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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

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a man conducts an orchestra

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily 

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

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a woman in a pink dress sings on stage

Opera Concert by Bard Conservatory of Music and Bard Graduate Vocal Arts Program Reviewed in the Millbrook Independent

A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney. 

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Meet Our Faculty

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  • Mira Wang
    Violin, Artist in Residence

    Mira Wang

    Mira Wang has built a remarkable bridge from her time as a child prodigy in Beijing, China to an acclaimed soloist on the world stage today.

    She has appeared as a soloist with many prestigious orchestras all over the world including the Boston Symphony Orchestra, Staatskapelle Dresden, Royal Liverpool Philharmonic, Orchestre de la Suisse Romande, Saarbrücken Radio Orchestra, New Zealand Symphony Orchestra, Singapore Symphony Orchestra, Hong Kong Philharmonic and NDR Philharmonic Hannover. 

    An avid chamber musician, Mira’s partners include Hélène Grimaud , Oli Mustonen, Alice Sara Ott, Lise de la Salle, Louis Lortie, Jeremy Denk, Pamela Frank, Daniel Müller-Schott, Gautier Capucon, Jan Vogler,  Lawrence Power and Lars Anders Tomter.

    She is an enthusiastic exponent of contemporary music, premiering the violin concerto Spring in Dresden by Chinese-American composer Chen Yi with the Staatskapelle Dresden, conducted by Ivan Fischer and John Harbison’s Double Concerto for Violin and Cello with the Boston Symphony Orchestra, under the direction of Carlos Kalmar.  In 2015 she premiered the double concerto by Wolfgang Rihm, with Jan Vogler and the Orpheus Chamber orchestra at Carnegie Hall. In 2018, She premiered a triple concerto “Alisma” by Swiss composer William Blank with Jan Vogler, Daniel Ottensamer and the Philharmonische Staatsorchester Hamburg, conducted by Kent Nagano at Elbphilharmonie in Hamburg. 

    Mira has recorded extensively for many labels including Sony Classical and Edel Classics.  Her discography includes violin concerto No. 2 by Prokofieff with the Saarbrücken Radio Symphony, the violin concerto No. 3 by Saint-Saens with NDR Philharmonic Hannover, a duo album with cellist Jan Vogler and several chamber music recordings with Artists of the Moritzburg Festival.

    Mira has been Artistic Director of the Model Room Musicales concert series in New York City since 2005 and in 2013, she became Director of the Moritzburg Festival Academy in Germany, a training program for young musicians that is part of the annual Moritzburg Chamber Music Festival.

    Born in China, Ms. Wang studied at Central Conservatory in Beijing.  She was sponsored by renowned violin teacher, the late Roman Totenberg to further her studies at Boston University, where she graduated summa cum laude and received the prestigious Kahn Award given to outstanding performers.  She has won 1st prizes in several international violin competitions including the Geneva Competition.

     
  • Jason Haaheim
    Timpani

    Jason Haaheim

    Jason Haaheim was appointed a Principal Timpanist of the Metropolitan Opera Orchestra in 2013. In addition to performances at New York's Lincoln Center and Carnegie Hall, Mr. Haaheim can be seen and heard performing with the MET Orchestra on television, international radio, and Live in HD movie theater broadcasts. Guest principal timpanist engagements have included the Seoul Philharmonic, the Mostly Mozart Festival Orchestra, and the Milwaukee Symphony. Mr. Haaheim has also been principal timpanist of the Lakes Area Music Festival, and a resident artist of the Twickenham Festival. A sought-after clinician, Mr. Haaheim gives masterclasses both nationally and internationally, and is a founder of the multi-day Northland Timpani Summit. He is an adjunct faculty member of the NYU Steinhardt School of Music, and a frequent coach for the National Youth Orchestra (NYO) and the New York Youth Symphonies (NYYS). Prior to the Met, Mr. Haaheim was principal timpanist of the Southwest Michigan Symphony and the Civic Orchestra of Chicago, and he performed regularly as timpanist with the Madison Symphony, Illinois Symphony, Peoria Symphony, and the Illinois Philharmonic. Mr. Haaheim has also been invited to perform as guest principal timpanist with the Chicago Symphony, the Detroit Symphony, the International Contemporary Ensemble (ICE), the Glimmerglass Festival, the Auckland Philharmonia, the Fort Wayne Philharmonic, and the Hong Kong Philharmonic. Mr. Haaheim began studying piano in 4th grade, adding percussion studies in 5th grade. He holds a bachelor of arts degree with a double major in honors-music-performance and physics from Gustavus Adolphus College (St. Peter, MN); he also holds a master’s degree in electrical engineering from UC-Santa Barbara. Influential teachers have included John Tafoya (Indiana University, National Symphony), Dean Borghesani (Milwaukee Symphony), Jonathan Haas (Aspen Music Festival, NYU), and Robert Adney (Gustavus Adolphus College, MacPhail Music School). While auditioning and freelancing, Mr. Haaheim worked as “Senior Research and Development Engineer” at NanoInk, a Chicago-area tech company. In this capacity, he gave invited talks on nanotechnology, authored multiple peer-reviewed publications, and was granted numerous patents. In 2017, this dual-career path was highlighted in an interview with Melissa Block on NPR’s Weekend Edition. Active in all musical areas, Mr. Haaheim has also performed extensively as a chamber musician and jazz drummer. He collaborated with Yo-Yo Ma in a Civic Orchestra / Silk Road Ensemble performance, and recorded the premiere of Augusta Read Thomas’s “Terpsichore’s Dream” with members of the Chicago Symphony. Mr. Haaheim has performed with Chicago’s ensemble dal niente, and premiered Ryosuke Yagi’s “Mirrors…for timpani” with the UCSB Ensemble of Contemporary Music. Other projects have included drumming for the jazz-fusion quartet “The J3 Intent” and the alt-country band “The Lost Cartographers.” At Gustavus, Mr. Haaheim was selected for the honors recital and won first place in the orchestra’s concerto competition. Extra-musical interests include backpacking and hiking, rock climbing, and both downhill and cross-country skiing.
  • Erica Kiesewetter
    Director of Orchestral Studies, Professor of Orchestral Practice

    Erica Kiesewetter

    Former Concertmaster, American Symphony Orchestra, Northeastern Pennsylvania Philharmonic, Opera Orchestra of New York, New York Pops, Stamford Symphony, Long Island Philharmonic, and Amici New York. Former first violinist, Colorado Quartet, former member, Leonardo Trio; toured internationally and recorded with the Orpheus Chamber Orchestra Studies at the The Juilliard School, where she studied with Ivan Galamian; also studied with Charles Castleman, Joyce Robbins, Emanuel Vardi, and Robert Mann... Faculty, Bard College Conservatory of Music. Continuing Associate Professor of Music and Director of Orchestral Studies since 2010.
  • Sebastian Danila
    History Seminar

    Sebastian Danila

    Sebastian Danila is a composer and music theoretician. He is a Ph.D. candidate (ABD) in composition and music theory at New York University’s Steinhardt School, where he has been part of the adjunct faculty. His dissertation focuses on the music of Romanian composer Anatol Vieru, particularly his application of pitch sets and sound blocks as compositional strategies. He is also manager of the libraries for The Orchestra Now, the Bard College Conservatory of Music, and the American Symphony Orchestra. His compositions have been widely performed in the United States and Europe. An active writer, he has also contributed program notes ranging from the Baroque period to the 20th century for the ASO, TON and other ensembles. 
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Bard College
Bard College
Conservatory of Music
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All photos by Karl Rabe unless stated otherwise.