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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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  • Visiting Bard
    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
Learn More
The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a black and white archival photo of a man at a piano

Bard Conservatory of Music Announces Seventh Annual Kurtág Festival Honoring György Kurtág’s 100th Birthday, March 11–April 4

The 2026 edition highlights the clarity, precision, and expressive depth of Kurtág’s music.

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two men raise their hands to conduct against a black backdrop

Bard Conservatory Orchestra Innovation and Legacy Concert Featured in China Daily and Xinhua

The concert, notes Xinhua, was “more than a performance—it was a profound musical dialogue across eras and cultures.”

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The Eighth Annual China Now Music Festival Reviewed in <em>China Daily</em>

The Eighth Annual China Now Music Festival Reviewed in China Daily

The final performance of the festival, a chamber opera and dance concert by the Bard East/West Ensemble, will take place on October 5 at 3 pm at Jazz at Lincoln Center. 

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Upcoming Events and Performances

  • A piano lit on an empty stage.; Graduate Degree Recital: Kuang Zhou, viola
    2/6
    Friday
    Graduate Degree Recital: Kuang Zhou, viola 2:00 pm
    Bitó Conservatory Building, Performance Space
  • A blurred black and white image of three fingers.; Undergraduate Degree Recital: Andrew Altrock, piano
    2/7
    Saturday
    Undergraduate Degree Recital: Andrew Altrock, piano 7:30 pm
    Bitó Conservatory Building, Performance Space
  • A piano lit on an empty stage.; Undergraduate Degree Recital: Maggie Yang, mezzo-soprano
    2/8
    Sunday
    Undergraduate Degree Recital: Maggie Yang, mezzo-soprano 7:30 pm
    Bitó Conservatory Building, Performance Space
  • The Sound of Spring
    2/14
    Saturday
    The Sound of Spring
    A Chinese New Year Concert with The Orchestra Now

    3:00 pm
    Fisher Center, Sosnoff Theater
  • Teresa Buchholz (left) with hair styled up, wearing long earrings. Kayo Iwama (right) wearing a colorful blouse.; Faculty Spotlight Series: Teresa Buchholz, mezzo-soprano and Kayo Iwama, piano
    2/14
    Saturday
    Faculty Spotlight Series: Teresa Buchholz, mezzo-soprano and Kayo Iwama, piano 7:00 pm
    Bitó Conservatory Building, Performance Space

Meet Our Faculty

See All Faculty
  • Keisuke Ikuma
    Chamber Music Instructor

    Keisuke Ikuma

    Keisuke Ikuma is a highly sought-after oboe and english horn player in the New York metropolitan area. He is currently a member of the Hudson Valley Philharmonic and the Stamford Symphony. He also performs regularly with the New York Philharmonic, the New Jersey Symphony Orchestra, the Orchestra of St. Luke’s, the Orpheus Chamber Orchestra, and numerous Broadway shows such as “The King and I,” “Wicked,” and “Phantom of the Opera”. Mr. Ikuma received his Bachelor of Music degree from the Manhattan School of Music, where he was a full-scholarship student of Joseph Robinson, former principal oboist of the New York Philharmonic. Mr. Ikuma studied conducting with Constantine Kitsopoulos and David Gilbert, and made his Broadway conducting debut in the 2015 Tony Award-winning production “The King and I” at Lincoln Center Theater. He recently served as interim Chorus Director of the Keio High School in Westchester.
  • Marcus Rojas
    Tuba

    Marcus Rojas

    Tubist Marcus Rojas has performed with such diverse groups as The Metropolitan Opera, The American Ballet Theatre, American Symphony Orchestra, Radio City Music Hall, and ensembles led by Lionel Hampton, David Byrne and P.D.Q. Bach. An avid proponent of contemporary, improvised and classical music, he has performed the premieres of such notable composers as LaMonte Young, Gunther Schuller, and Peter Schickele. He has recorded with CBS Records, Sony Records, A&M Records and has been heard on countless film scores, including Interview With A Vampire and Sleepless in Seattle.
  • Isabelle O'Connell
    Artist-in-Residence

    Isabelle O'Connell

    Since her acclaimed New York debut recital at Carnegie’s Weill Hall in 2002, pianist Isabelle O’Connell has developed a thriving international career that has taken her across four continents. As soloist and chamber musician she has performed around the United States, Canada, Japan, Australia, New Zealand and Europe, at venues such as Lincoln Center, the Kennedy Center, Chicago Cultural Center, Cleveland Museum of Art, Detroit Institute of Art, Gilmore Keyboard Festival, Time:Spans Festival, MATA Festival, Belfast Festival, St David’s Hall, Cardiff and the National Concert Hall, Ireland.

    Isabelle has a reputation for being a dynamic interpreter and energetic advocate of music by 20th and 21st century composers, regularly commissioning and premiering new works. Some of the composers she has worked with include John Adams, John Luther Adams, Linda Buckley, Donnacha Dennehy, Michael Gordon, Missy Mazzoli, Morton Subotnick, Joan Tower, Kevin Volans and Julia Wolfe. In 2010 her debut solo album RESERVOIR featuring solo piano music by contemporary Irish composers was released to critical acclaim and the New Yorker called her “the young Irish piano phenom”.

    As concerto soloist Isabelle has performed with the National Symphony Orchestra of Ireland under conductors William Eddins, Gerhard Markson and Gavin Maloney. Most recently she premiered Kevin Volans’ piano concerto 4b with the RTE Concert Orchestra at the 2023 New Music Dublin festival.

    Isabelle is co-founder of Grand Band, New York’s new music piano sextet, described by the New York Times as: "six of the finest, busiest pianists active in New York's contemporary-classical scene”. Making their debut at the Bang on a Can Marathon in New York in 2012, they have since performed around the United States and U.K., at the Gilmore Piano Festival, Peak Performances Series at Montclair University, the Rite of Summer Music Festival, Liquid Music Festival, Vale of Glamorgan Festival, Sheffield University and Cornerstone Festival, Liverpool.

    As chamber musician, Isabelle has performed with John Adams at Carnegie's Zankel Hall, with Meredith Monk at the Bang on a Can Summer Festival and with the New Zealand String Quartet at the Banff Centre for the Arts in Canada. She has also performed with Crash ensemble at the Canberra International Chamber Music Festival, Sydney Conservatoire, Galway International Arts Festival, Irish Museum of Modern Art and Reich Effect Festival. Isabelle has also played with ensembles Alarm Will Sound, the Da Capo Chamber Players, American Symphony Orchestra, the New Zealand and ConTempo String Quartets.

    Isabelle has recorded for the Diatribe, Innova, NMC, Pyroclastic and Lyric fm labels. She has appeared on television and radio on both sides of the Atlantic, with regular broadcasts on ALL ARTS TV, WNYC, WQXR, WFMT Chicago, BBC3, RTE and Lyric FM radio.

    Isabelle is currently serving on the piano faculty as Artist-in-Residence at Bard College and Conservatory of Music in New York. She is often invited to give masterclasses and workshops around the world, including at Princeton University, Queen's University Belfast, Montclair University, New Zealand School of Music and the European Piano Teachers' Association. Isabelle was previously Artist-in-Residence at the Banff Centre for the Arts in Canada and the Centre Culturel Irlandais in Paris.
  • Raymond Erickson
    Harpsichord, Piano

    Raymond Erickson

    Raymond Erickson, harpsichordist, pianist, and music historian, graduated with high honors from Whittier College and holds the Ph.D. in musicology from Yale. He is one of America’s most experienced teachers of historical performance practice, having taught the subject since the mid-1970s at Queens College’s Aaron Copland School of Music and the CUNY Graduate Center (DMA program), as well as Rutgers University. In his performances all over the US and Europe, on both harpsichord and piano, he has revived once-standard practices now largely forgotten, such as improvised preludizing and embellishments. In recent years, he has focused on Bach, and has given master classes and lectures on Bach interpretation at major conservatories and universities both here and abroad. He has published non-traditional but historically-based interpretive approaches to the Bach Ciaccona for solo violin and to the classic repertory, as well as on improvisation for classical musicians. His four books include Schubert’s Vienna (Yale, 1997) and The Worlds of Johann Sebastian Bach (Amadeus, 2009), both of which are outgrowths of the Aston Magna Academy program he directed, sponsored by the Aston Magna Foundation with funding from the National Endowment for the Humanities. Erickson’s principal keyboard teachers were pianists Margaretha Lohmann and Nadia Reisenberg and harpsichordists Ralph Kirkpatrick and Albert Fuller.
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Bard College
Bard College
Conservatory of Music
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Annandale-on-Hudson
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All photos by Karl Rabe unless stated otherwise.