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Mark Baechle

Mark Baechle is a Swiss-born, New York based composer and music producer. He primarily works in film and television.

Throughout his 20-year career in the industry, he has collaborated with some of the most acclaimed filmmakers and musicians of our time.

At the outset of his career he was an assistant to the luminary composers Elliot Goldenthal and John Corigliano.

Under the aegis of composer Marcelo Zarvos, he provided arrangements and additional music to the acclaimed TV series “Ray Donovan”, “The Affair”, “Extant” and “The Big C”.

He also arranged, recorded and mixed all the music for “Disney’s Little Einsteins”, a cartoon series introducing art and classical music to children, the soundtrack of which was nominated for a Grammy Award (2007).

Besides composing his own scores, he’s in demand as an orchestrator for films and, as such, has contributed to the scores of David Newman, Clint Mansell, Nicholas Britell and many more.

Mark is also active as a composer of vocal, chamber and orchestral music. His work has been performed by notable artists and ensembles (New York Festival of Song, the Ahn Trio, Basel Sinfonietta).

He studied at the pre-college division of the Academy of Music and Schola Cantorum Basel (Switzerland) and graduated from Berklee College of Music with a BA in Film Scoring.

Mark is represented by Rochelle Sharpe at Incite Management

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Ryan MacEvoy McCullough

Born in Boston and raised behind the “Redwood Curtain” of northern California, pianist Ryan MacEvoy McCullough has developed a variegated career as soloist, vocal and instrumental collaborator, composer, recording artist, and pedagogue. Ryan’s music-making encompasses work with historical keyboards, electro-acoustic tools and instruments, and close collaborations with some of today’s foremost composers. His longstanding collaborative (and life) partnership with soprano Lucy Fitz Gibbon has yielded a substantial crop of new art song repertoire, as well as his work in contemporary ensemble and commissioning project HereNowHear, 2017 recipient of a Fromm Foundation award.

Ryan’s growing discography features many world premiere recordings, including solo piano works of Milosz Magin (Acte Prealable), Andrew McPherson (Secrets of Antikythera, Innova), John Liberatore (Line Drawings, Albany), Nicholas Vines (Hipster Zombies from Mars, Navona), art song and solo piano music of John Harbison and James Primosch with Ms. Fitz Gibbon (Descent/Return, Albany), and art song by Sheila Silver (Beauty Intolerable, Albany, also with Ms. Fitz Gibbon). He is also founder of False Azure Records, which released its inaugural album in 2022 featuring music by Katherine Balch and Dante De Silva (The Labor of Forgetting), and will be releasing a second album in 2023 featuring music by Christopher Stark, John Liberatore, and Karlheinz Stockhausen. Ryan has also appeared on PBS’s Great Performances (Now Hear This, “The Schubert Generation”) and is an alumnus of NPR’s From the Top.

As concerto soloist Ryan has appeared frequently with orchestras, including the Los Angeles Philharmonic, Toronto Symphony Orchestra, Sarasota Festival Orchestra, Colburn Conservatory Orchestra, Orange County Wind Symphony, and World Festival Orchestra, with such conductors as George Benjamin, Gisele Ben-Dur, Fabien Gabel, Leonid Grin, Anthony Parnther, Larry Rachleff, Mischa Santora, and Joshua Weilerstein. Ryan has collaborated frequently with the Mark Morris Dance Group, contemporary ensembles eighth blackbird and yarn/wire, Mezzo-soprano Stephanie Blythe, and has been a returning artist at the Tanglewood Music Center, Token Creek Chamber Music Festival, and Summer Institute for Contemporary Performance Practice. He will join the roster of senior artists at the Marlboro Music Festival in summer 2023.

As a teacher, Dr. McCullough has worked to cultivate the kind of multidisciplinary training which will be critical for the next generation of musical artists. He has taught masterclasses in piano performance at Bucknell University, New England Conservatory, Notre Dame University, Cal State Northridge, Washington State University, and Humboldt State University, and has served as piano instructor and chamber music coach at Cornell University and Bard College Conservatory. Additionally, he has developed four unique intersectional courses: Musical Technologies and the Natural World (Cornell University), an upper division creative seminar exploring the relationships between culture and conceptions of place; The Active Listener (Bard College Conservatory), a course focused on field recording techniques and aesthetics; Technological Musicianship (Cornell University), a general-access course designed during the Covid-19 pandemic to train musicians with the skills needed to produce high-quality digital content in a changing professional landscape; and FutureSounds, a composition seminar and instrument building workshop designed to explore the fundamentals of musical syntax and creativity.

He holds his Bachelor of Music from Humboldt State University (studying with Deborah Clasquin), Artist Diplomas from the Colburn Conservatory and the Glenn Gould School at the Royal Conservatory in Toronto (John Perry and David Louie), a Masters in Music from University of Southern California (John Perry), and Master of Fine Arts and Doctor of Musical Arts from Cornell University (Xak Bjerken). He currently teaches at Bard College Conservatory.

Ryan currently lives in Kingston, NY, with his wife, soprano Lucy Fitz Gibbon, and cat Coquille.