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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a woman in a pink dress sings on stage

Opera Concert by Bard Conservatory of Music and Bard Graduate Vocal Arts Program Reviewed in the Millbrook Independent

A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney. 

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Jindong Cai conducts The Orchestra Now onstage at Jazz at Lincoln Center.

Seventh Annual Sound of Spring Concert Reviewed in Several Publications

The Millbrook Independent describes the concert as “a mélange of city and landscape visions."

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Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

“[Tower has] expanded the possibilities and audiences of modern classical Composition,” wrote GSAS Dean Carlos Alonso.

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Upcoming Events and Performances

  • Graduate Degree Recital: Mark Kovács, trumpet
    5/8
    Friday
    Graduate Degree Recital: Mark Kovács, trumpet 1:00 pm
    Bitó Conservatory Building, Performance Space
  • Klára Zaykova leaning over a piano, holding a violin and a cigarette. ; Undergraduate Degree Recital: Klára Zaykova, violin
    5/8
    Friday
    Undergraduate Degree Recital: Klára Zaykova, violin 4:00 pm
    Bitó Conservatory Building, Performance Space
  • Undergraduate Degree Recital: Kehan Eric Wang, guqin
    5/8
    Friday
    Undergraduate Degree Recital: Kehan Eric Wang, guqin 7:00 pm
    Bitó Conservatory Building, Performance Space
  • Liliána Szokol holding a flute and looking off to the side.; Student Recital: Liliána Szokol, flute
    5/9
    Saturday
    Student Recital: Liliána Szokol, flute 12:00 pm
    Olin Hall
  • Madelin Morales looking to the side while smiling, resting her head on her hand.; Graduate Degree Recital: Madelin Morales, mezzo-soprano, with Kyeongji Koh, piano
    5/9
    Saturday
    Graduate Degree Recital: Madelin Morales, mezzo-soprano, with Kyeongji Koh, piano
    A Todos Mis Amigos

    2:00 pm
    Bitó Conservatory Building, Performance Space

Meet Our Faculty

See All Faculty
  • Mira Wang
    Violin, Artist in Residence

    Mira Wang

    Mira Wang has built a remarkable bridge from her time as a child prodigy in Beijing, China to an acclaimed soloist on the world stage today.

    She has appeared as a soloist with many prestigious orchestras all over the world including the Boston Symphony Orchestra, Staatskapelle Dresden, Royal Liverpool Philharmonic, Orchestre de la Suisse Romande, Saarbrücken Radio Orchestra, New Zealand Symphony Orchestra, Singapore Symphony Orchestra, Hong Kong Philharmonic and NDR Philharmonic Hannover. 

    An avid chamber musician, Mira’s partners include Hélène Grimaud , Oli Mustonen, Alice Sara Ott, Lise de la Salle, Louis Lortie, Jeremy Denk, Pamela Frank, Daniel Müller-Schott, Gautier Capucon, Jan Vogler,  Lawrence Power and Lars Anders Tomter.

    She is an enthusiastic exponent of contemporary music, premiering the violin concerto Spring in Dresden by Chinese-American composer Chen Yi with the Staatskapelle Dresden, conducted by Ivan Fischer and John Harbison’s Double Concerto for Violin and Cello with the Boston Symphony Orchestra, under the direction of Carlos Kalmar.  In 2015 she premiered the double concerto by Wolfgang Rihm, with Jan Vogler and the Orpheus Chamber orchestra at Carnegie Hall. In 2018, She premiered a triple concerto “Alisma” by Swiss composer William Blank with Jan Vogler, Daniel Ottensamer and the Philharmonische Staatsorchester Hamburg, conducted by Kent Nagano at Elbphilharmonie in Hamburg. 

    Mira has recorded extensively for many labels including Sony Classical and Edel Classics.  Her discography includes violin concerto No. 2 by Prokofieff with the Saarbrücken Radio Symphony, the violin concerto No. 3 by Saint-Saens with NDR Philharmonic Hannover, a duo album with cellist Jan Vogler and several chamber music recordings with Artists of the Moritzburg Festival.

    Mira has been Artistic Director of the Model Room Musicales concert series in New York City since 2005 and in 2013, she became Director of the Moritzburg Festival Academy in Germany, a training program for young musicians that is part of the annual Moritzburg Chamber Music Festival.

    Born in China, Ms. Wang studied at Central Conservatory in Beijing.  She was sponsored by renowned violin teacher, the late Roman Totenberg to further her studies at Boston University, where she graduated summa cum laude and received the prestigious Kahn Award given to outstanding performers.  She has won 1st prizes in several international violin competitions including the Geneva Competition.

     
  • Edward Carroll
    Visiting Instructor of Music

    Edward Carroll

    Edward Carroll’s long and distinguished career has taken many twists and turns. It began as an orchestral musician at age 21 with his appointment to the Houston Symphony, detoured back to Juilliard (BM, MM) and New York City as a trumpet soloist making over 20 recordings on the Sony, Vox, MHS, and Newport Classic labels and performing with the Chamber Music Society of Lincoln Center, matured as he conducted his first concerts, detoured once again as he fulfilled a lifelong dream of moving to Europe assuming the position of principal trumpet of the Rotterdam Philharmonic, eventually embarked on what has become a distinguished teaching career and now, in the final quarter of his musical journey, returned to his life-long passion of conducting. Mr. Carroll has served on the faculties of the Rotterdam Conservatory, London’s Royal Academy of Music, McGill University, the Bard Conservatory, and the California Institute of the Arts. He has performed with conductors such as Leonard Bernstein, Bernard Haitink, Valery Gergiev, James Conlon, Esa-Pekka Salonen, and Simon Rattle in concert halls around the world, listing Amsterdam’s Concertgebouw, Vienna’s Grosser Musikvereinsaal, Moscow’s Tchaikovsky Hall, New York’s Carnegie Hall, Boston’s Symphony Hall, and Tokyo’s Suntory Hall amongst his favorites. He has appeared as a soloist with the Rotterdam Philharmonic, the Netherlands Radio Chamber Orchestra, the London Sinfonietta, Virtuosi di Roma, the Gulbenkian Orchestra of Lisbon, the Hong Kong Philharmonic, and a variety of North American orchestras. Edward Carroll’s recordings conducting the Metamorphosis Ensemble of London (Cantoris) and Chamber Soloists of Washington (Sony) have received critical acclaim, as have his many performances conducting the Peruvian National Symphony and National Youth Orchestras. In addition to teaching and conducting, Edward Carroll is currently the director of the Center for Advanced Musical Studies (www.chosenvalemusic.org) where he presents the annual Chosen Vale International Seminars with friends such as Hakan Hardenberger, John Wallace, Markus Stockhausen, Mark Gould, Colin Currie, and Steve Reich. Author Alexander McGrattan states in his book THE TRUMPET (Yale University Press) that “the work of Ed Carroll has been seminal to the creation of a new generation of adventurous young trumpet players since his work at the Rotterdam Conservatory and the establishment of the Lake Placid Music Seminars in the mid-1990s in New York State.” Mr. Carroll feels otherwise but perhaps that can be left for another biography.
  • Nicholas Alton Lewis
    Chamber Music

    Nicholas Alton Lewis

    Nicholas Alton Lewis is the clarinetist and co-founder of the BLAK-New Blues Ensemble, an ensemble founded with composer-pianist Anthony Kelley and based at Duke University in Durham, North Carolina. The BLAK-New Blues Ensemble was created to explore an ensemble’s ability to circumnavigate, through improvisation, the codes and tropes of African-American, European, and music of other parts of the world in ways that produce a coherent and fresh musical product.

    Mr. Lewis has been featured in performances of the Mozart Concerto for Clarinet and Sinfonia Concertante with the Williamsburg Symphony, and of the David Baker Jazz Suite for Clarinet and Orchestra with the Richmond (VA) Symphony and the Soulful Symphony in Baltimore, MD. An exponent of celebrating the music of our time, he has premiered works by Craig DeAlmedia, Anthony Kelley, Aristides Llaneza, Caroline Mallonee, John Mayrose, Gary Nash, Mike Worth, and Iannis Xenakis.

    Mr. Lewis has held clarinet positions with the Richmond Symphony Orchestra and Williamsburg Symphony, for 18 and 12 years respectively. He has also performed with the Akron, Pittsburgh, Virginia, and Westmorland Symphonies, as well with the Baltimore Opera Orchestra, and Brevard, Gateways, and Pittsburgh New Music Festival Orchestras.

    Prior to joining the faculty at Bard College, Mr. Lewis served as Senior Associate Dean and Special Advisor to the President at the Curtis Institute of Music, and also served on the music department faculties of Howard University and Virginia Union University. He holds the degrees of Bachelor of Fine Arts and Master of Music in clarinet performance from Carnegie Mellon University, as well as a Master of Divinity degree from Yale Divinity School where he pursued studies in the Institute of Sacred Music. Additionally, Mr. Lewis is the current Associate Vice President for Academic Initiatives and Associate Dean of Bard College.

    Photo credit: Joseph Brunjes
  • Jan Williams
    Percussion Advisor

    Jan Williams

    Jan Williams is a percussion soloist and conductor, who has toured extensively throughout the United States, Europe, New Zealand, and Australia. Composers such as Lukas Foss, John Cage, Elliott Carter, Joel Chadabe, Morton Feldman, Orlando Garcia, Gustavo Matamoros, Luis de Pablo, Frederic Rzewski, Nils Vigeland, and Iannis Xenakis have all written music expressly for Jan Williams. Born in Utica, New York on July 17, 1939, Williams later earned his bachelor’s and master’s degrees in music at Manhattan School of Music, where he studied percussion with Paul Price and performed as a member of the American Symphony Orchestra from 1962-1964 under conductor Leopold Stokowski. He was invited to Buffalo as one of the first class of Creative Associates for the Center of the Creative and Performing Arts in 1964 at the University at Buffalo. While at the University at Buffalo, he created the University at Buffalo Percussion Ensemble in 1964. Later, in 1967, he was appointed to the Music Faculty, and served as Chair of the Music Department from 1981-1984. Prior to his retirement in 1996, he also served as artistic director of the Center of the Creative and Performing arts from 1974-1979 and as resident conductor from 1979-1980. He is Professor emeritus at the University at Buffalo where he and John Bergamo founded the University at Buffalo Percussion Ensemble in 1964. He was the ensemble’s director until his retirement in 1996. He is Trustee of the Yvar Mikhashoff Trust for New Music. He has recorded for Columbia, Vox/Turnabout, Desto, Lovely Music, Spectrum, Wergo, DGG, Orion, Hat-Art, OO, New World, Deep Listening, EMF Media, and Mode Records. With Yvar Mikhashoff, he was Co-Artistic Director of the North American New Music Festival from 1983-1993.
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Bard College
Bard College
Conservatory of Music
30 Campus Road
Annandale-on-Hudson
New York 12504-5000
845-758-7196
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All photos by Karl Rabe unless stated otherwise.