Music, like all art, engages the mind and the heart.
The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.
Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.
The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.
Anthony McGill, principal clarinetist of the Metropolitan Opera Orchestra, has quickly earned the reputation of being one of classical music's finest solo, chamber and orchestral musicians. Before joining the MET Orchestra in 2004, he served as associate principal clarinet of the Cincinnati Symphony Orchestra for four years. With the MET Orchestra, McGill frequently performs in Carnegie Hall's Isaac Stern Auditorium, as well as Zankel and Weill Halls with the MET Chamber Ensemble. He can also be seen and heard on the Live in HD broadcasts from the Metropolitan Opera. In addition to his orchestral career, McGill was a winner of the highly prestigious Avery Fisher Career Grant in 2000 and has appeared as a soloist with orchestras including the Baltimore Symphony, New Jersey Symphony Orchestra, Hilton Head Orchestra, Kalamazoo Symphony Orchestra, and The Curtis Orchestra. This season he will appear with the Peabody Orchestra, The New Amsterdam Symphony Orchestra and the Illinois Philharmonic Orchestra. As a distinguished chamber musician, McGill has performed at the Marlboro Music Festival, Sarasota Festival, La Musica, Tanglewood, Music @ Menlo, the Grand Teton Music Festival, Music from Angel Fire , Martha's Vineyard Chamber Music Festival, the Great Lakes Chamber Music Festival, Bridgehampton Chamber Festival and the Interlochen Music Festival. He is also a member of the newly formed Schumann Trio with violist Michael Tree and pianist Anna Polonsky. McGill has collaborated with artists such as Yo-Yo Ma, Midori, Lang Lang, Yefim Bronfman and Gil Shaham, as well as world-renowned string quartets including the Guarneri, Tokyo, Shanghai, Miami, Miró and Daedalus quartets. He has performed throughout the United States, Europe and Asia as a chamber and orchestral musician with artists including the Brentano String Quartet, Musicians from Marlboro, The Chamber Music Society of Lincoln Center, Mitsuko Uchida, Marina Piccinini and Barbara Sukova. McGill has appeared on Performance Today, NPR's St. Paul Sunday, Ravinia's Rising Star Series, on the Mr. Roger's Neighborhood television show and at Lincoln Center as a member of Chamber Music Society Two. McGill attended the Interlochen Arts Academy and the Curtis Institute of Music. His former teachers include Donald Montanaro, Richard Hawkins, Larry Combs, Julie DeRoche, David Tuttle and Sidney Forrest. In addition to being on the faculty of the Bard Conservatory of Music, McGill currently serves on the faculties of the Peabody Institute of the Johns Hopkins University, Mannes College of Music and the Manhattan School of Music Precollege. In addition he has given masterclasses at the Curtis Institute of Music, University of Michigan, Stony Brook University, Temple University, UCLA, University of New Mexico and the Manhattan School of Music. McGill is a Leblanc and Rico Artist. Photo by David Finlayson.
Marc Goldberg
Bassoon
Marc Goldberg
Marc Goldberg is a member of the NY Woodwind Quintet, the St. Luke’s Chamber Ensemble, principal bassoonist of the Orchestra of St. Luke’s, The American Ballet Theater, Lincoln Center’s Mostly Mozart Festival Orchestra, NYC Opera, and a member of the American Symphony. Formerly associate principal bassoonist of the NY Philharmonic, he has also toured and recorded with the Metropolitan Opera, Boston Symphony, and Orpheus Chamber Orchestra. He received his BM and MM degrees from The Juilliard School, and teaches at Bard College Conservatory, Juilliard Pre College, Mannes College, New England Conservatory, The Hartt School, and NYU.
Nicholas Alton Lewis
Chamber Music
Nicholas Alton Lewis
Nicholas Alton Lewis is the clarinetist and co-founder of the BLAK-New Blues Ensemble, an ensemble founded with composer-pianist Anthony Kelley and based at Duke University in Durham, North Carolina. The BLAK-New Blues Ensemble was created to explore an ensemble’s ability to circumnavigate, through improvisation, the codes and tropes of African-American, European, and music of other parts of the world in ways that produce a coherent and fresh musical product.
Mr. Lewis has been featured in performances of the Mozart Concerto for Clarinet and Sinfonia Concertante with the Williamsburg Symphony, and of the David Baker Jazz Suite for Clarinet and Orchestra with the Richmond (VA) Symphony and the Soulful Symphony in Baltimore, MD. An exponent of celebrating the music of our time, he has premiered works by Craig DeAlmedia, Anthony Kelley, Aristides Llaneza, Caroline Mallonee, John Mayrose, Gary Nash, Mike Worth, and Iannis Xenakis.
Mr. Lewis has held clarinet positions with the Richmond Symphony Orchestra and Williamsburg Symphony, for 18 and 12 years respectively. He has also performed with the Akron, Pittsburgh, Virginia, and Westmorland Symphonies, as well with the Baltimore Opera Orchestra, and Brevard, Gateways, and Pittsburgh New Music Festival Orchestras.
Prior to joining the faculty at Bard College, Mr. Lewis served as Senior Associate Dean and Special Advisor to the President at the Curtis Institute of Music, and also served on the music department faculties of Howard University and Virginia Union University. He holds the degrees of Bachelor of Fine Arts and Master of Music in clarinet performance from Carnegie Mellon University, as well as a Master of Divinity degree from Yale Divinity School where he pursued studies in the Institute of Sacred Music. Additionally, Mr. Lewis is the current Associate Vice President for Academic Initiatives and Associate Dean of Bard College.
Photo credit: Joseph Brunjes
Ryan MacEvoy McCullough
Visiting Lecturer of Music Theory, Vocal Coach, Pianist
Ryan MacEvoy McCullough
Born in Boston and raised behind the “Redwood Curtain” of northern California, pianist Ryan MacEvoy McCullough has developed a variegated career as soloist, vocal and instrumental collaborator, composer, recording artist, and pedagogue. Ryan’s music-making encompasses work with historical keyboards, electro-acoustic tools and instruments, and close collaborations with some of today’s foremost composers. His longstanding collaborative (and life) partnership with soprano Lucy Fitz Gibbon has yielded a substantial crop of new art song repertoire, as well as his work in contemporary ensemble and commissioning project HereNowHear, 2017 recipient of a Fromm Foundation award.
Ryan’s growing discography features many world premiere recordings, including solo piano works of Milosz Magin (Acte Prealable), Andrew McPherson (Secrets of Antikythera, Innova), John Liberatore (Line Drawings, Albany), Nicholas Vines (Hipster Zombies from Mars, Navona), art song and solo piano music of John Harbison and James Primosch with Ms. Fitz Gibbon (Descent/Return, Albany), and art song by Sheila Silver (Beauty Intolerable, Albany, also with Ms. Fitz Gibbon). He is also founder of False Azure Records, which released its inaugural album in 2022 featuring music by Katherine Balch and Dante De Silva (The Labor of Forgetting), and will be releasing a second album in 2023 featuring music by Christopher Stark, John Liberatore, and Karlheinz Stockhausen. Ryan has also appeared on PBS’s Great Performances (Now Hear This, “The Schubert Generation”) and is an alumnus of NPR’s From the Top.
As concerto soloist Ryan has appeared frequently with orchestras, including the Los Angeles Philharmonic, Toronto Symphony Orchestra, Sarasota Festival Orchestra, Colburn Conservatory Orchestra, Orange County Wind Symphony, and World Festival Orchestra, with such conductors as George Benjamin, Gisele Ben-Dur, Fabien Gabel, Leonid Grin, Anthony Parnther, Larry Rachleff, Mischa Santora, and Joshua Weilerstein. Ryan has collaborated frequently with the Mark Morris Dance Group, contemporary ensembles eighth blackbird and yarn/wire, Mezzo-soprano Stephanie Blythe, and has been a returning artist at the Tanglewood Music Center, Token Creek Chamber Music Festival, and Summer Institute for Contemporary Performance Practice. He will join the roster of senior artists at the Marlboro Music Festival in summer 2023.
As a teacher, Dr. McCullough has worked to cultivate the kind of multidisciplinary training which will be critical for the next generation of musical artists. He has taught masterclasses in piano performance at Bucknell University, New England Conservatory, Notre Dame University, Cal State Northridge, Washington State University, and Humboldt State University, and has served as piano instructor and chamber music coach at Cornell University and Bard College Conservatory. Additionally, he has developed four unique intersectional courses: Musical Technologies and the Natural World (Cornell University), an upper division creative seminar exploring the relationships between culture and conceptions of place; The Active Listener (Bard College Conservatory), a course focused on field recording techniques and aesthetics; Technological Musicianship (Cornell University), a general-access course designed during the Covid-19 pandemic to train musicians with the skills needed to produce high-quality digital content in a changing professional landscape; and FutureSounds, a composition seminar and instrument building workshop designed to explore the fundamentals of musical syntax and creativity.
He holds his Bachelor of Music from Humboldt State University (studying with Deborah Clasquin), Artist Diplomas from the Colburn Conservatory and the Glenn Gould School at the Royal Conservatory in Toronto (John Perry and David Louie), a Masters in Music from University of Southern California (John Perry), and Master of Fine Arts and Doctor of Musical Arts from Cornell University (Xak Bjerken). He currently teaches at Bard College Conservatory.
Ryan currently lives in Kingston, NY, with his wife, soprano Lucy Fitz Gibbon, and cat Coquille.