Music, like all art, engages the mind and the heart.
The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.
Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.
The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.
Elaine Douvas, oboe, has been principal oboe of the Metropolitan Opera since 1977 and is on the oboe faculty of the Bard College Conservatory of Music. Since 1982 she has also served as oboe instructor at The Juilliard School and Woodwind Department Chairman there since 1997. Her career highlights include the Strauss Oboe Concerto with the MET Orchestra in Carnegie Hall, James Levine conducting, and Dutilleux's Les Citations with the MET Chamber Ensemble. Her three CDs include a solo recital and her quartet project "Pleasure is the Law", issued by Boston Records, and "Oboe Divas" on the Oboe Classics label. One of the most influential teachers in the USA, her students hold important positions in more than a dozen major orchestras and university faculties. In the summers, Ms. Douvas is an artist faculty member of the Aspen Music Festival and School, and she teaches three intensive, one-week oboe seminars: Le Domaine Forget Academy in Quebec, Interlochen (MI) Arts Camp, and the Hidden Valley Music Seminars in Carmel, California. She has given master classes at the Curtis and Cleveland Institutes of Music, the Manhattan and Eastman Schools of Music, the New World Symphony, and the Conservatories of Beijing and Shanghai. Her three albums of demonstration and written commentary for Music Minus One are used by teachers and students across the country. Originally from Port Huron, Michigan, Ms. Douvas trained at the Cleveland Institute of Music, studying with John Mack, at the Interlochen Arts Academy. Her first job was principal oboe of the Atlanta Symphony under Robert Shaw. For many years she has devoted her spare time to figure skating and earned her Gold Medal for Adult "Moves in the Field" in 2006. Photo by John Abbott.
Nicholas Alton Lewis
Chamber Music
Nicholas Alton Lewis
Nicholas Alton Lewis is the clarinetist and co-founder of the BLAK-New Blues Ensemble, an ensemble founded with composer-pianist Anthony Kelley and based at Duke University in Durham, North Carolina. The BLAK-New Blues Ensemble was created to explore an ensemble’s ability to circumnavigate, through improvisation, the codes and tropes of African-American, European, and music of other parts of the world in ways that produce a coherent and fresh musical product.
Mr. Lewis has been featured in performances of the Mozart Concerto for Clarinet and Sinfonia Concertante with the Williamsburg Symphony, and of the David Baker Jazz Suite for Clarinet and Orchestra with the Richmond (VA) Symphony and the Soulful Symphony in Baltimore, MD. An exponent of celebrating the music of our time, he has premiered works by Craig DeAlmedia, Anthony Kelley, Aristides Llaneza, Caroline Mallonee, John Mayrose, Gary Nash, Mike Worth, and Iannis Xenakis.
Mr. Lewis has held clarinet positions with the Richmond Symphony Orchestra and Williamsburg Symphony, for 18 and 12 years respectively. He has also performed with the Akron, Pittsburgh, Virginia, and Westmorland Symphonies, as well with the Baltimore Opera Orchestra, and Brevard, Gateways, and Pittsburgh New Music Festival Orchestras.
Prior to joining the faculty at Bard College, Mr. Lewis served as Senior Associate Dean and Special Advisor to the President at the Curtis Institute of Music, and also served on the music department faculties of Howard University and Virginia Union University. He holds the degrees of Bachelor of Fine Arts and Master of Music in clarinet performance from Carnegie Mellon University, as well as a Master of Divinity degree from Yale Divinity School where he pursued studies in the Institute of Sacred Music. Additionally, Mr. Lewis is the current Associate Vice President for Academic Initiatives and Associate Dean of Bard College.
Photo credit: Joseph Brunjes
Caeli Smith
Viola
Caeli Smith
Called “intense, precise, and full of personality,” Caeli Smith is one of New York City’s most sought-after chamber musicians and educators. She is a member of the Orpheus Chamber Orchestra and has performed with them across the U.S., Europe, and Asia; as well as with the
New York Philharmonic, The Knights, Sejong Soloists, and the Verbier Chamber Orchestra. She is principal viola of Simone Dinnerstein’s ensemble Baroklyn.
Known among students and colleagues for her exuberance and curiosity, Caeli
(pronounced “Chay-lee”) is on the faculty of Bard College Conservatory, Montclair State University, the Heifetz International Music Institute, and Kinhaven Music School. She works weekly with pre-college, college, and graduate students at The Juilliard School as a teaching assistant/adjunct professor for multiple studios. Caeli holds a bachelor’s degree in violin performance and a master’s degree in viola performance from The Juilliard School. Upon graduating, she received the William Schuman Prize for Outstanding Achievement and Leadership in Music. She holds a Masters in Education from Harvard, with a concentration in Arts and Learning. Caeli is an alum of Carnegie Hall’s Ensemble Connect.
Caeli has written for radio, TV, and print, and her articles have appeared in The
Philadelphia Inquirer, as well as Strings, Teen Strings, and Symphony magazines.
Ryan MacEvoy McCullough
Visiting Lecturer of Music Theory, Vocal Coach, Pianist
Ryan MacEvoy McCullough
Born in Boston and raised behind the “Redwood Curtain” of northern California, pianist Ryan MacEvoy McCullough has developed a variegated career as soloist, vocal and instrumental collaborator, composer, recording artist, and pedagogue. Ryan’s music-making encompasses work with historical keyboards, electro-acoustic tools and instruments, and close collaborations with some of today’s foremost composers. His longstanding collaborative (and life) partnership with soprano Lucy Fitz Gibbon has yielded a substantial crop of new art song repertoire, as well as his work in contemporary ensemble and commissioning project HereNowHear, 2017 recipient of a Fromm Foundation award.
Ryan’s growing discography features many world premiere recordings, including solo piano works of Milosz Magin (Acte Prealable), Andrew McPherson (Secrets of Antikythera, Innova), John Liberatore (Line Drawings, Albany), Nicholas Vines (Hipster Zombies from Mars, Navona), art song and solo piano music of John Harbison and James Primosch with Ms. Fitz Gibbon (Descent/Return, Albany), and art song by Sheila Silver (Beauty Intolerable, Albany, also with Ms. Fitz Gibbon). He is also founder of False Azure Records, which released its inaugural album in 2022 featuring music by Katherine Balch and Dante De Silva (The Labor of Forgetting), and will be releasing a second album in 2023 featuring music by Christopher Stark, John Liberatore, and Karlheinz Stockhausen. Ryan has also appeared on PBS’s Great Performances (Now Hear This, “The Schubert Generation”) and is an alumnus of NPR’s From the Top.
As concerto soloist Ryan has appeared frequently with orchestras, including the Los Angeles Philharmonic, Toronto Symphony Orchestra, Sarasota Festival Orchestra, Colburn Conservatory Orchestra, Orange County Wind Symphony, and World Festival Orchestra, with such conductors as George Benjamin, Gisele Ben-Dur, Fabien Gabel, Leonid Grin, Anthony Parnther, Larry Rachleff, Mischa Santora, and Joshua Weilerstein. Ryan has collaborated frequently with the Mark Morris Dance Group, contemporary ensembles eighth blackbird and yarn/wire, Mezzo-soprano Stephanie Blythe, and has been a returning artist at the Tanglewood Music Center, Token Creek Chamber Music Festival, and Summer Institute for Contemporary Performance Practice. He will join the roster of senior artists at the Marlboro Music Festival in summer 2023.
As a teacher, Dr. McCullough has worked to cultivate the kind of multidisciplinary training which will be critical for the next generation of musical artists. He has taught masterclasses in piano performance at Bucknell University, New England Conservatory, Notre Dame University, Cal State Northridge, Washington State University, and Humboldt State University, and has served as piano instructor and chamber music coach at Cornell University and Bard College Conservatory. Additionally, he has developed four unique intersectional courses: Musical Technologies and the Natural World (Cornell University), an upper division creative seminar exploring the relationships between culture and conceptions of place; The Active Listener (Bard College Conservatory), a course focused on field recording techniques and aesthetics; Technological Musicianship (Cornell University), a general-access course designed during the Covid-19 pandemic to train musicians with the skills needed to produce high-quality digital content in a changing professional landscape; and FutureSounds, a composition seminar and instrument building workshop designed to explore the fundamentals of musical syntax and creativity.
He holds his Bachelor of Music from Humboldt State University (studying with Deborah Clasquin), Artist Diplomas from the Colburn Conservatory and the Glenn Gould School at the Royal Conservatory in Toronto (John Perry and David Louie), a Masters in Music from University of Southern California (John Perry), and Master of Fine Arts and Doctor of Musical Arts from Cornell University (Xak Bjerken). He currently teaches at Bard College Conservatory.
Ryan currently lives in Kingston, NY, with his wife, soprano Lucy Fitz Gibbon, and cat Coquille.