Music, like all art, engages the mind and the heart.
The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.
Xu Yang, the leader of contemporary ruan scholars in China, performer, educator, professor and doctoral supervisor at Central Conservatory of Music in Beijing, China. Ms. Xu is the associate director of ruan profession committee in China Nationalities Orchestra Society (CNOS), the committee of the national professional skill appraisal expert association, the executive director of Chinese Music Instrument Society, the committee of Chinese Music Instrument Qualification Exam Council, artist director of Ruan Family Orchestra at Central Conservatory of Music, the founder and executive director of Ruan Family at The Ocean of Music instrument company, the director of Xu Yang Ruan Family International Cultural Research Institute. She had studied with Pang Yuzhang, Lin Jiliang, Ning Yong. Yang has published few ruan text books and ruan recordings, such as "The best way to learn is learn from the best - Ruan Tutorial" Book 1 and 2, "Central Conservatory Ruan Qualification Exam Repertoire", "Chinese National Ruan Qualification Exam Repertoire", "Happy Learning Ruan - Study with Famous Teacher!", "The Rhythm of the mountain", etc. Over more than 40 Xu's students were winning in different national and international Chinese Music competitions, and many of the students have became ruan professor in different schools and also professional ruan players in the professional orchestras. In view of her outstanding artistic innovation ability and teaching achievements, Ms. Xu has won several awards, including selected into the ministry of education's program called "Outstanding Backbone Teacher Supporting Program" in 2009; the "Excellent Gardener Award" from the youth vanguard team of the central league and the foreign exchange center of the ministry of culture, the "Excellent Instructor Award" from "The Talented Musicians Raising Program" in 2016, central conservatory BOB excellent instructor, the title of "Outstanding Performer" in 2018.
Erika Switzer
Assistant Professor of Music, Bard College; Director, Postgraduate Collaborative Piano Fellowship, Undergraduate and Graduate Diction, Undergraduate and Graduate Vocal Coaching, Conservatory of Music
Erika Switzer
Erika Switzer is an internationally active pianist, teacher, and arts administrator. She has performed on the stages of New York’s Weill Recital Hall (Carnegie Hall), David Geffen Hall (Lincoln Center), Frick Collection, and Bargemusic, and at the Kennedy Center, Philadelphia Chamber Music Society, Spoleto Festival, Mostly Mozart, Bard Music Festival, and Stanford Live. During a seven-year sojourn in Germany, she performed at the Festspielhaus Baden-Baden and the Munich Winners & Masters series, and won numerous awards, including best pianist prizes at the Robert Schumann, Hugo Wolf, and Wigmore Hall International Song Competitions. European appearances also include recitals for Pro Musicis at the Salle Cortot in Paris, Académie Francis Poulenc at the L’Hôtel de ville de Tours, and Göppingen Meisterkonzerte. Recent premieres include the 5 Boroughs Music Festival Songbook II (Matthew Aucoin, Jonathan Dawe, Evan Fein, Whitney George, Laura Kaminsky, Missy Mazzoli, Paola Prestini, Kamala Sankaram); Brooklyn Art Song Society (Andrew Staniland); and Vancouver’s Music on Main (Jocelyn Morlock, Caroline Shaw, Jeffrey Ryan). Switzer has been recorded by the CBC, Dutch Radio (Radio 4), SWR and the Bayerische Rundfunk in Germany, WQXR New York, and WGBH Boston. A recent recording release, English Songs à la française, features her long-standing duo partnership with baritone Tyler Duncan. Together with soprano Martha Guth, she created Sparks & Wiry Cries (sparksandwirycries.org), which contributes to the future of art song performance through publication of The Art Song Magazine, presentation of the songSLAM festival in New York City, and the commission of new works. In addition to teaching in Bard’s undergraduate Music Program, Switzer works with the Graduate Vocal Arts Program on diction for singers, vocal coaching, and chamber music, and directs the Postgraduate Collaborative Piano Fellowship. BM, MM (solo piano), University of British Columbia; MM, Hochschule für Musik und Theater München, Germany; DM (collaborative piano), The Juilliard School. At Bard since 2010.
Hongmei Yu
Erhu
Hongmei Yu
A graduate of the Central Conservatory of Music (CCOM), Yu Hongmei is one of the most brilliant erhu virtuosos as well as the most influential erhu educator in contemporary China. She currently serves as the Dean of the Chinese Music Department in CCOM, and is the designated guest erhu soloist for the China National Traditional Orchestra. Yu Hongmei maintains an active solo career in erhu performing. She has toured Europe, America, Africa, and many regions in Asia, and has successfully held hundreds of recitals in the United States, France, Canada, Japan, Hong Kong and mainland China. Her album String Glamour won the Best Traditional World Music award by Indie Music in the United States. She was the first Chinese recipient honored for this award in its 30-year history. Yu Hongmei has premiered many classic erhu works and core repertoires, and has produced exemplary works embodying different times in Chinese history: Dreams of Jinghua, Eight Banners, Tianxiang, West Rhapsody. She has appeared in many world class concert halls: Musikverein (Golden Hall in Vienna), Carnegie Hall in New York, Avery Fisher Hall of Lincoln Center, John F. Kennedy Center for the Performing Arts in Washington D.C., Théâtre des Champs-Élysées in Paris, Lucerne Concert Hall at KKL Luzern. She participated in many major performance events such as American Culture in China, New Culture in Australia with Chinese Culture, Spring Prague in the Czech Republic, Chinese Arts Festival, Beijing International Music Festival, Shanghai International Arts Festival, German Music Festival, and the Macao Arts Festival. As an educator, Yu Hongmei recorded Erhu by Maestros, and edited and published Collections of Erhu Works presented by China Central Television, the most predominant state television broadcaster. Her publications, such as Dynamics in Erhu Performance and How to play A Flower (an erhu piece by Song Fei) are well recognized and widely cited in Chinese music journals. Yu Hongmei has been invited to lecture at various institutions including California Institute of the Arts and the City University of Hong Kong. New York Concert Journal complimented her on her exquisite touching sounds as she “represents the contemporary spirit of Chinese musical culture.” Joining the US-China Music Institute of Bard Conservatory of Music, Yu Hongmei continues committing herself to preserving cultural heritage, promoting and developing Chinese music in America.
George Tsontakis
Distinguished Composer in Residence; Composition, Bard College Conservatory of Music
George Tsontakis
George Tsontakis has been the recipient of the two richest prizes awarded in all of classical music; the international Grawemeyer Award, in 2005, for his Second Violin Concerto and the 2007 Ives Living, awarded every three years by the American Academy of Arts and Letters. He studied with Roger Sessions at Juilliard and, in Rome, with Franco Donatoni. Born in Astoria, New York, into a strongly Cretan heritage, he has, in recent years, become an important figure in the music of Greece, and his music is increasingly performed abroad, with dozens of performances in Europe every season. Most of his music, including eleven major orchestral works and four concertos have been recorded by Hyperion and Koch, leading to two Grammy Nominations for Best Classical Composition, in 2009 and 1999. He is Distinguished Composer in Residence at Bard and artist-faculty emeritus with the Aspen Music Festival, where he was founding director of the Aspen Contemporary Ensemble from 1991 to 1999. He served three years as composer in residence with the Oxford (England) Philomusica; was the featured composer in residence with the Chamber Music Society of Lincoln Center for the 2008-09 season; and is continuing a six-year Music Alive residency with the Albany Symphony. He lives in New York State’s Catskill Mountains, in Shokan.