Skip to main content.
Bard Conservatory
  • Menu sub-menuMenu
      Programs
    • Undergraduate Double Degree
    • Graduate Vocal Arts
    • Graduate Conducting
    • Graduate Instrumental Arts
    • Collaborative Piano Fellowship
    • Advanced Performance Studies
    • MA in Chinese Music and Culture
    • US-China Music Institute
    • Preparatory Division
      About
    • Our Story
    • Facilities
    • Staff
    • Faculty
    • Contact Us
      News + Events
    • Newsroom
    • Events
    • Kurtag Festival
    • 20th Anniversary
    • Archive
    • Information For:
    • Admitted Undergraduate Students
    • Admitted Graduate Students
  • Bard Conservatory Logo
  • Apply
  • Inquire
  • Events
  • Support
  • Search

     

     

Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

More About Us
  • Visiting Bard
    Interested in visiting Bard for a campus tour or performance? 
    Learn More
A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
Learn More
The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

A professional photo of Composer in Residence Missy Mazzoli.

Composer in Residence Missy Mazzoli Profiled in the New York Times

“We want the field to expand,” said Mazzoli, “and so bringing in [diversity] helps the field survive and thrive.”
 

Read More
a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

Read More
a man conducts an orchestra

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily 

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

Read More

Meet Our Faculty

See All Faculty
  • Keisuke Ikuma
    Chamber Music Instructor

    Keisuke Ikuma

    Keisuke Ikuma is a highly sought-after oboe and english horn player in the New York metropolitan area. He is currently a member of the Hudson Valley Philharmonic and the Stamford Symphony. He also performs regularly with the New York Philharmonic, the New Jersey Symphony Orchestra, the Orchestra of St. Luke’s, the Orpheus Chamber Orchestra, and numerous Broadway shows such as “The King and I,” “Wicked,” and “Phantom of the Opera”. Mr. Ikuma received his Bachelor of Music degree from the Manhattan School of Music, where he was a full-scholarship student of Joseph Robinson, former principal oboist of the New York Philharmonic. Mr. Ikuma studied conducting with Constantine Kitsopoulos and David Gilbert, and made his Broadway conducting debut in the 2015 Tony Award-winning production “The King and I” at Lincoln Center Theater. He recently served as interim Chorus Director of the Keio High School in Westchester.
  • Anthony McGill
    Clarinet

    Anthony McGill

    Anthony McGill, principal clarinetist of the Metropolitan Opera Orchestra, has quickly earned the reputation of being one of classical music's finest solo, chamber and orchestral musicians. Before joining the MET Orchestra in 2004, he served as associate principal clarinet of the Cincinnati Symphony Orchestra for four years. With the MET Orchestra, McGill frequently performs in Carnegie Hall's Isaac Stern Auditorium, as well as Zankel and Weill Halls with the MET Chamber Ensemble. He can also be seen and heard on the Live in HD broadcasts from the Metropolitan Opera. In addition to his orchestral career, McGill was a winner of the highly prestigious Avery Fisher Career Grant in 2000 and has appeared as a soloist with orchestras including the Baltimore Symphony, New Jersey Symphony Orchestra, Hilton Head Orchestra, Kalamazoo Symphony Orchestra, and The Curtis Orchestra. This season he will appear with the Peabody Orchestra, The New Amsterdam Symphony Orchestra and the Illinois Philharmonic Orchestra. As a distinguished chamber musician, McGill has performed at the Marlboro Music Festival, Sarasota Festival, La Musica, Tanglewood, Music @ Menlo, the Grand Teton Music Festival, Music from Angel Fire , Martha's Vineyard Chamber Music Festival, the Great Lakes Chamber Music Festival, Bridgehampton Chamber Festival and the Interlochen Music Festival. He is also a member of the newly formed Schumann Trio with violist Michael Tree and pianist Anna Polonsky. McGill has collaborated with artists such as Yo-Yo Ma, Midori, Lang Lang, Yefim Bronfman and Gil Shaham, as well as world-renowned string quartets including the Guarneri, Tokyo, Shanghai, Miami, Miró and Daedalus quartets. He has performed throughout the United States, Europe and Asia as a chamber and orchestral musician with artists including the Brentano String Quartet, Musicians from Marlboro, The Chamber Music Society of Lincoln Center, Mitsuko Uchida, Marina Piccinini and Barbara Sukova. McGill has appeared on Performance Today, NPR's St. Paul Sunday, Ravinia's Rising Star Series, on the Mr. Roger's Neighborhood television show and at Lincoln Center as a member of Chamber Music Society Two. McGill attended the Interlochen Arts Academy and the Curtis Institute of Music. His former teachers include Donald Montanaro, Richard Hawkins, Larry Combs, Julie DeRoche, David Tuttle and Sidney Forrest. In addition to being on the faculty of the Bard Conservatory of Music, McGill currently serves on the faculties of the Peabody Institute of the Johns Hopkins University, Mannes College of Music and the Manhattan School of Music Precollege. In addition he has given masterclasses at the Curtis Institute of Music, University of Michigan, Stony Brook University, Temple University, UCLA, University of New Mexico and the Manhattan School of Music. McGill is a Leblanc and Rico Artist. Photo by David Finlayson.
  • Elaine Fitz Gibbon
    German Language and Translation

    Elaine Fitz Gibbon

    Elaine Fitz Gibbon is a doctoral candidate in Historical Musicology at Harvard University. She received her MA in German Studies from Princeton, and her BA in Musicology and German Studies from the University of Pennsylvania. She also holds a Diploma of Advanced Studies in music journalism from the Musik Akademie Basel and has been active as a journalist in the field of new music in the German speaking realm. Her dissertation, which focuses on the music-conceptual work of the Argentine German composer Mauricio Kagel, explores trends and relations of opera, music theater and electro-acoustic music of the avant-garde from 1945 to today from the perspective of circum-Atlantic migration and mobility. Fitz Gibbon has published translations of texts by Bernd Alois Zimmermann for The Opera Quarterly (2014) and Hans Merian for Princeton University Press (Puccini and His World, 2015). Her article, “Beethoven Returns to Bonn: Origins, Belonging and Misuse in Mauricio Kagel’s Ludwig van (1969),” was published in Current Musicology (107) in 2021 and her chapter on the music notational practices of conceptual artist Hanne Darboven recently appeared in the volume Material Cultures of Music Notation (Routledge, 2022). An interview with the Irish composer Jennifer Walshe (b. 1974) is forthcoming in The Opera Quarterly. In her free time, Fitz Gibbon enjoys playing chamber music on modern and Baroque cellos.
  • Melissa Reardon
    Viola; Artist in Residence, Bard College

    Melissa Reardon

    Grammy-nominated violist Melissa Reardon is the Artistic Director of the Portland Chamber Music Festival in Portland, ME, Artist in Residence at Bard College and Conservatory and a founding member and the Executive Director of the East Coast Chamber Orchestra (ECCO).  As a member of the Ensō String Quartet from 2006 until its final season in 2018, Melissa toured both nationally and internationally, with highlight performances in Sydney, Melbourne, Rio de Janeiro, New York’s Carnegie Hall, and Washington, DC’s Kennedy Center to name a few.  Melissa won first prize at the Washington International Competition, and is the only violist to win top prizes in consecutive HAMS International viola competitions. She has appeared in numerous festivals across the United States and around the world, including tours with Yo-Yo Ma’s Silk Road Ensemble, and with Musicians from Marlboro. She held the post of Associate Professor of Viola at East Carolina University from 2007 -2013,  and earned degrees from the Curtis Institute of Music and the New England Conservatory. Melissa is married to the cellist Raman Ramakrishnan and they live in NYC with their seven-year-old son Linus.
Powered by Curator.io

Follow @bardcollegeconservatory on Instagram!

Bard College
Bard College
Conservatory of Music
30 Campus Road
Annandale-on-Hudson
New York 12504-5000
845-758-7196
[email protected]
More Music at Bard: 
Bard Music Program
The Orchestra Now
Musical Mentorship Initiative
Contact Us
Visit the Conservatory
Join our Mailing List
Support Us
Accreditation 
Undergraduate Inquiry Form
Graduate Inquiry Form
Virtual Viewbook
Join the Conversation
Facebook
Twitter
Instagram
YouTube

All photos by Karl Rabe unless stated otherwise.