Bard Conservatory

Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

A professional photo of Composer in Residence Missy Mazzoli.

Composer in Residence Missy Mazzoli Profiled in the New York Times

“We want the field to expand,” said Mazzoli, “and so bringing in [diversity] helps the field survive and thrive.”

a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

Meet Our Faculty

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Satoshi Okamoto

Double Bass

Satoshi Okamoto
Satoshi Okamoto has been a member of New York Philharmonic since 2003. He served as an acting principal and assistant principal in 2013-16. Prior to the Philharmonic he was an assistant principal double bassist in the San Antonio Symphony for eight years and a member of the New York City Ballet Orchestra for a year. As a soloist, he was a finalist of the International Society of Bassist Solo Competition and the Izuminomori International Double Bass Competition, also a twice winner of the Aspen bass competition. He was a faculty member at Stonybrook University from 2023-24. He has given master classes at institutions such as The Juilliard School Pre-College, Toho school of music, LSU at Baton Rouge, TCU, Aichi University of fine arts, and Pyongyang Conservatory. He received his master’s degree from The Juilliard School, and a bachelor’s degree from Tokyo University of Fine Arts.
Robert Warner

Robert Warner
Robert began his musical training at an early age in his native Pennsylvania, studying both piano and violin as a child. He earned his bachelor’s degree from the University of Rochester where he majored in both music and mathematics, during which time he also took harpsichord lessons and studied Baroque performance practice at the Eastman School of Music. He continued his early music studies at Stony Brook University under the tutelage of Arthur Haas, serving as manager and assistant director of the Stony Brook Baroque ensemble and eventually earning a master's degree in music history as well as a DMA in harpsichord performance.

Upon graduating from Stony Brook, Robert was accepted into the Juilliard School’s Historical Performance program where he took harpsichord lessons with Peter Sykes, Richard Egarr and Beatrice Martin and performed extensively as a continuo keyboardist and violist in projects led by Jordi Savall, William Christie and others. He currently resides in New York City and is once again splitting his time between music and math, maintaining an active performing schedule while working as a math tutor. Recent musical engagements have included concerts with Philharmonia Baroque Orchestra, Boston Baroque and Upper Valley Baroque. He also performs regularly with Musicivic Baroque and Relic Ensemble as the primary harpsichordist for both groups.
Leon Botstein

Codirector, Graduate Conducting Program; Music Director, Bard Conservatory; Leon Levy Professor in the Arts and Humanities, Bard College

Leon Botstein

Leon Botstein has been music director and principal conductor of the American Symphony Orchestra since 1992. This year he becomes conductor laureate of the Jerusalem Symphony Orchestra, where he had served as music director since 2003. He is also the founder and co-artistic director of the Bard Music Festival, now in its 21st year. He has been president of Bard College in New York since 1975. Upcoming engagements include the Russian National Philharmonic, the Odessa Symphony, and the Budapest Opera Orchestra. Recent engagements have included the BBC Philharmonic, Bamberg Symphony; the Budapest Festival Orchestra; Düsseldorf Symphony; the London Philharmonic; NDR-Hamburg and Hannover; the Royal Scottish National Orchestra; the St. Petersburg Philharmonic; and Teatro Real Madrid, among others. Among Leon Botstein’s recordings are operas by Strauss, Dukas, and Chausson, as well as works of Shostakovich, Dohnanyi, Liszt, Bruckner, Bartók, Hartmann, Reger, Glière, Szymanowski, Brahms, Copland, Sessions, Perle, and Rands. Many live recordings with the American Symphony Orchestra are now available to download on the Internet. Mr. Botstein is the editor of The Musical Quarterly and the author of numerous articles and books. For his contributions to music he has received the award of the American Academy of Arts and Letters and Harvard University’s prestigious Centennial Award, as well as the Cross of Honor, First Class from the government of Austria. He is a 2009 recipient of the Carnegie Foundation’s Academic Leadership Award, and earlier this year he was inducted into the American Philosophical Society.
Elaine Douvas

Oboe

Elaine Douvas
Elaine Douvas, oboe, has been principal oboe of the Metropolitan Opera since 1977 and is on the oboe faculty of the Bard College Conservatory of Music. Since 1982 she has also served as oboe instructor at The Juilliard School and Woodwind Department Chairman there since 1997. Her career highlights include the Strauss Oboe Concerto with the MET Orchestra in Carnegie Hall, James Levine conducting, and Dutilleux's Les Citations with the MET Chamber Ensemble. Her three CDs include a solo recital and her quartet project "Pleasure is the Law", issued by Boston Records, and "Oboe Divas" on the Oboe Classics label. One of the most influential teachers in the USA, her students hold important positions in more than a dozen major orchestras and university faculties. In the summers, Ms. Douvas is an artist faculty member of the Aspen Music Festival and School, and she teaches three intensive, one-week oboe seminars: Le Domaine Forget Academy in Quebec, Interlochen (MI) Arts Camp, and the Hidden Valley Music Seminars in Carmel, California. She has given master classes at the Curtis and Cleveland Institutes of Music, the Manhattan and Eastman Schools of Music, the New World Symphony, and the Conservatories of Beijing and Shanghai. Her three albums of demonstration and written commentary for Music Minus One are used by teachers and students across the country. Originally from Port Huron, Michigan, Ms. Douvas trained at the Cleveland Institute of Music, studying with John Mack, at the Interlochen Arts Academy. Her first job was principal oboe of the Atlanta Symphony under Robert Shaw. For many years she has devoted her spare time to figure skating and earned her Gold Medal for Adult "Moves in the Field" in 2006. Photo by John Abbott.