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Weigang Li

Born into a family of well-known musicians in Shanghai, Weigang Li  began studying the violin with his parents when he was 5 and went on to attend the Shanghai Conservatory Middle School at age 14. Three years later, in 1981, he was selected to go to study for one year at the San Francisco Conservatory of Music through the first cultural exchange program between the sister cities of Shanghai and San Francisco. in 1985, upon graduating from the Shanghai Conservatory, Weigang Li left China to continue his studies at Northern Illinois University and later studied and taught at the Juilliard School. Besides his parents, other important teachers have included Shmuel Ashkenasi, Robert Mann, Tan Shu-Chen and Isadore Tinkleman. 

Mr. Li was featured in the 1980 Oscar winning documentary film From Mao to Mozart: IsaacStern in China. He made his solo debut at 17 with the BBC Symphony Orchestra and has appeared as soloist with Shanghai Symphony, China Philharmonic, BBC Scottish Symphony and Asian Youth Orchestra. 

Weigang Li is a founding member and first violinist of the world-renowned Shanghai Quartet since 1983. Now in its 37th season, the Shanghai Quartet has performed nearly 3000 concerts in 35 countries and recorded over 30 CD albums, including a highly acclaimed 7-disc set of complete Beethoven String Quartets. 

Weigang Li is a violin professor at Bard College Conservatory of Music, Tianjin Juilliard School, and Montclair State University. He also holds the title of guest concert-master of Shanghai Symphony Orchestra, guest professor at both Shanghai Conservatory of Music and Central Conservatory of Music in Beijing. 

Mr. Li plays on a Antonio Stradivari golden period violin the 'Kneisel, Grün' made in Cremona in 1714, which is on a generous loan from J. A. Beare International Violin Society.

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Qiang Zhang

A world-famous pipa virtuoso, Professor Zhang Qiang is the Director of the String Instrument Division of the Chinese Music Department at the China Central Conservatory of Music (CCMO). After graduating from CCMO in 1987, Professor Zhang had devoted himself to teaching at CCMO as a pipa instructor for almost three decades. He has been a judge at major domestic and international instrumental music competitions and has been invited to give lectures at many educational institutions. In addition to his traditional approach in systematic technique training, Professor Zhang focuses on the cultivation of students' music awareness and strongly urges his students to explore and display personal character in performing. Many of his students stand out as national winners of China’s highest-level competitions. Professor Zhang is an active performer throughout China and abroad. He has regularly appeared in international music festivals: the Edinburgh International Festival, Huddersfield Contemporary Music Festival, Tanglewood Music Center Festival of Contemporary Music, Berlin Art Week, Torino Art Festival, and other festivals held in mainland China, Taiwan, Hong Kong and Macao. His musical collaborations also include the St. Petersburg Philharmonic Orchestra, Orpheus Chamber Orchestra, Brooklyn Symphony Orchestra and China National Symphony Orchestra, Dutch New Orchestra, China Symphony Orchestra, Hong Kong Philharmonic Orchestra, China Radio National Orchestra, Shanghai National Orchestra, Hong Kong Chinese Orchestra, Taipei National Orchestra, Guangdong National Orchestra, Macau Chinese Orchestra and Singapore Chinese Orchestra. He was invited to perform at Carnegie Hall, Berlin Philharmonic Concert Hall, Musikverein (Golden Hall in Vienna), Lincoln Center in New York City. His work features solo pieces for pipa, concertos, traditional repertoires, and he actively engages in contemporary chamber music. Professor Zhang maintains a lifelong devotion to academic research. Together with three professors from CCMO, he has been working on a historical preservation project, Xian Suo Bei Kao, imparing, performing and eventually completing the full-scale (1814 manuscripts) music on the ancient spectrum of the Qing Dynasty.