Music, like all art, engages the mind and the heart.
The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.
A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney.
Director and Faculty, Bard College Conservatory of Music
Frank Corliss
Frank Corliss is the director of the Bard College Conservatory of Music. Prior to coming to Bard he was for many years a staff pianist for the Boston Symphony Orchestra and the Tanglewood Festival Chorus, and the director of music at the Walnut Hill School for the Arts. He was a frequent performer on the Boston Symphony Prelude Concert series and he has also performed throughout the United States as a chamber musician and collaborative pianist. Corliss has worked as a musical assistant for Yo-Yo Ma and has assisted Ma in the musical preparation of many new works for performance and recording, including concertos by Elliot Carter, Richard Danielpour, Tan Dun, John Harbison, Leon Kirchner, Peter Lieberson, Christopher Rouse, and John Williams.
A graduate of the Oberlin Conservatory of Music, he received his Master of Music from SUNY at Stony Brook, where he studied with Gilbert Kalish. While at Oberlin he received the Rudolf Serkin Award for Outstanding Pianist and was a member of the Music from Oberlin Ensemble, which toured throughout the U.S. He has also studied at the Mozarteum in Salzburg, Austria, and the Cracow Academy of Music in Cracow, Poland. Mr. Corliss has participated in several summer festivals, including the Tanglewood Music Festival and the Taos Chamber Music Festival and the Aspen Music Festival.
He was appointed as an Artistic Ambassador for the United States Information Agency and in that capacity went on a three-week concert tour of Eastern Europe. He was also the recipient of a Rockefeller grant from the Cultural Contact US-Mexico Fund for Culture to commission works for flute and piano by American and Mexican composers and premiered in Boston and in Mexico City.
Mr. Corliss can be heard in recording on Yo Yo Ma’s Grammy-winning SONY disc “Soul of the Tango”, as well as the Koch International disc of music by Elliot Carter for chorus and piano with the John Oliver Chorale.
Melissa Reardon
Viola; Artist in Residence, Bard College
Melissa Reardon
Grammy-nominated violist Melissa Reardon is the Artistic Director of the Portland Chamber Music Festival in Portland, ME, Artist in Residence at Bard College and Conservatory and a founding member and the Executive Director of the East Coast Chamber Orchestra (ECCO). As a member of the Ensō String Quartet from 2006 until its final season in 2018, Melissa toured both nationally and internationally, with highlight performances in Sydney, Melbourne, Rio de Janeiro, New York’s Carnegie Hall, and Washington, DC’s Kennedy Center to name a few. Melissa won first prize at the Washington International Competition, and is the only violist to win top prizes in consecutive HAMS International viola competitions. She has appeared in numerous festivals across the United States and around the world, including tours with Yo-Yo Ma’s Silk Road Ensemble, and with Musicians from Marlboro. She held the post of Associate Professor of Viola at East Carolina University from 2007 -2013, and earned degrees from the Curtis Institute of Music and the New England Conservatory. Melissa is married to the cellist Raman Ramakrishnan and they live in NYC with their seven-year-old son Linus.
Renée Anne Louprette
Bard Baroque Ensemble, director
Renée Anne Louprette
Renée Anne Louprette maintains an international career as organ recitalist, conductor, and teacher. She was appointed Bard College Organist, Assistant Professor of Music, and director of the Bard Baroque Ensemble in 2019. The ensemble takes a leading role in an annual series of Bach cantata presentations in the Chapel of the Holy Innocents on the Bard campus and in the local region and collaborates with other Bard ensembles and personnel (Chamber Singers, the Graduate Vocal Arts Program, the Preparatory Division Chorus, members of The Orchestra Now, and faculty from other branches of the College) in an effort to bring outstanding presentations of Baroque music to the wider community.
Renée Anne Louprette has been University Organist and Organ Area Coordinator at Mason Gross School of the Arts, Rutgers University since 2013 and is a former member of the faculty at the Manhattan School of Music, The Hartt School of the University of Hartford, and the John J. Cali School of Music at Montclair State University. She is associated with a number of distinguished music programs in the New York City area, having served as Associate Director of Music at the Church of St. Ignatius Loyola, Associate Director of Music and the Arts at Trinity Wall Street, Organist and Associate Director at the Unitarian Church of All Souls, and Director of Music at the Church of Notre Dame.
She was selected as a conducting fellow of the Mostly Modern Festival in 2019, premiering several new works with the New York-based American Modern Ensemble. In her over 20-year career as choral director, she has led performances by various professional choirs in the greater New York City area accompanied by members of Orchestra of St. Luke’s, Trinity Baroque Orchestra, and the American Brass Quintet, among other ensembles.
As collaborative keyboardist, she has performed with the Los Angeles Dance Project, Mostly Mozart Festival Orchestra, Voices of Ascension, American Brass Quintet, Clarion Music Society, American Symphony Orchestra, The Dessoff Choirs, Oratorio Society of New York, and Piffaro. She made her recital debut in 2018 at Walt Disney Concert Hall in Los Angeles with Irish uilleann piper Ivan Goff, featuring the world premiere of “Were You at the Rock?” by Eve Beglarian, commissioned for the Louprette-Goff duo by the Los Angeles Philharmonic.
Renée Anne Louprette made her solo debuts at the Royal Festival Hall in London and the Cathedral of Notre Dame in Paris in 2018. Additional European festival appearances include Magadino, Switzerland; In Tempore Organi, Italy; Ghent and Hasselt, Belgium; Copenhagen and Aarhus, Denmark; Bordeaux Cathedral and Toulouse Les Orgues, France; and Dún Laoghaire, Ireland. She appeared as organ soloist with the Queensland Symphony Orchestra in Brisbane, Australia, in Saint-Saëns’ Organ Symphony broadcast live on ABC radio.
Ms. Louprette’s recording of the "Great Eighteen Chorales&" of J. S. Bach was named a Critics' Choice 2014 by The New York Times. Her recent recordings of 20th-century French organ masterworks, and a duo recording of original compositions and arrangements of traditional Irish music with uilleann piper Ivan Goff, were also released to critical acclaim.
Renée Anne Louprette holds a Master’s degree in conducting from Bard College Conservatory and degrees in piano and organ from The Hartt School, University of Hartford. She was awarded a Premier Prix from the Conservatoire National de Région de Toulouse, France and a Diplôme Supérieur in organ from the Centre d’Études Supérieures de Musique et de Danse de Toulouse.
Jiazhen Zhao
Guqin
Jiazhen Zhao
Zhao Jiazhen is a professor of guqin in the Traditional Music Department at the Central Conservatory of Music in Beijing, China. She studied at the Central Conservatory, graduating in 1984. Zhao has performed with the Chinese Symphony Orchestra, Film Orchestra of China, Beijing Symphony Orchestra, Brussels Symphony Orchestra of Belgium, and National Orchestra of Taipei City. In 2001 and 2002 she performed in the “World Renowned Musicians and Instruments Concert” at Zhong Shan Hall inside the Forbidden City in Beijing, featuring three priceless guqins from the Tang Dynasty and five Guarneri and Antonio Stradivari violins. Zhao has performed in films such as The History of the Three Kingdoms, Dream of the Red Chamber, Swordsman, Fire on Yuanming Yuan, and Wu Ze Tian. She has also produced more than 10 albums of guqin music. At the 10th annual Independent Music Awards, her album Qin: Masterpieces of Chinese Qin from the Tang Dynasty to Today won best album in the World Traditional Music category.