Music, like all art, engages the mind and the heart.
The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.
Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.
The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.
When she was eleven years old Qiao Jia passed the audition to be a percussion student at The Central Conservatory of Music in Beijing. Years later she graduated and became a classical Chinese percussion teacher at the same institution, which she still holds today. She has devoted herself to the performance of contemporary music written for her by Asian and western composers. Her knowledge of both traditions and her enthusiasm for new challenges enables her to perform different aesthetics of today’s music with formidable ease, accuracy and passion. She is considered one of the best Asian percussionists of contemporary music. In September 2008, Qiao realized a long tour in Scandinavia, closing it with a concert at the New Opera House in Copenhagen. In this tour she world-premiered three pieces that the audience greatly acclaimed and led to a huge success of this tour. In the summer of 2017 she participated as a faculty member in the US-China Music Institute Summer Academy and joined the USCMI faculty in 2022.
Elaine Douvas
Oboe
Elaine Douvas
Elaine Douvas, oboe, has been principal oboe of the Metropolitan Opera since 1977 and is on the oboe faculty of the Bard College Conservatory of Music. Since 1982 she has also served as oboe instructor at The Juilliard School and Woodwind Department Chairman there since 1997. Her career highlights include the Strauss Oboe Concerto with the MET Orchestra in Carnegie Hall, James Levine conducting, and Dutilleux's Les Citations with the MET Chamber Ensemble. Her three CDs include a solo recital and her quartet project "Pleasure is the Law", issued by Boston Records, and "Oboe Divas" on the Oboe Classics label. One of the most influential teachers in the USA, her students hold important positions in more than a dozen major orchestras and university faculties. In the summers, Ms. Douvas is an artist faculty member of the Aspen Music Festival and School, and she teaches three intensive, one-week oboe seminars: Le Domaine Forget Academy in Quebec, Interlochen (MI) Arts Camp, and the Hidden Valley Music Seminars in Carmel, California. She has given master classes at the Curtis and Cleveland Institutes of Music, the Manhattan and Eastman Schools of Music, the New World Symphony, and the Conservatories of Beijing and Shanghai. Her three albums of demonstration and written commentary for Music Minus One are used by teachers and students across the country. Originally from Port Huron, Michigan, Ms. Douvas trained at the Cleveland Institute of Music, studying with John Mack, at the Interlochen Arts Academy. Her first job was principal oboe of the Atlanta Symphony under Robert Shaw. For many years she has devoted her spare time to figure skating and earned her Gold Medal for Adult "Moves in the Field" in 2006. Photo by John Abbott.
Edward Carroll
Visiting Instructor of Music
Edward Carroll
Edward Carroll’s long and distinguished career has taken many twists and turns. It began as an orchestral musician at age 21 with his appointment to the Houston Symphony, detoured back to Juilliard (BM, MM) and New York City as a trumpet soloist making over 20 recordings on the Sony, Vox, MHS, and Newport Classic labels and performing with the Chamber Music Society of Lincoln Center, matured as he conducted his first concerts, detoured once again as he fulfilled a lifelong dream of moving to Europe assuming the position of principal trumpet of the Rotterdam Philharmonic, eventually embarked on what has become a distinguished teaching career and now, in the final quarter of his musical journey, returned to his life-long passion of conducting. Mr. Carroll has served on the faculties of the Rotterdam Conservatory, London’s Royal Academy of Music, McGill University, the Bard Conservatory, and the California Institute of the Arts. He has performed with conductors such as Leonard Bernstein, Bernard Haitink, Valery Gergiev, James Conlon, Esa-Pekka Salonen, and Simon Rattle in concert halls around the world, listing Amsterdam’s Concertgebouw, Vienna’s Grosser Musikvereinsaal, Moscow’s Tchaikovsky Hall, New York’s Carnegie Hall, Boston’s Symphony Hall, and Tokyo’s Suntory Hall amongst his favorites. He has appeared as a soloist with the Rotterdam Philharmonic, the Netherlands Radio Chamber Orchestra, the London Sinfonietta, Virtuosi di Roma, the Gulbenkian Orchestra of Lisbon, the Hong Kong Philharmonic, and a variety of North American orchestras. Edward Carroll’s recordings conducting the Metamorphosis Ensemble of London (Cantoris) and Chamber Soloists of Washington (Sony) have received critical acclaim, as have his many performances conducting the Peruvian National Symphony and National Youth Orchestras. In addition to teaching and conducting, Edward Carroll is currently the director of the Center for Advanced Musical Studies (www.chosenvalemusic.org) where he presents the annual Chosen Vale International Seminars with friends such as Hakan Hardenberger, John Wallace, Markus Stockhausen, Mark Gould, Colin Currie, and Steve Reich. Author Alexander McGrattan states in his book THE TRUMPET (Yale University Press) that “the work of Ed Carroll has been seminal to the creation of a new generation of adventurous young trumpet players since his work at the Rotterdam Conservatory and the establishment of the Lake Placid Music Seminars in the mid-1990s in New York State.” Mr. Carroll feels otherwise but perhaps that can be left for another biography.
Robert Warner
Robert Warner
Robert began his musical training at an early age in his native Pennsylvania, studying both piano and violin as a child. He earned his bachelor’s degree from the University of Rochester where he majored in both music and mathematics, during which time he also took harpsichord lessons and studied Baroque performance practice at the Eastman School of Music. He continued his early music studies at Stony Brook University under the tutelage of Arthur Haas, serving as manager and assistant director of the Stony Brook Baroque ensemble and eventually earning a master's degree in music history as well as a DMA in harpsichord performance.
Upon graduating from Stony Brook, Robert was accepted into the Juilliard School’s Historical Performance program where he took harpsichord lessons with Peter Sykes, Richard Egarr and Beatrice Martin and performed extensively as a continuo keyboardist and violist in projects led by Jordi Savall, William Christie and others. He currently resides in New York City and is once again splitting his time between music and math, maintaining an active performing schedule while working as a math tutor. Recent musical engagements have included concerts with Philharmonia Baroque Orchestra, Boston Baroque and Upper Valley Baroque. He also performs regularly with Musicivic Baroque and Relic Ensemble as the primary harpsichordist for both groups.