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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

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a man conducts an orchestra

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily 

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

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a woman in a pink dress sings on stage

Opera Concert by Bard Conservatory of Music and Bard Graduate Vocal Arts Program Reviewed in the Millbrook Independent

A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney. 

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Upcoming Events and Performances

  • Third Year Recital: Abby Wolf, cello
    5/16
    Saturday
    Third Year Recital: Abby Wolf, cello 1:00 pm
    Olin Hall
  • Christian Midy holding a flute and looking to the side. ; Graduate Degree Recital: Christian Midy, flute
    5/16
    Saturday
    Graduate Degree Recital: Christian Midy, flute 4:00 pm
    Bitó Conservatory Building, Performance Space
  • CANCELED: Graduate Degree Recital: Benjamin Truncale, tenor, with Kyeongji Koh, piano
    5/16
    Saturday
    CANCELED: Graduate Degree Recital: Benjamin Truncale, tenor, with Kyeongji Koh, piano
    THE ARTIST AND THE “OTHER”: An Exploration of The Muse

    7:00 pm
    Bitó Conservatory Building, Performance Space
  • Undergraduate Degree Recital: Megumi Takahasi, flute
    5/16
    Saturday
    Undergraduate Degree Recital: Megumi Takahasi, flute 7:00 pm
    Edith C. Blum Institute
  • Isabel Chin Garita smiling and holding a violin. ; Undergraduate Degree Recital: Isabel Chin Garita, violin
    5/17
    Sunday
    Undergraduate Degree Recital: Isabel Chin Garita, violin 1:00 pm
    Bitó Conservatory Building, Performance Space

Meet Our Faculty

See All Faculty
  • David Krakauer
    Clarinet

    David Krakauer

    Internationally acclaimed clarinetist David Krakauer redefines the notion of a concert artist. Known for his mastery of myriad styles, he occupies the unique position of being one of the world’s leading exponents of Eastern European Jewish klezmer music, and at the same time is a major voice in classical music. As one of the foremost musicians of the vital new wave of klezmer, David Krakauer tours the globe with his celebrated Klezmer Madness! ensemble. While firmly rooted in traditional klezmer folk tunes, the band “hurls the tradition of klezmer music into the rock era” (Jon Pareles, The New York Times). In addition to his annual European tours to major international festivals and jazz clubs, recent seasons brought Krakauer and his band to the Library of Congress, Stanford Lively Arts, San Francisco Performances, the Krannert Center, Carnegie’s Zankel Hall, the Venice Biennale, Krakow Jewish Culture Festival, BBC Proms, Saalfelden Jazz Festival, Transmusicales de Rennes, La Cigale, New Morning in Paris, and many others. His newest project, The Big Picture, re-imagines familiar themes by such renowned film music composers as John Williams, Marvin Hamlisch, Randy Newman, Wojciech Kilar and Vangelis, and interprets melodic gems by the likes of Sidney Bechet, Sergei Prokofiev, Mel Brooks, Ralph Burns, John Kander & Fred Ebb and Jerry Bock that have appeared in popular films. In addition, Krakauer is in demand worldwide as a guest soloist with the finest ensembles including the Emerson, Orion and Kronos String Quartets, as well as orchestras including the Amsterdam Sinfonietta, the Detroit Symphony, the Weimar Staatskapelle, the Phoenix Symphony, the Dresdener Philharmonie, and the Seattle Symphony. Krakauer’s discography contains some of the most important klezmer recordings of the past decade including six CDs under his own name: two on John Zorn's Tzadik Label and four on Label Bleu; plus collaborations with the Klezmatics, Itzak Perlman, the Kronos Quartet/Osvaldo Golijov and Socalled. Abraham Inc’s "Tweet-Tweet" on his own label, Table Pounding Records (and Label Bleu in Europe) was released in early 2010. Composers who have written major pieces for him include David del Tredici, Paul Moravec, Ofer Ben-Amots, Jean Philippe Calvin, George Tsontakis, Anthony Coleman and Wlad Marhulets. David Krakauer is on the clarinet and chamber music faculties of Mannes College of Music, the Manhattan School of Music, NYU and the Bard College Conservatory of Music. His unique sound can be heard as soloist in Danny Elfman's score for the film "Taking Woodstock" and throughout "The Tango Lesson".
  • Frank Corliss
    Director and Faculty, Bard College Conservatory of Music

    Frank Corliss

    Frank Corliss is the director of the Bard College Conservatory of Music. Prior to coming to Bard he was for many years a staff pianist for the Boston Symphony Orchestra and the Tanglewood Festival Chorus, and the director of music at the Walnut Hill School for the Arts. He was a frequent performer on the Boston Symphony Prelude Concert series and he has also performed throughout the United States as a chamber musician and collaborative pianist. Corliss has worked as a musical assistant for Yo-Yo Ma and has assisted Ma in the musical preparation of many new works for performance and recording, including concertos by Elliot Carter, Richard Danielpour, Tan Dun, John Harbison, Leon Kirchner, Peter Lieberson, Christopher Rouse, and John Williams. 

    A graduate of the Oberlin Conservatory of Music, he received his Master of Music from SUNY at Stony Brook, where he studied with Gilbert Kalish.  While at Oberlin he received the Rudolf Serkin Award for Outstanding Pianist and was a member of the Music from Oberlin Ensemble, which toured throughout the U.S.  He has also studied at the Mozarteum in Salzburg, Austria, and the Cracow Academy of Music in Cracow, Poland.  Mr. Corliss has participated in several summer festivals, including the Tanglewood Music Festival and the Taos Chamber Music Festival and the Aspen Music Festival.  

    He was appointed as an Artistic Ambassador for the United States Information Agency and in that capacity went on a three-week concert tour of Eastern Europe. He was also the recipient of a Rockefeller grant from the Cultural Contact US-Mexico Fund for Culture to commission works for flute and piano by American and Mexican composers and premiered in Boston and in Mexico City. 

    Mr. Corliss can be heard in recording on Yo Yo Ma’s Grammy-winning SONY disc “Soul of the Tango”, as well as the Koch International disc of music by Elliot Carter for chorus and piano with the John Oliver Chorale.
  • Missy Mazzoli
    Composer in Residence

    Missy Mazzoli

    Recently deemed “one of the more consistently inventive, surprising composers now working in New York” (NY Times), “Brooklyn’s post-millennial Mozart” (Time Out NY), and praised for her “apocalyptic imagination” (Alex Ross, The New Yorker), Missy Mazzoli has had her music performed by the Kronos Quartet, LA Opera, eighth blackbird, the BBC Symphony, the Minnesota Orchestra, Scottish Opera and many others. In 2018 she became, along with Jeanine Tesori, the first woman to receive a main stage commission from the Metropolitan Opera, and was nominated for a Grammy award in the category of “Best Classical Composition". From 2018-2021 she was Mead Composer-in-Residence at the Chicago Symphony Orchestra, and from 2012-2015 was Composer-in-Residence with Opera Philadelphia. Her 2018 opera Proving Up, created with longtime collaborator librettist Royce Vavrek and based on a short story by Karen Russell, is a surreal commentary on the American dream. It was commissioned and premiered by Washington National Opera, Opera Omaha and Miller Theatre, and was deemed “harrowing… a true opera for its time” by the Washington Post. Her 2016 opera Breaking the Waves, commissioned by Opera Philadelphia and Beth Morrison Projects, was called “one of the best 21st-century American operas yet” by Opera News. Breaking the Waves received its European premiere at the 2019 Edinburgh Festival; future performances are planned at LA Opera, Houston Grand Opera, and the Adelaide Festival. Her next opera, The Listeners, will premiere in 2022 at the Norwegian National Opera, Chicago Lyric Opera and Opera Philadelphia. Missy is also active in the orchestral and chamber music field, recently writing new works for the National Symphony, Cincinnati Symphony, BBC Philharmonia, and the Bergen Symphony, among others. In 2016, Missy and composer Ellen Reid founded Luna Lab, a mentorship program for young female, non-binary and gender nonconforming composers created in partnership with the Kaufman Music Center. Her works are published by G. Schirmer. missymazzoli.com



    Photo by Marylene May
  • Alexandra Knoll
    Oboe

    Alexandra Knoll

    Alexandra was born in Zimbabwe and emigrated to South Africa at age eleven. After graduating from high school, she worked professionally for two years in the Natal Philharmonic Orchestra and then moved to the United States for further studies. She is an alumna of the Curtis Institute of Music and The Juilliard School. Alexandra is much in demand as an oboist in New York City. She is Associate Principal Oboist of the New York City Ballet Orchestra, Principal Oboist of the American Symphony Orchestra and a member of New York City Opera. Alexandra frequently plays with the Metropolitan Opera, the New Jersey Symphony Orchestra, the American Composers Orchestra and the Knights. On Broadway, she was the oboist for “Mary Poppins”, “Fiddler on the Roof” and “Miss Saigon” and has been featured on recordings by Rufus Wainwright, Lenny Kravitz, Antony and the Johnsons and Baby Dee. Alexandra is on the oboe faculty of the Bard College Conservatory of Music. She lives in Brooklyn with her husband, Maxim Moston, their daughter and cats.
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Bard College
Bard College
Conservatory of Music
30 Campus Road
Annandale-on-Hudson
New York 12504-5000
845-758-7196
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All photos by Karl Rabe unless stated otherwise.