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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

A professional photo of Composer in Residence Missy Mazzoli.

Composer in Residence Missy Mazzoli Profiled in the New York Times

“We want the field to expand,” said Mazzoli, “and so bringing in [diversity] helps the field survive and thrive.”
 

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a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

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a man conducts an orchestra

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily 

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

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Meet Our Faculty

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  • Yan Chen
    Erhu

    Yan Chen

    Chen Yan is a young professor of erhu in the Central Conservatory of Music’s Traditional Instruments Department. A performer in the Shanghai Chinese Orchestra, she graduated from Shanghai Conservatory of Music with a bachelor’s degree, and received her master’s degree at the Central Conservatory of Music. Chen Yan has won many awards, such as the Silver Award of the Youth Group in National Erhu Competition; the Silver Award of the Youth Group in the Second CCTV National Instrumental Music Competition; Second Prize of the Youth Group in the “Wenhua Cup”; and the Excellent Professional Prize from Shanghai Art Talents. She has performed as an Erhu soloist in the Opening Ceremony of the Shanghai Spring International Music Festival many times. In 2009, she premiered a Carmen Fantasia adaptation arranged for Chen by Franz Waxman. In 2011, she premiered Zhang Chao’s concerto Tribute to the Sun at the Beijing Concert Hall, winning “Best New Artist Prize” of the Fourth Ethnic Art Exhibition and the “Best New Artist Performance Prize” of the Shanghai Spring International Music Festival. In recent years she has visited the United States, Germany, and Australia on tour with the Shanghai Chinese Orchestra.
  • Sasha Romero
    Trombone

    Sasha Romero

    Sasha Romero was appointed principal trombone of the Metropolitan Opera Orchestra in 2018. Prior to her appointment at The MET, she held the position of principal trombone with the Fort Worth Symphony Orchestra from 2016-2018.

    Hailing from Longview, Texas, Sasha grew up within the acclaimed and robust Texas band system and achieved great musical success at a young age. She went on to earn her Bachelor of Music degree at Baylor University, where she studied with Brent Phillips; and her Master of Music degree at Rice University, studying with Allen Barnhill.

    In addition to a lengthy list of national and international solo and chamber music competition wins to her name, Sasha is honored to have been a semi-finalist in the first Brass Division of the 2019 XVI International Tchaikovsky Competition in St. Petersburg, Russia.

    Sasha is a passionate educator, and currently serves on the trombone faculties at Rutgers University, Mannes School of Music, and Bard College Conservatory of Music. A highly sought-after teacher, soloist, and clinician, she has presented solo recitals and masterclasses at numerous colleges, universities, music conservatories, and industry conventions across the United States.

    When she is not at The MET, teaching, or screaming into the night at the shortcomings of NYC’s public transportation system (looking at you, weekend subway service), Sasha is occasionally invited to perform as a guest trombonist with the world’s major orchestras, including the New York Philharmonic, London Philharmonic, Dallas Symphony, Houston Symphony, and others. She can be heard on Weezer’s OK Human album, as well as the film soundtracks to The Good Liar (2019) and Joker (2019).

    Sasha currently makes her home in New York City, where she spends an embarrassing amount of time catering to the demands of her absurdly adorable cats and searching endlessly for decent Mexican food.

    Sasha Romero is an S.E. Shires Performing Artist and she has a signature mouthpiece line with Long Island Brass Co.
  • Christopher H. Gibbs
    James H. Ottaway Jr. Professor of Music; Faculty, Bard College Conservatory of Music; Artistic Codirector, Bard Music Festival

    Christopher H. Gibbs

    Christopher H. Gibbs is executive editor of The Musical Quarterly; editor of The Cambridge Companion to Schubert (1997); author of The Life of Schubert (2000), which has been translated into five languages; coeditor of Franz Liszt and His World (2006) and Franz Schubert and His World (2014); and coauthor of The Oxford History of Western Music, College Edition (2013; 2nd ed., 2018). He is a contributor to New Grove Dictionary of Music and Musicians, 19th-Century Music, Schubert durch die Brille, Current Musicology, Opera Quarterly, and Chronicle of Higher Education. Additionally, he has served as program annotator and musicological consultant to the Philadelphia Orchestra (2000– ); musicological director of the Schubertiade at the 92nd Street Y in New York City; musicological adviser for the Schubert Festival at Carnegie Hall (1997); and artistic codirector of the Bard Music Festival (2003– ). Gibbs is the recipient of numerous honors, including the Dissertation Prize of the Austrian Cultural Institute (1992), ASCAP–Deems Taylor Award (1998), and American Council of Learned Societies fellowship (1999–2000). He previously taught at SUNY Buffalo (1993–2003). BA, Haverford College; MA, MPhil, PhD, Columbia University. At Bard since 2002.
  • James Bagwell
    Codirector, Graduate Conducting Program; Professor of Music; Director, Orchestral and Choral Music; Director, Music Program

    James Bagwell

    James Bagwell maintains an active international schedule as a conductor of choral, operatic, and orchestral music. He was most recently named associate conductor of The Orchestra Now (TON) and in 2009 was appointed principal guest conductor of the American Symphony Orchestra. From 2009-2015 he served as music director of The Collegiate Chorale. Some of the highlights of his tenure with them include conducting a number of operas-in-concert at Carnegie Hall, including Bellini’s Beatrice di Tenda, Rossini’s Möise et Pharaon, and Boito’s Mefistofele. He conducted the New York premiere of Philip Glass’s Toltec Symphony and Golijov’s Oceana, both at Carnegie Hall. Since 2011 he has collaborated with singer and composer Natalie Merchant, conducting a number of major orchestras across the country, including the San Francisco and Seattle Symphonies. He has trained choruses for a numerous American and international orchestras, including the Mostly Mozart Festival Orchestra, New York Philharmonic, Boston Symphony Orchestra, Los Angeles Philharmonic, Budapest Festival Orchestra and the American Symphony Orchestra. He has worked numerous conductors including Charles Dutoit, Andris Nelsons, Gustavo Dudamel, Alan Gilbert, Gianandrea Noseda, Valery Gergiev, Yannik Nézet-Séguin, Zubin Mehta, Riccardo Muti, Lorin Maazel, Esa-Pekka Salonen, Michael Tilson Thomas, Louis Langrée, Leon Botstein, Ivan Fischer, Jesús López-Cobos, and Robert Shaw. Mr. Bagwell prepared The Collegiate Chorale for concerts at the Verbier Festival in Switzerland; in 2012 the Chorale traveled to Israel and the Salzburg Festival for four programs with The Israel Philharmonic. Since 2003 he has been director of choruses for the Bard Music Festival, conducting and preparing choral works during the summer festival at The Richard B. Fisher Center for the Performing Arts. He frequently appears as guest conductor for orchestras around the country and abroad, including the Cincinnati Symphony, Jerusalem Symphony, and the Interlochen Music Festival. He is Professor of Music at Bard College, and Director of Performance Studies and the Graduate Conducting Program at the Bard College Conservatory.

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Bard College
Bard College
Conservatory of Music
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Annandale-on-Hudson
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All photos by Karl Rabe unless stated otherwise.