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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

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a man conducts an orchestra

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily 

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

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a woman in a pink dress sings on stage

Opera Concert by Bard Conservatory of Music and Bard Graduate Vocal Arts Program Reviewed in the Millbrook Independent

A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney. 

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Meet Our Faculty

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  • Junzhi Cui
    Konghou

    Junzhi Cui

    Cui Junzhi is a leading pioneer of the modern art of konghou (Chinese harp) performance. With her incomparable style, she continues to shine on the world's musical stage.

    A recipient of many prestigious accolades, she has been honored with a medal from UNESCO and a Lifetime Achievement Award from the United Nations. She was awarded first prize in the World Broadcasting Competition, garnered a Gold Award at the Philadelphia International Music Festival for Chinese Composition Performance, and earned the title of "Outstanding Artist" at the inaugural International Harp Competition in the United States. Moreover, she consistently excels in national competitions for instrumental music and composition competitions sponsored by the Ministry of Culture in China.

    Cui serves as a leader in numerous konghou-related arenas, from performance and education to international outreach and multimedia recordings. With the endorsement of several major music schools, she pioneered the establishment of the konghou performance major. Invitations to perform and lecture have taken her to dozens of countries, where she has broken new ground with her konghou concertos. She wrote the book The World of Konghou and edited the inaugural "Central Conservatory of Music Examination Syllabus," for konghou performance. These works have served as milestones in the developing landscape of modern konghou artistry.

    Currently, she holds the titles of National First-Class Performer, professor of konghou, and Master's Degree supervisor. Additionally, she serves as the president of the Konghou Research Association, which operates under the auspices of the China Musicians Association. She joined the faculty of the Bard College Conservatory of Music in 2023, where she serves as master teacher to majors in konghou performance in the US-China Music Institute.
  • Elizabeth Reese
    Alexander Technique

    Elizabeth Reese

    Elizabeth Reese (AmSAT, M.Ed, LMHC), began studying the Alexander Technique in 1981 and considered the work as a core part of her training as a choreographer/performer in NYC. She certified as an Alexander teacher in 1994 at the American Center for the Alexander Technique and, in 2006, as a teacher of Breathing Coordination with Jessica Wolf. Elizabeth was senior faculty for ten years at AT-NYC, a certification course for AT teachers, and is a founder and instructor at Postural Rehabilitation, a continuing education program for veterinarians. In 1999, she created and established The Warwick Summer Arts Festival, producing performance events at farms, parks and lakes around the town of Warwick, NY, which continues today. Her interest in the embodied experience of trauma led her to her masters work in mental health counseling and, in 2014, her work as a research associate on a study exploring the significance of posture in performance, injury, relationship and emotional regulation, using horses as models, funded by the American Holistic Veterinary Foundation. Elizabeth has presented workshops and seminars throughout the US as well as Ireland and Denmark and has presented at numerous national conferences for the American Society of the Alexander Technique. She is currently on faculty at Neighborhood Playhouse and maintains a private practice at her farm in Sugar Loaf, New York and in New York City.
  • Alexander Farkas
    Alexander Technique

    Alexander Farkas

    Alexander Farkas, qualified as a teacher of the Alexander Technique in 1998, trained in London with Shoshana Kaminitz and had prior and further study with Patrick Macdonald, Margaret Goldie, Marjorie Barlow and Elisabeth Walker. A musician as well, he received a MM in piano from the Manhattan School of Music and, with a focus on becoming a collaborative artist, had further study with Brooks Smith, John Wustmann and Paul Ulanowsky. His earlier piano studies were with Nadia Reisenberg. As a teacher Alex has been on the faculty of the Yale School of Music, the Hartt School, University of Hartford, and Vassar College. He was also the recipient of an IREX Grant for study in Hungary and has translated several books on music for Editio Musica, Budapest, most notably the Selected Writings of Lajos Bardos. As a pianist Alex has played for Jennie Tourel and served as accompanist for the class of Pierre Bernac. Applying the Alexander Technique to the vocal arts, Alex has presented workshops and masterclasses both here and abroad including the Royal College of Music, the Royal Academy of Music, Trinity College of Music, London, the Musikhochschule Luzern and the Musikschule Basel, Switzerland and as a guest teacher for Alexander students at training courses in the U. K., Australia and France. Alex has taught for the Bard Conservatory of Music since 2005. His new book, The Alexander Technique; Arising from Quiet, was published in London last fall and contains articles dealing with the many challenges that face all players.
  • Tara Helen O'Connor
    Flute

    Tara Helen O'Connor

    Tara Helen O'Connor is a charismatic performer noted for her artistic depth, brilliant technique and colorful tone spanning every musical era. Recipient of an Avery Fisher Career Grant and a two-time Grammy nominee, she was the first wind player chosen to participate in The Bowers Program (formerly CMS Two) and is now a Season Artist of the Chamber Music Society of Lincoln Center. A Wm. S. Haynes flute artist, Tara is a regular participant in the Santa Fe Chamber Music Festival, Music@Menlo, Chamber Music Festival of the Bluegrass, Spoleto Festival USA, Chamber Music Northwest, Mainly Mozart Festival, Music from Angel Fire, Rockport Music, Bay Chamber Concerts, Manchester Music Festival, the Banff Centre, the Great Mountains Music Festival, Chesapeake Music Festival and the Bravo! Vail Valley Music Festival. Along with her husband Daniel Phillips, she is the newly appointed Co-Artstic Director of the Music From Angel Fire Festival in New Mexico.

    A much sought-after chamber musician and soloist, she has premiered hundreds of new works and has collaborated with the Orion String Quartet, St. Lawrence Quartet, Emerson String Quartet, Jaime Laredo, Dawn Upshaw, Eliot Fisk, Jeremy Denk, Ida Kavafian, Peter Serkin and David Shifrin. Tara is a member of the woodwind quintet Windscape, the legendary Bach Aria Group and is a founding member of the Naumburg Award-winning New Millennium Ensemble. A passionate advocate of new music, she is a member of the Talea and Cygnus Ensembles. Tara has appeared on A&E's Breakfast with the Arts and PBS' Live from Lincoln Center. She has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings with the Chamber Music Society of Lincoln Center and Bridge Records. She has just released a solo CD of American flute works entitled The Way Things Go on Bridge Records with pianist Margaret Kampmeier.

    Tara holds a DMA from Stony Brook University where she studied with the late Samuel Baron. Her other teachers include Julius Levine, Thomas Nyfenger, Robert Dick and Keith Underwood. Her yearly summer flute master class at the Banff Centre in Canada was legendary.  She is Associate Professor of Flute, Head of the Woodwinds Department and the Coordinator of Classical Music Studies at Purchase College School of the Arts Conservatory of Music. Additionally, Tara is on the faculty of Bard College Conservatory of Music, the Contemporary Performance Program at Manhattan School of Music and is a visiting artist, teacher and coach at the Royal Conservatory of Music in Toronto.  She lives with her husband, violinist Daniel Phillips and their two miniature dachshunds, Chloé and Ava on the Upper West Side of Manhattan.  



    For more information about the flute studio at Bard, please visit: https://bardconservatoryfl.wixsite.com/my-site.
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Bard College
Bard College
Conservatory of Music
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Annandale-on-Hudson
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All photos by Karl Rabe unless stated otherwise.