Music, like all art, engages the mind and the heart.
The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.
Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.
The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.
Artist in Residence; Visiting Assistant Professor of Music; Piano
Blair McMillen
B.A., B.M., Oberlin College; M.M., The Juilliard School; D.M.A., Manhattan School of Music. Pianist, chamber musician, improviser, concert series curator. Appearances as soloist at Carnegie Hall, Avery Fisher Hall, le Poisson Rouge, Moscow Conservatory, Casals Hall (Tokyo), Miller Theatre. Has performed with American Symphony Orchestra, Orchestra of St. Luke's, Albany Symphony, Juilliard Orchestra (Lincoln Center and tour of Japan). Profiled by New York Times, Washington Post, Accent, others. Member, Da Capo Chamber Players, American Modern Ensemble, Avian Orchestra. Pianist for St. Paul Chamber Orchestra (spring 2011). Solo recordings include Soundings (Midnight Productions), Concert Music of Fred Hersch (Naxos), Multiplicities '38 (Centaur). At Bard since 2006.
Marcus Rojas
Tuba
Marcus Rojas
Tubist Marcus Rojas has performed with such diverse groups as The Metropolitan Opera, The American Ballet Theatre, American Symphony Orchestra, Radio City Music Hall, and ensembles led by Lionel Hampton, David Byrne and P.D.Q. Bach. An avid proponent of contemporary, improvised and classical music, he has performed the premieres of such notable composers as LaMonte Young, Gunther Schuller, and Peter Schickele. He has recorded with CBS Records, Sony Records, A&M Records and has been heard on countless film scores, including Interview With A Vampire and Sleepless in Seattle.
James Sizemore
Film Composition
James Sizemore
James is a composer and music producer working in the film and television industry. He has worked with composer Howard Shore on over 20 films, producing the score of the Oscar Winning Spotlight and Canadian Screen Award winning The Song of Names, as well as orchestrating the Blockbuster Trilogy The Hobbit.
He has also worked as an arranger, music editor, music mixer, and composer for many Hollywood films ranging from the additional music he composed for A Dogs Purpose to the additional dark string arrangements in Split.
In addition to his solo album releases, James’ music can be heard across a wide variety of network television and national ad campaigns.
He holds a B.A. from Colorado College and an M.M from NYU. In addition to Bard, James has served on the faculty of New York University and the City University of New York, teaching classes on film sound and music. He lives in the Hudson Valley, NY with his wife and daughters.
Teresa Buchholz
Undergraduate Voice, Undergraduate Opera Workshop
Teresa Buchholz
Versatile mezzo-soprano Teresa Buchholz enjoys success in the realms of opera, art song and oratorio. Verdi’s Requiem is quickly becoming a staple of her repertoire, and she has recently performed the work with True Concord Chorus and Orchestra (Tucson, AZ), the Helena Symphony (Helena, MT), the New Jersey Choral Society, the Lake Como Music Festival (Italy), and will perform the work with Long Beach Symphony (CA) in 2021. Some recent performances include Handel’s Messiah at Carnegie Hall with Distinguished Concerts International New York, several Holiday concerts with The Greenwich Choral Society and a guest recital at her alma mater, The University of Northern Iowa. In March 2019 she performed Alexander Nevsky with the Anchorage Symphony, and 2018/19 marked the debut of a newly formed collaboration with Bard colleagues Erika Switzer and Marka Gustavsson, The Blithewood Ensemble, which has performed a program of chamber music as part of the Downtown Music at Grace series (White Plains, NY) at the Hudson Hall (Hudson, NY) and Bitò Hall at Bard College. She recently soloed with the New Jersey Choral Society on a concert featuring Beethoven’s Symphony no. 9 and Choral Fantasy, and performed the role of Domna Ivanovna Sobyrova in a staged production of “The Tsar’s Bride” by Rimsky-Korsakov as part of the Bard Music Festival. In December 2018 she soloed in Handel’s Messiah at the Bardavon Theatre in Poughkeepsie, and the previous Fall she was heard as Anne in Virgil Thomson’s The Mother of Us All in a highly acclaimed production that took place in Hudson NY, in Beethoven’s Symphony No. 9 with The Orchestra Now at Bard College and in the role of Berta in a New York City concert version of the rarely heard opera Il Grillo del Focolare by Riccardo Zandonai. In past years she has been heard in Bach’s Christmas Oratorio with the Rhode Island Civic Chorale and Orchestra, Beethoven’s Symphony No. 9 at Lincoln Center with the National Chorale, a staged version of Bach’s St. Matthew Passion with Gulfshore Opera, Vivaldi’s Gloria with the Berkshire Bach Society and the Stamford Symphony, and Bach’s Magnificat with Voices of Ascension. Other recent performances have included the role of Mrs. Lovett in Sweeney Todd with Opera Roanoke; Orlofsky in Die Fledermaus with the Asheville Lyric Opera; the title role in Giulio Cesare in Egitto with Opera Roanoke; Mozart’s Requiem with the Tulsa Symphony, the Stamford Symphony, and Voices of Ascension; Brahms’s Alto Rhapsody at the Bard Music Festival; Berio’s Folk Songs at the Gateway Chamber Orchestra, where she had previously performed Mahler’s Das Lied von der Erde; and Handel’s Messiah at Lincoln Center with Distinguished Concerts International New York. In 2013 she was the winner of the female division in the Nico Castel International Master Singer Competition. Buchholz holds a bachelor’s degree in vocal performance from the University of Northern Iowa, a master’s degree in vocal performance from Indiana University, and an Artist Diploma from Yale University. She has taught at Bard since 2012 where she teaches private voice lessons and is one of the producers and vocal coaches for Bard’s undergraduate Opera Workshop.