chineke!, PRIZM Ensemble, and numerous others.
As a soloist, Sprott has been featured regularly throughout the United States, Europe, South Africa, and Asia. He made his Carnegie solo debut in 2007 and was a featured soloist with the Chamber Music Society of Lincoln Center is 2017. Sprott’s debut album, Act I, was released in 2010 and hailed by the American Record Guide as “an outstanding recording” that “feels the emotion of every note and phrase”.
A dedicated and tireless teacher, Sprott holds faculty positions at Juilliard Pre-College and Bard College. He previously led the brass department at Mannes College and held faculty positions at Rutgers University, Purchase College, and the Juilliard Music Advancement Program. He also regularly serves on the faculties of SICMF, PRIZM, Curtis Institute of Music’s Summerfest, National Youth Orchestra-USA (NYO-USA) and NYO2.
He appeared in Ben Niles’ documentary film Some Kind of Spark, which highlights the impact of music education in the lives of students as they attend Juilliard’s Music Advancement Program. Other documentary film credits include A Wayfarer's Journey:Listening to Mahler, and Rittenhouse Square. His thoughts are also quoted in Rhythms of the Game, a book by former New York Yankees star Bernie Williams. He also works with organizations like Play On Philly and Music Kitchen, and has sponsored educational opportunities and solicited instrument donations for disadvantaged students. His philanthropic spirit was recognized in an article by the Wall Street Journal. He is the Board Chair of the Friends of SICMF, a member of the Bronx Arts Ensemble’s Artistsic Advisory Board, and a member of the Avery Fisher Artist Program's Recommendation Board. Weston is an active speaker, writer, and advisor for diversity and inclusion efforts in classical music.
Weston Sprott is an artist/clinician for the Antoine Courtois Instrument Company. He designed and performs exclusively on the Courtois Creation New York trombone. Performances and interviews with Mr. Sprott have been seen and heard on PBS' Great Performances, NPR's Performance Today, MSNBC, and Sirius Satellite Radio.
Junzhi Cui
Konghou
Junzhi Cui
Cui Junzhi is a leading pioneer of the modern art of konghou (Chinese harp) performance. With her incomparable style, she continues to shine on the world's musical stage.
A recipient of many prestigious accolades, she has been honored with a medal from UNESCO and a Lifetime Achievement Award from the United Nations. She was awarded first prize in the World Broadcasting Competition, garnered a Gold Award at the Philadelphia International Music Festival for Chinese Composition Performance, and earned the title of "Outstanding Artist" at the inaugural International Harp Competition in the United States. Moreover, she consistently excels in national competitions for instrumental music and composition competitions sponsored by the Ministry of Culture in China.
Cui serves as a leader in numerous konghou-related arenas, from performance and education to international outreach and multimedia recordings. With the endorsement of several major music schools, she pioneered the establishment of the konghou performance major. Invitations to perform and lecture have taken her to dozens of countries, where she has broken new ground with her konghou concertos. She wrote the book The World of Konghou and edited the inaugural "Central Conservatory of Music Examination Syllabus," for konghou performance. These works have served as milestones in the developing landscape of modern konghou artistry.
Currently, she holds the titles of National First-Class Performer, professor of konghou, and Master's Degree supervisor. Additionally, she serves as the president of the Konghou Research Association, which operates under the auspices of the China Musicians Association. She joined the faculty of the Bard College Conservatory of Music in 2023, where she serves as master teacher to majors in konghou performance in the US-China Music Institute.