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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

More About Us
  • Visiting Bard
    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
Learn More
The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

Asher B. Edelman Professor of Music Joan Tower.

Professor Joan Tower Profiled in WHMT and the Daily Catch

"We don’t try to burden our students with our style,” Tower said. “They develop their own voice, which I’m proud of.”

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Opening Friday, October 2, China Now Music Festival, “Chasing Dreams,” Presents Concerts and Discussions at Carnegie Hall, Lincoln Center, Bard College, Tempo Performing Arts Center, and Asia Society

Opening Friday, October 2, China Now Music Festival, “Chasing Dreams,” Presents Concerts and Discussions at Carnegie Hall, Lincoln Center, Bard College, Tempo Performing Arts Center, and Asia Society

“We aim to tell stories of the shared dreams, resilience, and creativity that connect all of us, American and Chinese alike. Through music, we can be reminded that our histories and aspirations are deeply intertwined,” says Artistic Director Jindong Cai.

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A professional photo portrait of Missy Mazzoli

Bard Composer in Residence Missy Mazzoli featured in the New York Times

“That’s what I like about opera: That it’s a music-driven story where every emotion is taken to an extreme.”

Read More

Upcoming Events and Performances

  • Desirée Ruhstrat, violin, Melissa Reardon, viola, and Wendy Sutter, cello
    10/2
    Friday
    Desirée Ruhstrat, violin, Melissa Reardon, viola, and Wendy Sutter, cello
    “Resilience”

    7:00 pm
    Bitó Conservatory Building, Performance Space
  • China Now Music Festival: Chasing Dreams at Carnegie Hall
    10/2
    Friday
    China Now Music Festival: Chasing Dreams at Carnegie Hall
    Bard East/West Ensemble and THE RIFT: Opera in One Act 

    7:30 pm
    Zankel Hall at Carnegie Hall
  • Joan Tower smiling against a solid red wall. ; Celebration: A Concert honoring Joan Tower's 54th year at Bard, "My longtime home"
    10/3
    Saturday
    Celebration: A Concert honoring Joan Tower's 54th year at Bard, "My longtime home"
    Presented by the Altalena Artists Collective

    4:00 pm
    Bitó Conservatory Building, Performance Space
  • China Now Music Festival: Chasing Dreams at Asia Society
    10/3
    Saturday
    China Now Music Festival: Chasing Dreams at Asia Society
    US-China Music Forum: Chasing Dreams

    4:30 pm
    Asia Society 725 Park Ave. New York City, NY 10021 United States
  • China Now Music Festival: Chasing Dreams at Kingston
    10/4
    Sunday

    China Now Music Festival: Chasing Dreams at Kingston
    Bard East/West Ensemble conducted by Jindong Cai

    3:00 pm
    TEMPO Performing Arts Center 29 Wurts Street Kingston, NY, 12401 United States

Meet Our Faculty

See All Faculty
  • Junzhi Cui
    Konghou

    Junzhi Cui

    Cui Junzhi is a leading pioneer of the modern art of konghou (Chinese harp) performance. With her incomparable style, she continues to shine on the world's musical stage.

    A recipient of many prestigious accolades, she has been honored with a medal from UNESCO and a Lifetime Achievement Award from the United Nations. She was awarded first prize in the World Broadcasting Competition, garnered a Gold Award at the Philadelphia International Music Festival for Chinese Composition Performance, and earned the title of "Outstanding Artist" at the inaugural International Harp Competition in the United States. Moreover, she consistently excels in national competitions for instrumental music and composition competitions sponsored by the Ministry of Culture in China.

    Cui serves as a leader in numerous konghou-related arenas, from performance and education to international outreach and multimedia recordings. With the endorsement of several major music schools, she pioneered the establishment of the konghou performance major. Invitations to perform and lecture have taken her to dozens of countries, where she has broken new ground with her konghou concertos. She wrote the book The World of Konghou and edited the inaugural "Central Conservatory of Music Examination Syllabus," for konghou performance. These works have served as milestones in the developing landscape of modern konghou artistry.

    Currently, she holds the titles of National First-Class Performer, professor of konghou, and Master's Degree supervisor. Additionally, she serves as the president of the Konghou Research Association, which operates under the auspices of the China Musicians Association. She joined the faculty of the Bard College Conservatory of Music in 2023, where she serves as master teacher to majors in konghou performance in the US-China Music Institute.
  • Shiqi Zhong
    Chinese Percussion

    Shiqi Zhong

    Shiqi Zhong is an acclaimed percussionist and DMA candidate at New York University, recognized for his extensive cross-cultural expertise and academic background in percussion. His varied career spans world, classical, contemporary, and popular music, showcasing his versatility and commitment to advancing the art of percussion.

    A graduate of the China Conservatory of Music Affiliated Middle School, Juilliard Pre-College, Curtis Institute of Music, Yale School of Music, and New York University, Shiqi Zhong’s comprehensive education forms the bedrock of his emerging career. As deputy editor of the Percussive Arts Society (PAS) China and board member of the Asian Youth Musician Alliance (AYMA), Shiqi Zhong has made significant contributions to percussion education and outreach. His mentorship has led to the acceptance of his former students into prestigious institutions such as the Curtis Institute of Music, Juilliard Pre-College, Manhattan School of Music, and San Francisco Conservatory.

    An active percussionist, Shiqi Zhong has played with renowned ensembles including the New Jersey Symphony Orchestra, the American Symphony Orchestra, and the Composer Symphony Orchestra. He has worked with esteemed conductors such as Leon Botstein, Xian Zhang, Yannick Nézet-Séguin, Vladimir Jurowski, and Osmo Vänskä. As a prominent percussion soloist, Shiqi Zhong has received numerous international accolades, including awards from the World Percussion Competition, the Piazzolla International Music Competition, the PAS KoSA Marimba Competition, and the Singapore Chinese Percussion Competition.

    In addition to his performance career, Shiqi Zhong is an innovative composer. His works include China’s first electronic music and traditional Chinese percussion piece, The Monkey King’s Havoc in Heaven, as well as Unity, a Chinese Drum Ensemble piece, and Nezha, for solo timpani and drum ensemble. His educational method books, Rhythm Master and Handpan for Beginners, reflect his dedication to expanding and bridging cultures through percussion music.

     
  • Keisuke Ikuma
    Chamber Music Instructor

    Keisuke Ikuma

    Keisuke Ikuma is a highly sought-after oboe and english horn player in the New York metropolitan area. He is currently a member of the Hudson Valley Philharmonic and the Stamford Symphony. He also performs regularly with the New York Philharmonic, the New Jersey Symphony Orchestra, the Orchestra of St. Luke’s, the Orpheus Chamber Orchestra, and numerous Broadway shows such as “The King and I,” “Wicked,” and “Phantom of the Opera”. Mr. Ikuma received his Bachelor of Music degree from the Manhattan School of Music, where he was a full-scholarship student of Joseph Robinson, former principal oboist of the New York Philharmonic. Mr. Ikuma studied conducting with Constantine Kitsopoulos and David Gilbert, and made his Broadway conducting debut in the 2015 Tony Award-winning production “The King and I” at Lincoln Center Theater. He recently served as interim Chorus Director of the Keio High School in Westchester.
  • Raymond Erickson
    Harpsichord, Piano

    Raymond Erickson

    Raymond Erickson, harpsichordist, pianist, and music historian, graduated with high honors from Whittier College and holds the Ph.D. in musicology from Yale. He is one of America’s most experienced teachers of historical performance practice, having taught the subject since the mid-1970s at Queens College’s Aaron Copland School of Music and the CUNY Graduate Center (DMA program), as well as Rutgers University. In his performances all over the US and Europe, on both harpsichord and piano, he has revived once-standard practices now largely forgotten, such as improvised preludizing and embellishments. In recent years, he has focused on Bach, and has given master classes and lectures on Bach interpretation at major conservatories and universities both here and abroad. He has published non-traditional but historically-based interpretive approaches to the Bach Ciaccona for solo violin and to the classic repertory, as well as on improvisation for classical musicians. His four books include Schubert’s Vienna (Yale, 1997) and The Worlds of Johann Sebastian Bach (Amadeus, 2009), both of which are outgrowths of the Aston Magna Academy program he directed, sponsored by the Aston Magna Foundation with funding from the National Endowment for the Humanities. Erickson’s principal keyboard teachers were pianists Margaretha Lohmann and Nadia Reisenberg and harpsichordists Ralph Kirkpatrick and Albert Fuller.

Preparatory Division Fall Registration Now Open

Apply & Register Here →

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Bard College
Bard College
Conservatory of Music
30 Campus Road
Annandale-on-Hudson
New York 12504-5000
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All photos by Karl Rabe unless stated otherwise.