Music, like all art, engages the mind and the heart.
The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.
Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.
The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.
American pianist Kayo Iwama has concertized extensively with singers such as Stephanie Blythe, Kendra Colton, William Hite, Rufus Müller, Christòpheren Nomura, Lucy Shelton and Dawn Upshaw throughout North America, Europe and Japan, and has performed in many prestigous venues including the Walter Reade Theater at Lincoln Center, Weill Recital Hall at Carnegie Hall, The DiMenna Center, Merkin Hall, The Morgan Library, Boston’s Jordan Hall, the Isabella Stewart Gardner Museum, Seiji Ozawa Hall at Tanglewood, the Kennedy Center, Tokyo’s Yamaha Hall and the Théâtre du Châtelet in Paris. The Washington Post has called her a pianist “with unusual skill and sensitivty to the music and the singer” and the Boston Globe has praised her “virtuoso accompaniment…super-saturated with gorgeous colors”.
Miss Iwama is the associate director of the innovative Graduate Vocal Arts Program at the Bard College Conservatory of Music, where she works alongside Stephanie Blythe, the Metropolitan Opera mezzo-soprano and recently appointed artistic director of the program. Miss Iwama has been with the program since its inception in 2006, working in tandem with the founding artistic director, the acclaimed soprano Dawn Upshaw. Other collaborations with Dawn Upshaw include master classes and a recital at the Britten-Pears Young Artist Program at the Aldeburgh Music Festival, and appearances at the International Vocal Arts Institute in Virginia, the University of Wyoming, Edward Pickman Hall at the Longy School of Music and the Richard B. Fisher Center for the Performing Arts at Bard College. Ms. Iwama has been a faculty member of Songfest, and for over two decades taught at the Tanglewood Music Center, where she also served as the coordinator of the Vocal Studies Program. There she worked with some of today’s most promising young singers and collaborative pianists, and assisted Maestros James Levine, Seiji Ozawa and Robert Spano in major operatic and concert productions. In addition her teaching has also taken her to some of the foremost universities of the United States and Asia to give master classes and performance/demonstrations. A former resident of the Boston, Massachusetts area, she was a frequent performer on WGBH radio, and performed with such groups as the Florestan Recital Project, the Handel and Haydn Society and Emmanuel Music. In addition she was the founder, music director and pianist of the critically acclaimed Cantata Singers Chamber Series, creating programs devoted to rarely-heard works of art song and vocal chamber music. She was formerly on the faculties of the Hartt School of Music, Boston Conservatory and the New England Conservatory of Music.
Miss Iwama earned a bachelor of music degree at the Oberlin Conservatory of Music and her master of music at Stony Brook University where she studied with Gilbert Kalish. She also attended the Salzburg Music Festival, the Banff Music Center, the Music Academy of the West and the Tanglewood Music Center, where she worked with such artists as Margo Garrett, Martin Isepp, Graham Johnson, Martin Katz and Erik Werba. She has served previously on the music staffs of the Steans Institute at the Ravinia Festival and the Boston Symphony Orchestra. Miss Iwama can be heard on CD on the Well-Tempered label, with baritone Christópheren Nomura in Schubert’s Die Schöne Müllerin, two ISMM discs devoted to French mélodies and the songs of Schumann with tenor Ingul Ivan Oak, and on the The Reckless Heart with soprano Kendra Colton, a collection of 20th century American and British song. She will also be heard on a newly released CD with Miss Colton in the vocal music of John Harbison, honoring the composer’s 80th birthday
Javier Arrebola
Graduate Vocal Arts Program
Javier Arrebola
Over the past decade, Spanish pianist and scholar Javier Arrebola has emerged as an important figure in art song for his creativity, artistry, performances, and scholarship.
Mr. Arrebola is currently Artistic Associate at Renée Fleming’s SongStudio at Carnegie Hall and faculty member at the Tanglewood Music Center. In the past, he has held positions as Co-Artistic Director and Director of the Piano Program at SongFest, Head of Piano in the Program for Singers at Ravinia’s Steans Music Institute, Chair of Collaborative Piano at Boston University and Visiting Professor at Indiana University Jacobs School of Music. He is also a frequent guest at institutions such as The Juilliard School in New York City, Shanghai’s Conservatory, Boston’s New England Conservatory, University of Minnesota, Bard College, Hochschule für Musik Karlsruhe, Conservatoire Hector Berlioz in Paris, and The Royal Conservatory’s Glenn Gould School of Music in Toronto.
In the last years, Mr. Arrebola’s work and contributions have extended to being the video editor and illustrator of, among other projects, Wigmore Hall’s Schubert in Life & Songs, a seminal series by pianist and scholar Graham Johnson, and of SongFest’s Songs of Unity & Hope, an online event conceived and curated by Mr. Arrebola featuring over 60 countries and 40 different languages from all over the world.
Mr. Arrebola holds a Doctor of Musical Arts Degree and a Master’s Degree in Piano Performance from the Sibelius Academy in Helsinki, as well as degrees in Piano Performance and Chamber Music from the Madrid Royal Conservatory. His doctoral studies included the public performance of all of Schubert's completed piano sonatas on both historical fortepianos and modern instruments, as well as a thesis on The Unfinished Piano Sonatas of Franz Schubert.
Carmit Zori
Violin
Carmit Zori
Violinist Carmit Zori is the recipient of a Leventritt Foundation Award, a Pro Musicis International Award, and the top prize in the Walter W. Naumburg International Violin Competition. She has appeared as a soloist with the New York Philharmonic, the Rochester Philharmonic, and the Philadelphia Orchestra, among many others, and has given solo recitals at Lincoln Center, the Los Angeles County Museum of Art, the Isabella Stewart Gardner Museum in Boston, the Phillips Collection in Washington D.C., the Tel Aviv Museum and the Jerusalem Center for the Performing Arts. Her performances have taken her throughout Latin America and Europe, as well as Israel, Japan, Taiwan and Australia, where she premiered the Violin Concerto by Marc Neikrug.
Ms. Zori enjoys a prolific career as a chamber musician. After ten years as artistic director at Bargemusic, she founded the Brooklyn Chamber Music Society in 2002. In addition to her own series, she has appeared with the Chamber Music Society of Lincoln Center, and has been a guest at chamber music festivals and concert series around the world, including the Chamber Music at the Y series in New York City; Festival Casals in Puerto Rico; Chesapeake Bay Music Festival; Bridgehampton Chamber Music Festival; Bard Music Festival; Chamber Music Northwest; Santa Fe Chamber Music Festival; La Jolla Chamber Music Festival; Seattle Chamber Music Festival; Cape Cod Chamber Music Festival; Bach Dancing & Dynamite Society in Wisconsin; Orcas Island Chamber Music Festival; Peasmarsh Chamber Music Festival in the UK; Philadelphia Chamber Music Society; Sarasota Music Festival; and is a regular participant at the Marlboro Chamber Music Festival in Vermont.
Ms. Zori has played for Music for Food, a concert series that helps relieve food insecurity in cities all over the United States. She has also participated in Project: Music Heals Us, a nonprofit organization that aims to educate and heal marginalized communities through music. Carmit is also a member of the Israeli Chamber Project, an ensemble that performs chamber music and conducts educational outreach in the US, Israel, and various other countries throughout the world.
Ms. Zori can be heard on the Arabesque, Koch International, and Elektra-Nonesuch labels. In addition to teaching at the Bard Conservatory, she is professor of violin at Rutgers University and SUNY-Purchase.
At the behest of violinists Alexander Schneider and Isaac Stern, Ms. Zori came to the United States from her native Israel at the age of fifteen to study at the Curtis Institute of Music with Ivan Galamian, Jaime Laredo and Arnold Steinhardt.
Sasha Romero
Trombone
Sasha Romero
Sasha Romero was appointed principal trombone of the Metropolitan Opera Orchestra in 2018. Prior to her appointment at The MET, she held the position of principal trombone with the Fort Worth Symphony Orchestra from 2016-2018.
Hailing from Longview, Texas, Sasha grew up within the acclaimed and robust Texas band system and achieved great musical success at a young age. She went on to earn her Bachelor of Music degree at Baylor University, where she studied with Brent Phillips; and her Master of Music degree at Rice University, studying with Allen Barnhill.
In addition to a lengthy list of national and international solo and chamber music competition wins to her name, Sasha is honored to have been a semi-finalist in the first Brass Division of the 2019 XVI International Tchaikovsky Competition in St. Petersburg, Russia.
Sasha is a passionate educator, and currently serves on the trombone faculties at Rutgers University, Mannes School of Music, and Bard College Conservatory of Music. A highly sought-after teacher, soloist, and clinician, she has presented solo recitals and masterclasses at numerous colleges, universities, music conservatories, and industry conventions across the United States.
When she is not at The MET, teaching, or screaming into the night at the shortcomings of NYC’s public transportation system (looking at you, weekend subway service), Sasha is occasionally invited to perform as a guest trombonist with the world’s major orchestras, including the New York Philharmonic, London Philharmonic, Dallas Symphony, Houston Symphony, and others. She can be heard on Weezer’s OK Human album, as well as the film soundtracks to The Good Liar (2019) and Joker (2019).
Sasha currently makes her home in New York City, where she spends an embarrassing amount of time catering to the demands of her absurdly adorable cats and searching endlessly for decent Mexican food.
Sasha Romero is an S.E. Shires Performing Artist and she has a signature mouthpiece line with Long Island Brass Co.