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Missy Mazzoli

Recently deemed “one of the more consistently inventive, surprising composers now working in New York” (NY Times), “Brooklyn’s post-millennial Mozart” (Time Out NY), and praised for her “apocalyptic imagination” (Alex Ross, The New Yorker), Missy Mazzoli has had her music performed by the Kronos Quartet, LA Opera, eighth blackbird, the BBC Symphony, the Minnesota Orchestra, Scottish Opera and many others. In 2018 she became, along with Jeanine Tesori, the first woman to receive a main stage commission from the Metropolitan Opera, and was nominated for a Grammy award in the category of “Best Classical Composition". From 2018-2021 she was Mead Composer-in-Residence at the Chicago Symphony Orchestra, and from 2012-2015 was Composer-in-Residence with Opera Philadelphia. Her 2018 opera Proving Up, created with longtime collaborator librettist Royce Vavrek and based on a short story by Karen Russell, is a surreal commentary on the American dream. It was commissioned and premiered by Washington National Opera, Opera Omaha and Miller Theatre, and was deemed “harrowing… a true opera for its time” by the Washington Post. Her 2016 opera Breaking the Waves, commissioned by Opera Philadelphia and Beth Morrison Projects, was called “one of the best 21st-century American operas yet” by Opera News. Breaking the Waves received its European premiere at the 2019 Edinburgh Festival; future performances are planned at LA Opera, Houston Grand Opera, and the Adelaide Festival. Her next opera, The Listeners, will premiere in 2022 at the Norwegian National Opera, Chicago Lyric Opera and Opera Philadelphia. Missy is also active in the orchestral and chamber music field, recently writing new works for the National Symphony, Cincinnati Symphony, BBC Philharmonia, and the Bergen Symphony, among others. In 2016, Missy and composer Ellen Reid founded Luna Lab, a mentorship program for young female, non-binary and gender nonconforming composers created in partnership with the Kaufman Music Center. Her works are published by G. Schirmer. missymazzoli.com



Photo by Marylene May

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Weston Sprott

Weston Sprott enjoys an exciting career that includes orchestral, chamber, and solo performances, as well as numerous educational and outreach efforts. He is Dean of the Preparatory Division at The Juilliard School, leading Juilliard Pre-College and the Music Advancement Program, and a trombonist in New York’s Metropolitan Opera Orchestra, of which he has been a member since 2005. He has been recognized as “an excellent trombonist” with a “sense of style and phrasing [that] takes a backseat to no one”. He is a recipient of the Sphinx Medal of Excellence and the Atlanta Symphony Talent Development Program Aspire Award.

Sprott has performed frequently with the Philadelphia Orchestra, held a position with the Zurich Opera/Philharmonia, and has appeared with numerous other major orchestras, including the New York Philharmonic, Atlanta Symphony, and Oslo Philharmonic. He previously held principal positions with the Pennsylvania Ballet Orchestra and the Delaware Symphony Orchestra. His chamber music and festival engagements include the Stellenbosch International Chamber Music Fesitval (SICMF), Classical Tahoe, Festival Napa Valley, Walla Chamber Music Festival, Chineke!, PRIZM Ensemble, and numerous others.

As a soloist, Sprott has been featured regularly throughout the United States, Europe, South Africa, and Asia. He made his Carnegie solo debut in 2007 and was a featured soloist with the Chamber Music Society of Lincoln Center is 2017. Sprott’s debut album, Act I, was released in 2010 and hailed by the American Record Guide as “an outstanding recording” that “feels the emotion of every note and phrase”.

A dedicated and tireless teacher, Sprott holds faculty positions at Juilliard Pre-College and Bard College. He previously led the brass department at Mannes College and held faculty positions at Rutgers University, Purchase College, and the Juilliard Music Advancement Program. He also regularly serves on the faculties of SICMF, PRIZM, Curtis Institute of Music’s Summerfest, National Youth Orchestra-USA (NYO-USA) and NYO2. 

He appeared in Ben Niles’ documentary film Some Kind of Spark, which highlights the impact of music education in the lives of students as they attend Juilliard’s Music Advancement Program. Other documentary film credits include A Wayfarer's Journey:Listening to Mahler, and Rittenhouse Square. His thoughts are also quoted in Rhythms of the Game, a book by former New York Yankees star Bernie Williams. He also works with organizations like Play On Philly and Music Kitchen, and has sponsored educational opportunities and solicited instrument donations for disadvantaged students. His philanthropic spirit was recognized in an article by the Wall Street Journal. He is the Board Chair of the Friends of SICMF, a member of the Bronx Arts Ensemble’s Artistsic Advisory Board, and a member of the Avery Fisher Artist Program's Recommendation Board. Weston is an active speaker, writer, and advisor for diversity and inclusion efforts in classical music. 

Weston Sprott is an artist/clinician for the Antoine Courtois Instrument Company. He designed and performs exclusively on the Courtois Creation New York trombone. Performances and interviews with Mr. Sprott have been seen and heard on PBS' Great Performances, NPR's Performance Today, MSNBC, and Sirius Satellite Radio.