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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a woman in a pink dress sings on stage

Opera Concert by Bard Conservatory of Music and Bard Graduate Vocal Arts Program Reviewed in the Millbrook Independent

A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney. 

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Jindong Cai conducts The Orchestra Now onstage at Jazz at Lincoln Center.

Seventh Annual Sound of Spring Concert Reviewed in Several Publications

The Millbrook Independent describes the concert as “a mélange of city and landscape visions."

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Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

“[Tower has] expanded the possibilities and audiences of modern classical Composition,” wrote GSAS Dean Carlos Alonso.

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Upcoming Events and Performances

  • Signs, Games, and Messages 2026: A Kurtág Festival
    4/4
    Saturday
    Signs, Games, and Messages 2026: A Kurtág Festival Bitó Conservatory Building, Performance Space
  • Raman Ramakrisnan (left) wearing a black suit and holding a cello against a grey and white background. Terrence Wilson (right) wearing a grey suit with a black v-neck t-shirt, with a blurred subway station in the background.; CANCELED: Faculty Spotlight Series: Raman Ramakrishnan, cello, and Terrence Wilson, piano
    4/4
    Saturday
    CANCELED: Faculty Spotlight Series: Raman Ramakrishnan, cello, and Terrence Wilson, piano 4:00 pm
    Bitó Conservatory Building, Performance Space
  • Photo above of composer György Kurtág.; Signs, Games, and Messages 2026 - Program Six
    4/4
    Saturday
    Signs, Games, and Messages 2026 - Program Six
    György Kurtág in Context: Bach, Bartók, and Kurtág
    Part of Brooklyn Public Library’s Classical Interludes Series

    4:00 pm
    Brooklyn Public Library, Central Library - Dr. S. Stevan Dweck Cultural Center
  • Painting of a violin in an open case with a blue interior.; Violin Music at Bard
    4/4
    Saturday
    Violin Music at Bard
    Students and Alums of Erica Kiesewetter's Violin Studio

    4:00 pm
    Bard Hall
  • A piano lit on an empty stage.; Graduate Degree Recital: Eric Evans, trumpet
    4/10
    Friday
    Graduate Degree Recital: Eric Evans, trumpet 12:00 pm
    Bitó Conservatory Building, Performance Space

Meet Our Faculty

See All Faculty
  • Jason Haaheim
    Timpani

    Jason Haaheim

    Jason Haaheim was appointed a Principal Timpanist of the Metropolitan Opera Orchestra in 2013. In addition to performances at New York's Lincoln Center and Carnegie Hall, Mr. Haaheim can be seen and heard performing with the MET Orchestra on television, international radio, and Live in HD movie theater broadcasts. Guest principal timpanist engagements have included the Seoul Philharmonic, the Mostly Mozart Festival Orchestra, and the Milwaukee Symphony. Mr. Haaheim has also been principal timpanist of the Lakes Area Music Festival, and a resident artist of the Twickenham Festival. A sought-after clinician, Mr. Haaheim gives masterclasses both nationally and internationally, and is a founder of the multi-day Northland Timpani Summit. He is an adjunct faculty member of the NYU Steinhardt School of Music, and a frequent coach for the National Youth Orchestra (NYO) and the New York Youth Symphonies (NYYS). Prior to the Met, Mr. Haaheim was principal timpanist of the Southwest Michigan Symphony and the Civic Orchestra of Chicago, and he performed regularly as timpanist with the Madison Symphony, Illinois Symphony, Peoria Symphony, and the Illinois Philharmonic. Mr. Haaheim has also been invited to perform as guest principal timpanist with the Chicago Symphony, the Detroit Symphony, the International Contemporary Ensemble (ICE), the Glimmerglass Festival, the Auckland Philharmonia, the Fort Wayne Philharmonic, and the Hong Kong Philharmonic. Mr. Haaheim began studying piano in 4th grade, adding percussion studies in 5th grade. He holds a bachelor of arts degree with a double major in honors-music-performance and physics from Gustavus Adolphus College (St. Peter, MN); he also holds a master’s degree in electrical engineering from UC-Santa Barbara. Influential teachers have included John Tafoya (Indiana University, National Symphony), Dean Borghesani (Milwaukee Symphony), Jonathan Haas (Aspen Music Festival, NYU), and Robert Adney (Gustavus Adolphus College, MacPhail Music School). While auditioning and freelancing, Mr. Haaheim worked as “Senior Research and Development Engineer” at NanoInk, a Chicago-area tech company. In this capacity, he gave invited talks on nanotechnology, authored multiple peer-reviewed publications, and was granted numerous patents. In 2017, this dual-career path was highlighted in an interview with Melissa Block on NPR’s Weekend Edition. Active in all musical areas, Mr. Haaheim has also performed extensively as a chamber musician and jazz drummer. He collaborated with Yo-Yo Ma in a Civic Orchestra / Silk Road Ensemble performance, and recorded the premiere of Augusta Read Thomas’s “Terpsichore’s Dream” with members of the Chicago Symphony. Mr. Haaheim has performed with Chicago’s ensemble dal niente, and premiered Ryosuke Yagi’s “Mirrors…for timpani” with the UCSB Ensemble of Contemporary Music. Other projects have included drumming for the jazz-fusion quartet “The J3 Intent” and the alt-country band “The Lost Cartographers.” At Gustavus, Mr. Haaheim was selected for the honors recital and won first place in the orchestra’s concerto competition. Extra-musical interests include backpacking and hiking, rock climbing, and both downhill and cross-country skiing.
  • Elaine Fitz Gibbon
    German Language and Translation

    Elaine Fitz Gibbon

    Elaine Fitz Gibbon is a doctoral candidate in Historical Musicology at Harvard University. She received her MA in German Studies from Princeton, and her BA in Musicology and German Studies from the University of Pennsylvania. She also holds a Diploma of Advanced Studies in music journalism from the Musik Akademie Basel and has been active as a journalist in the field of new music in the German speaking realm. Her dissertation, which focuses on the music-conceptual work of the Argentine German composer Mauricio Kagel, explores trends and relations of opera, music theater and electro-acoustic music of the avant-garde from 1945 to today from the perspective of circum-Atlantic migration and mobility. Fitz Gibbon has published translations of texts by Bernd Alois Zimmermann for The Opera Quarterly (2014) and Hans Merian for Princeton University Press (Puccini and His World, 2015). Her article, “Beethoven Returns to Bonn: Origins, Belonging and Misuse in Mauricio Kagel’s Ludwig van (1969),” was published in Current Musicology (107) in 2021 and her chapter on the music notational practices of conceptual artist Hanne Darboven recently appeared in the volume Material Cultures of Music Notation (Routledge, 2022). An interview with the Irish composer Jennifer Walshe (b. 1974) is forthcoming in The Opera Quarterly. In her free time, Fitz Gibbon enjoys playing chamber music on modern and Baroque cellos.
  • Derek Fenstermacher
    Tuba

    Derek Fenstermacher

    Currently principal tubist with both the New Jersey and Chattanooga Symphony Orchestras, Derek Fenstermacher received his B.M. from the University of Alabama, an M.M. from the Cincinnati College/Conservatory of Music. His primary instructors have included Mark Barton, Timothy Northcut, Demondrae Thurman, Mike Dunn, and Philip Moore, with additional tutelage from Andrew Miller, Warren Deck, Gene Pokorny, Dan Perantoni, Dave Kirk, Cristian Ganicenco, Gil Long, Sam Pilafian, and Pat Sheridan. Mr. Fenstermacher won his first orchestral position at the age of 20 and has since performed with the Nashville Symphony, New World Symphony, Houston Ballet, Alabama Symphony, Cincinnati Chamber, Huntsville Symphony, Dayton Philharmonic, West Virginia Symphony, Mobile Symphony, Tuscaloosa Symphony, and Meridian Symphony Orchestras. As a soloist, he has won many prestigious music competitions, including 1st place at the Leonard Falcone Artist Tuba Competition, and three 1st place awards at the 2008 International Tuba/Euphonium Conference. An avid chamber musician, he currently performs with the Boreas Tuba Quartet, and will be joining the New York Tuba Quartet in 2012. With over 10 years teaching experience, Mr. Fenstermacher has given masterclasses at the University of Wisconsin–Madison and Montclair State University, as well as numerous other schools in Alabama, Texas, Ohio, Kentucky, and New Jersey.
  • Melissa Reardon
    Viola; Artist in Residence, Bard College

    Melissa Reardon

    Grammy-nominated violist Melissa Reardon is the Artistic Director of the Portland Chamber Music Festival in Portland, ME, Artist in Residence at Bard College and Conservatory and a founding member and the Executive Director of the East Coast Chamber Orchestra (ECCO).  As a member of the Ensō String Quartet from 2006 until its final season in 2018, Melissa toured both nationally and internationally, with highlight performances in Sydney, Melbourne, Rio de Janeiro, New York’s Carnegie Hall, and Washington, DC’s Kennedy Center to name a few.  Melissa won first prize at the Washington International Competition, and is the only violist to win top prizes in consecutive HAMS International viola competitions. She has appeared in numerous festivals across the United States and around the world, including tours with Yo-Yo Ma’s Silk Road Ensemble, and with Musicians from Marlboro. She held the post of Associate Professor of Viola at East Carolina University from 2007 -2013,  and earned degrees from the Curtis Institute of Music and the New England Conservatory. Melissa is married to the cellist Raman Ramakrishnan and they live in NYC with their seven-year-old son Linus.
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Bard College
Bard College
Conservatory of Music
30 Campus Road
Annandale-on-Hudson
New York 12504-5000
845-758-7196
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All photos by Karl Rabe unless stated otherwise.