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Lucy Fitz Gibbon

Noted for her “dazzling, virtuoso singing” (Boston Globe), Lucy Fitz Gibbon is a dynamic musician whose repertoire spans the Renaissance to the present. She believes that creating new works and recreating those lost in centuries past makes room for the multiplicity and diversity of voices integral to classical music’s future. As such, Ms. Fitz Gibbon has given U.S. premieres of rediscovered works by Baroque composers Francesco Sacrati, Barbara Strozzi, and Agostino Agazzari, as well by 20 th century composers including Tadeusz Kassern, Roman Palester, and Jean Barraqué. She has also worked closely with numerous others, premiering works by John Harbison, Kate Soper, Sheila Silver, David Hertzberg, Reena Esmail, Roberto Sierra, Anna Lindemann, and Pauline Oliveros. In helping to realize the complexities of music beyond written notes, the experience of working with these composers translates to all music: the commitment to faithfully communicate not only the score, but also the underlying intentions of its creator.



As a recitalist Ms. Fitz Gibbon has appeared with her collaborative partner, pianist Ryan McCullough, in such venues as London’s Wigmore Hall; New York’s Metropolitan Museum of Art, Park Avenue Armory, and Merkin Hall; and Toronto’s Koerner Hall. They have three forthcoming CDs: Descent/Return, featuring works by James Primosch and John Harbison on Albany Records (May 2020); one alongside Dawn Upshaw and Stephanie Blythe of Sheila Silver’s complete Art Song repertoire; and one featuring mid-20 th century Polish works on Acte Préalable. In concert, Lucy has appeared as a soloist with orchestras including the Saint Paul Chamber Orchestra; the Lucerne Festival Academy Orchestra; the Tanglewood Music Center Orchestra; the Albany, Richmond, Tulsa, and Eureka Symphonies, and the American Symphony Orchestra in her Carnegie Hall debut. She has also premiered two major works by John Harbison and Shirish Korde with Boston Musica Viva, appeared in concert with the Aizuri Quartet, and will appear on tour with Musicians from Marlboro in such venues as Carnegie Hall and the Kimmel Center through 2022. Debuts with the Seattle Opera and Lexington and Kalamazoo Symphonies, as well an appearance with the Doric Quartet at the West Cork Festival in Ireland and a guest recital at the Kneisel Hall Chamber Music Festival, were all delayed because of COVID-19.



A graduate of Yale University, Ms. Fitz Gibbon is the recipient of numerous awards for her musicaland academic achievements. She holds an artist diploma from The Glenn Gould School of the Royal Conservatory and a master’s degree from Bard College-Conservatory’s Graduate Vocal Arts Program; her principal teachers include Monica Whicher, Edith Bers, and Dawn Upshaw. She has spent summers at the Tanglewood Music Center (2014-2015) and Marlboro Music Festival (2016-2019). She is currently Interim Director of the Vocal Program at Cornell University and on the faculty of Bard College Conservatory’s Graduate Vocal Arts Program, and will serve as voice faculty for Kneisel Hall’s 2020 season, occurring online. For more information, see www.lucyfitzgibbon.com.

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Weigang Li

Born into a family of well-known musicians in Shanghai, Weigang Li  began studying the violin with his parents when he was 5 and went on to attend the Shanghai Conservatory Middle School at age 14. Three years later, in 1981, he was selected to go to study for one year at the San Francisco Conservatory of Music through the first cultural exchange program between the sister cities of Shanghai and San Francisco. in 1985, upon graduating from the Shanghai Conservatory, Weigang Li left China to continue his studies at Northern Illinois University and later studied and taught at the Juilliard School. Besides his parents, other important teachers have included Shmuel Ashkenasi, Robert Mann, Tan Shu-Chen and Isadore Tinkleman. 

Mr. Li was featured in the 1980 Oscar winning documentary film From Mao to Mozart: IsaacStern in China. He made his solo debut at 17 with the BBC Symphony Orchestra and has appeared as soloist with Shanghai Symphony, China Philharmonic, BBC Scottish Symphony and Asian Youth Orchestra. 

Weigang Li is a founding member and first violinist of the world-renowned Shanghai Quartet since 1983. Now in its 37th season, the Shanghai Quartet has performed nearly 3000 concerts in 35 countries and recorded over 30 CD albums, including a highly acclaimed 7-disc set of complete Beethoven String Quartets. 

Weigang Li is a violin professor at Bard College Conservatory of Music, Tianjin Juilliard School, and Montclair State University. He also holds the title of guest concert-master of Shanghai Symphony Orchestra, guest professor at both Shanghai Conservatory of Music and Central Conservatory of Music in Beijing. 

Mr. Li plays on a Antonio Stradivari golden period violin the 'Kneisel, Grün' made in Cremona in 1714, which is on a generous loan from J. A. Beare International Violin Society.