Music, like all art, engages the mind and the heart.
The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.
Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.
The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.
Internationally acclaimed clarinetist David Krakauer redefines the notion of a concert artist. Known for his mastery of myriad styles, he occupies the unique position of being one of the world’s leading exponents of Eastern European Jewish klezmer music, and at the same time is a major voice in classical music. As one of the foremost musicians of the vital new wave of klezmer, David Krakauer tours the globe with his celebrated Klezmer Madness! ensemble. While firmly rooted in traditional klezmer folk tunes, the band “hurls the tradition of klezmer music into the rock era” (Jon Pareles, The New York Times). In addition to his annual European tours to major international festivals and jazz clubs, recent seasons brought Krakauer and his band to the Library of Congress, Stanford Lively Arts, San Francisco Performances, the Krannert Center, Carnegie’s Zankel Hall, the Venice Biennale, Krakow Jewish Culture Festival, BBC Proms, Saalfelden Jazz Festival, Transmusicales de Rennes, La Cigale, New Morning in Paris, and many others. His newest project, The Big Picture, re-imagines familiar themes by such renowned film music composers as John Williams, Marvin Hamlisch, Randy Newman, Wojciech Kilar and Vangelis, and interprets melodic gems by the likes of Sidney Bechet, Sergei Prokofiev, Mel Brooks, Ralph Burns, John Kander & Fred Ebb and Jerry Bock that have appeared in popular films. In addition, Krakauer is in demand worldwide as a guest soloist with the finest ensembles including the Emerson, Orion and Kronos String Quartets, as well as orchestras including the Amsterdam Sinfonietta, the Detroit Symphony, the Weimar Staatskapelle, the Phoenix Symphony, the Dresdener Philharmonie, and the Seattle Symphony. Krakauer’s discography contains some of the most important klezmer recordings of the past decade including six CDs under his own name: two on John Zorn's Tzadik Label and four on Label Bleu; plus collaborations with the Klezmatics, Itzak Perlman, the Kronos Quartet/Osvaldo Golijov and Socalled. Abraham Inc’s "Tweet-Tweet" on his own label, Table Pounding Records (and Label Bleu in Europe) was released in early 2010. Composers who have written major pieces for him include David del Tredici, Paul Moravec, Ofer Ben-Amots, Jean Philippe Calvin, George Tsontakis, Anthony Coleman and Wlad Marhulets. David Krakauer is on the clarinet and chamber music faculties of Mannes College of Music, the Manhattan School of Music, NYU and the Bard College Conservatory of Music. His unique sound can be heard as soloist in Danny Elfman's score for the film "Taking Woodstock" and throughout "The Tango Lesson".
Garry Kvistad
Percussion Advisor
Garry Kvistad
Garry Kvistad joins the Bard Conservatory faculty in the fall of 2011 as an advisor to its newly founded percussion program. Garry attended the Interlochen Arts Academy where he studied with Jack McKenzie and Michael Ranta. He earned his BM from the Oberlin Conservatory of Music where he studied with Cloyd Duff and Richard Weiner and his MM from Northern Illinois University, where he studied music, art and physics in the pursuit of musical instrument building. In 1993 Northern Illinois University honored him with its Distinguished Alumni Award. In the 1970s, Garry worked with composer/conductor Lucas Foss as a Creative Associate in Buffalo, New York, after which he joined the faculties of Northern Illinois University and the University of Cincinnati College Conservatory of Music. During that time he co-founded the Blackearth Percussion Group which recorded and toured in the US, Canada, and Europe. Kvistad has served as the timpanist and percussionist with the Chicago Grant Park Symphony, was a summer Tanglewood Fellow, and a percussionist with the Cabrillo Music Festival Orchestra, California. He joined the percussion ensemble Nexus in the Fall of 2002 when John Wyre, one of the group's original members, retired. He has been performing and recording with Nexus co-founders Bob Becker and Russell Hartenberger since joining Steve Reich and Musicians in 1980. Garry is one of 18 musicians to win a Grammy award for the 1998 recording of Steve Reich's Music for 18 Musicians. He has been featured in performances with the Chicago Symphony Orchestra, the Cleveland Orchestra, the Israel Philharmonic, as well as many others in North America and Europe. The Balinese Gong Kebyar Gamelan ensemble, Giri Mekar, which he formed in 1987, is currently in residence at Bard College. Garry is the founder and CEO of Woodstock Percussion, Inc., makers of Woodstock Chimes® and musical instruments for children. He is a 1995 winner of Ernst & Young/Inc. Magazine's Entrepreneur of the Year Award for the Southern New England Region and served as a New York state delegate to the 1995 White House Conference on Small Business. Garry served as Chairman of the Board of Directors of The Woodstock Guild, Woodstock, NY until 2008; and as a member of the Board of Advisors of The Catskill Center for Conservation and Development, Arkville, NY. Garry lives in beautiful upstate New York with his wife Diane, lots of pets and houseplants. They have two daughters, Tasa and Maya, both following artistic paths.
Hugo Valverde
Horn
Hugo Valverde
Hugo Valverde carries a professional orchestral and solo career in the United States and his native Costa Rica as a French horn player, currently holding the full-time and tenured position of Second Horn with the Metropolitan Opera Orchestra since 2017.
As an orchestral player he has performed with the Costa Rican National Symphony Orchestra, the Classical Tahoe Festival Orchestra in Incline Village, Nevada, The Strings Music Festival Brass Ensemble in Steamboat Springs, Colorado, The Orchestra of the Americas on their Eastern Canada Tour, The Pacific Music Festival in Sapporo, Japan, The New York City Ballet and The Philadelphia Orchestra.
In his role as a soloist he performed Richard Strauss’ Concerto No. 1 with the Lynn Philharmonia Orchestra under Guillermo Figueroa and he premiered the piece “Tributo al Ciudadano Pablo” by Marvin Camacho -who is a well renowned Costa Rican composer and pioneer in new contemporary music- with the “Heredia Symphony Orchestra” of Costa Rica under Josué Jiménez. The piece is written and dedicated to him by the composer and it reflects Hugo Valverde’s commitment to Latin American repertoire, having performed and premiered pieces by Manuel Matarrita -Costa Rican pianist and composer-, and other Latin American composers. He often performs chamber music concerts with his colleagues of the Metropolitan Opera Orchestra at the Carnegie Hall Concert Series at Weill Recital Hall and also with the woodwind quintet “Quinteto de Luz” in Costa Rica at the National Music Institute, Teatro Espressivo and the National Theatre of Costa Rica.
A dedicated educator, Mr. Valverde has been involved in pedagogical programs in the United States and Latin America, giving masterclasses for the Orchestra of the Americas, Yale University School of Music, Manhattan School of Music, New York University, Bard College Conservatory of Music, National Conservatory of Music of Puerto Rico, The Blackburn Music Academy in Napa Valley, San Jose State University, Austin Peay University, New World School of the Arts, University of Panama School of Music and the University of Costa Rica, among others. During the pandemic he created the project “Lockdown Warmups”, which offered 40+ free masterclasses and professional online coaching from renown musicians from the Berlin Philharmonic and New York Philharmonic Orchestras, Chicago Symphony, San Francisco Symphony, Pittsburgh Symphony, Jacksonville Symphony, Seattle Symphony Orchestras, The Cleveland and The Philadelphia Orchestras, Metropolitan Opera Orchestra, Bavarian Radio, Frankfurt Radio, Hamburg, West Germany Radio Symphonies, and other remarkable ones, for young Latin American horn players. He currently teaches at the Precollege Division at Manhattan School of Music.
As a recording studio musician, Mr. Valverde has been part of two soundtracks for movies called “The Woman in the Window”, produced by Fox 2000 Pictures, released by Netflix and 20th Century Studios and music composed by Danny Elfman; and the other one is “Don’t Worry Darling”, produced by New Line Cinema, and music by John Powell. He was also part of the recording of Sir Paul McCartney’s song “My Valentine” with Michael Bublé in the solo voice and Mr. McCartney himself in the live recording session at the Manhattan Center Studios. The song was released in February 2022 in various music and video streaming platforms like YouTube, Apple Music, Spotify, Tidal, etc.
The live recording and broadcast made in 2019 of George Gershwin’s “Porgy and Bess” was chosen as the recipient of the “Best Opera Recording” award in the “63rd Grammy Award Ceremony”. In March 14th, 2021, The Metropolitan Opera Company won the “The Recording Academy” Grammy, and Mr. Valverde was part of this broadcast and recording, who was also given a certificate of participation as a member of The Metropolitan Opera Orchestra in recognition of his effort put into the project.
Mr. Valverde studied at the Shepherd School of Music at Rice University in Houston, Texas, Lynn University Conservatory of Music in Boca Raton, Florida and the National Music Institute in San José, Costa Rica. His main teachers are Daniel León, Luis Murillo, Gregory Miller and William VerMeulen.
In his spare time, Hugo enjoys road biking around Central Park, New York City area, New Jersey and his native Costa Rica, and is an avid coffee aficionado, given the fact that Costa Rica is known worldwide for the top-quality coffee they produce.
Jia Qiao
Chinese percussion
Jia Qiao
When she was eleven years old Qiao Jia passed the audition to be a percussion student at The Central Conservatory of Music in Beijing. Years later she graduated and became a classical Chinese percussion teacher at the same institution, which she still holds today. She has devoted herself to the performance of contemporary music written for her by Asian and western composers. Her knowledge of both traditions and her enthusiasm for new challenges enables her to perform different aesthetics of today’s music with formidable ease, accuracy and passion. She is considered one of the best Asian percussionists of contemporary music. In September 2008, Qiao realized a long tour in Scandinavia, closing it with a concert at the New Opera House in Copenhagen. In this tour she world-premiered three pieces that the audience greatly acclaimed and led to a huge success of this tour. In the summer of 2017 she participated as a faculty member in the US-China Music Institute Summer Academy and joined the USCMI faculty in 2022.