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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

A professional photo of Composer in Residence Missy Mazzoli.

Composer in Residence Missy Mazzoli Profiled in the New York Times

“We want the field to expand,” said Mazzoli, “and so bringing in [diversity] helps the field survive and thrive.”
 

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a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

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a man conducts an orchestra

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily 

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

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Meet Our Faculty

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  • Demian Austin
    Trombone

    Demian Austin

    Demian Austin is principal trombonist of the Metropolitan Opera Orchestra. He is also a member of the MET Chamber Ensemble, which performs regularly at Carnegie’s Weill and Zankel halls. He has performed with The Chamber Music Society of Lincoln Center, and in the Mostly Mozart festival at Lincoln Center. Mr. Austin has played on numerous recordings including the Metropolitan Opera Brass CDs, several movie soundtracks, Dialogues with Double Bass with Jeremy McCoy on Bridge Records, the GM Recordings issue of Beethoven’s Fifth Symphony and Brahms’ First Symphony conducted by Gunther Schuller, and many recordings with the Metropolitan Opera Orchestra, including Strauss’ Tod und Verklarung. He can also be heard regularly on Sirius Satellite Radio’s Live at the Met Broadcasts, the Saturday Matinee Broadcasts of the Met, and on The Met: Live in HD worldwide movie simulcasts. Mr. Austin is also on the faculty of Juilliard’s precollege division. He received his Bachelor of Music degree in 1992 from Oberlin College, where he studied with Raymond Premru, and his Masters of Music degree in 1995 from The Juilliard School, where he studied with Per Brevig. Aside from his career in music, Mr. Austin has a keen interest in film and has attended several intensive seminars on screenwriting.
  • Rufus Müller
    Undergraduate Voice, Undergraduate Performance Workshop, Undergraduate Opera Workshop

    Rufus Müller

    Rufus Müller is a sought-after tenor who was acclaimed by the New York Times, following a performance at Carnegie Hall, as “easily the best tenor I have heard in a live Messiah.” He has performed internationally in operas, oratorios, and recitals. He performed the world premiere of Jonathan Miller’s acclaimed production of the St. Matthew Passion, which was broadcast on BBC TV and recorded for the United label; he repeated the role in three revivals of the production at the Brooklyn Academy of Music. Müller is also a leading recitalist, performing worldwide with pianist Maria João Pires, notably in an extended Schubertiade in London’s Wigmore Hall, and on tour in Spain, Germany, and Japan with Schubert’s Winterreise. Recent performances also include Bach’s Passions and Handel’s Messiah in New York, Princeton, Toronto, Montreal, Washington, D.C., Carmel Bach Festival, Royal Albert Hall, and Canterbury Cathedral; Monteverdi’s Vespers, Schubert’s Winterreise, and Mozart’s Don Giovanni (Ottavio) in Tokyo; Beethoven’s Choral Symphony in Pennsylvania; the title role in Monteverdi’s L’Orfeo in St. Petersburg, Russia; and Haydn’s Creation in London, as well as recitals and master classes in Japan, Germany, and the United States. Born in Kent, England, Müller was a choral scholar at New College, Oxford, and studied in New York with the late Thomas LoMonaco. In 1985 he won first prize in the English Song Award in Brighton and, in 1999, was a prize winner in the Oratorio Society of New York Singing Competition. A list of performances and recordings can be found at his website, rufusmuller.com. BA, MA, University of Oxford. At Bard since 2006.
  • Leigh Mesh
    Double Bass Masterclasses

    Leigh Mesh

    Leigh Mesh, associate principal double bass, joined the Metropolitan Opera Orchestra in 1993. A graduate of the Curtis Institute of Music, he began his professional career with the Columbus Symphony Orchestra and later played with the Indianapolis and Chicago Symphony Orchestras. He has taught master classes at the New World Symphony in Miami, Cincinnati Conservatory, Juilliard School, and Manhattan School of Music. Mr. Mesh is the double bass coach of the UBS Verbier Festival Youth Orchestra in Verbier, Switzerland. He has been a guest artist with the Verbier Festival, Linton Chamber Music Series, Pensacola Classicfest, Chamber Music Society of Martha’s Vineyard,Mainly Mozart Festival in San Diego, and the Salt Bay Chamberfest. Mr. Mesh has performed with the MET Chamber Ensemble, the Caramoor Virtuosi, and the Brentano and Tokyo String Quartets. Mr. Mesh was a faculty member of the Colburn School of Music in Los Angeles during the 2009–2010 school year. He joined the faculty of the Bard College Conservatory of Music in the fall of 2010. He lives with his wife, Nancy Wu, associate concertmaster of the MET Opera Orchestra, and their two children, Guinevere and Wolfram, in Pleasantville, New York. He pursues cycling and skiing whenever he can. Mr. Mesh is an exclusive artist for Thomastik-Infeld Strings.
  • Robert Warner

    Robert Warner

    Robert began his musical training at an early age in his native Pennsylvania, studying both piano and violin as a child.  He earned his bachelor’s degree from the University of Rochester where he majored in both music and mathematics, during which time he also took harpsichord lessons and studied Baroque performance practice at the Eastman School of Music.  He continued his early music studies at Stony Brook University under the tutelage of Arthur Haas, serving as manager and assistant director of the Stony Brook Baroque ensemble and eventually earning a master's degree in music history as well as a DMA in harpsichord performance.​



    Upon graduating from Stony Brook, Robert was accepted into the Juilliard School’s Historical Performance program where he took harpsichord lessons with Peter Sykes, Richard Egarr and Beatrice Martin and performed extensively as a continuo keyboardist and violist in projects led by Jordi Savall, William Christie and others.  He currently resides in New York City and is once again splitting his time between music and math, maintaining an active performing schedule while working as a math tutor.  Recent musical engagements have included concerts with Philharmonia Baroque Orchestra, Boston Baroque and Upper Valley Baroque.  He also performs regularly with Musicivic Baroque and Relic Ensemble as the primary harpsichordist for both groups.



     

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Bard College
Bard College
Conservatory of Music
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Annandale-on-Hudson
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