Bard Conservatory

Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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Offering Unique Undergraduate and Graduate Programs

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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

A professional photo of Composer in Residence Missy Mazzoli.

Composer in Residence Missy Mazzoli Profiled in the New York Times

“We want the field to expand,” said Mazzoli, “and so bringing in [diversity] helps the field survive and thrive.”

a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

Meet Our Faculty

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Hongyan Zhang

Pipa

Hongyan Zhang
Zhang Hongyan is an outstanding contemporary Chinese pipa performer and educator. She is a professor and doctoral supervisor at the Central Conservatory and serves as dean of the Department of Traditional Instruments and the Cultural Heritage Protection and Research

Center. She is a guest professor at the Art Institute of Beijing University, honorary academician of Beijing Normal University–Hong Kong Baptist University United International College (UIC), and director of the Central Institute of Vocational and Technical Education in China. She has

also been a visiting scholar at Columbia University.

Zhang studied under Zhang Shijun, Sun Weixi, and Lin Shicheng, beginning her studies when she was seven years old. In 2011, she created a weeklong pipa festival, presenting four concerts of solo, chamber, ensemble, and concerto performances, essentially summarizing all of classical pipa music. In connection with the festival, Zhang also published a research paper, “Boat Against the Current: The Feeling of a Musician Today.” This festival and her paper were among

the most important musical events at the start of the 21st century in China. Zhang, also known as Pipa Walker, has performed at such venues as Carnegie Hall, Lincoln Center, Kennedy Center, Berlin Philharmonic Hall, Vienna’s Golden Hall, St. Petersburg’s Mariinsky Theatre, and Suntory

Hall in Tokyo. As a soloist, she has played with world-class orchestras such as the Bavarian Radio Symphony Orchestra, Israel Philharmonic, Brazilian Symphony, and Tokyo Philharmonic. In recognition of her contributions to traditional Chinese music, her album House of Flying Daggers is part of the permanent collection at the Library of Congress in Washington, D.C.

Zhang founded the national orchestra of the Central Conservatory of Music, and has won many awards in China and internationally for music education, including the Yang Xuelan Music Education Award, Baosteel Education Fund Outstanding Teacher Award, and more.
Junzhi Cui

Konghou

Junzhi Cui
Cui Junzhi is a leading pioneer of the modern art of konghou (Chinese harp) performance. With her incomparable style, she continues to shine on the world's musical stage.

A recipient of many prestigious accolades, she has been honored with a medal from UNESCO and a Lifetime Achievement Award from the United Nations. She was awarded first prize in the World Broadcasting Competition, garnered a Gold Award at the Philadelphia International Music Festival for Chinese Composition Performance, and earned the title of "Outstanding Artist" at the inaugural International Harp Competition in the United States. Moreover, she consistently excels in national competitions for instrumental music and composition competitions sponsored by the Ministry of Culture in China.

Cui serves as a leader in numerous konghou-related arenas, from performance and education to international outreach and multimedia recordings. With the endorsement of several major music schools, she pioneered the establishment of the konghou performance major. Invitations to perform and lecture have taken her to dozens of countries, where she has broken new ground with her konghou concertos. She wrote the book The World of Konghou and edited the inaugural "Central Conservatory of Music Examination Syllabus," for konghou performance. These works have served as milestones in the developing landscape of modern konghou artistry.

Currently, she holds the titles of National First-Class Performer, professor of konghou, and Master's Degree supervisor. Additionally, she serves as the president of the Konghou Research Association, which operates under the auspices of the China Musicians Association. She joined the faculty of the Bard College Conservatory of Music in 2023, where she serves as master teacher to majors in konghou performance in the US-China Music Institute.
Yi-Wen Jiang

Violin

Yi-Wen Jiang
Violinist Yi-Wen Jiang was born in Beijing to a family with a strong musical background, his father having spent over 35 years as a Concertmaster and his mother as a soprano soloist. Jiang's destiny was revealed at three years old when he listened to Beethoven's violin concerto, instilling in him the desire to become a professional violinist.

Jiang gave his concerto debut in Beijing at 17. He secured the top prize at the inaugural China Youth Violin Competition, enabling him to study with Professor Han Li at the Central Conservatory of Music. Subsequently, he received a full scholarship from McDonnell-Douglas at the St. Louis Conservatory and relocated to the U.S. in 1985 to study with Taras Gabora and Michael Tree. Following his tenure in St. Louis, he enrolled in Rutgers University's graduate program, where he studied for four years with Arnold Steinhardt. Jiang credits Steinhardt with having the most profound influence on his playing, followed

by highly influential master classes with Pinchas Zukerman. In the wake of his prize-winning performance at the Montreal International Competition, he appeared as a soloist with the Victoria Symphony and Montreal Symphony, and was featured at numerous international music festivals by the age of 22.

Jiang's 26-year tenure with the Shanghai Quartet, which began in 1994, encompassed over 3,000 concerts in 37 countries. The ensemble's collaborations with distinguished artists were extensive, including performances with the Tokyo, Juilliard, and Guarneri Quartets, cellists Yo-Yo Ma and Lynn Harrell, pianists Roth Laredo, Menahem Pressler, Peter Serkin, Jean-Yves Thibaudet, and Yuja Wang, many of whom developed into lasting friendships. The ensemble was a regular performer at many of Europe's and North America's most prestigious music festivals.

As a composer, Jiang has developed a distinctive style, arranging dozens of pieces for violin-piano and string quartet that blend Eastern and Western influences. His arrangement of Chinese folk songs, ChinaSong, is particularly notable, drawing on his childhood experiences during the Cultural Revolution in China. The Shanghai Quartet, joined by Eugenia Zukerman, recorded this collection of 24 pieces, which was released on the Delos International label in 2002. In 2018, Flower City Publisher in Guangzhou published 38 of these arrangements.

Jiang holds a position as a founding faculty member at The Bard College Conservatory of Music.
Yue Li

Dizi

Yue Li

Li Yue is a Chinese bamboo flute (dizi) performer, Associate Professor of Dizi at Tianjin Conservatory of Music, and a graduate advisor. He currently serves as Director of the Wind and Percussion Teaching and Research Office in the Department of Traditional Chinese Music at Tianjin Conservatory of Music, and is also an adjunct dizi instructor at the Central Conservatory of Music. In addition, he is the Deputy Secretary-General of the Xiao and Xun Professional Committee of the China Nationalities Orchestra Society. Li holds a Doctorate in Dizi Performance from the Central Conservatory of Music.

In 2007, he won first place in the Bamboo Flute category at the CCTV National Instrumental Music Television Competition, and in 2009 received the Gold Medal at the Golden Bell Awards for Bamboo Flute. Li was admitted to the Secondary School of the Central Conservatory of Music in 2000, where he studied under renowned dizi masters Zhang Yongfa, Liu Hanyou, Zhan Yongming, Wang Ciheng, and Xin Zhengkui. In 2006, he entered the Central Conservatory of Music to study with Professor Dai Ya, a distinguished dizi performer, educator, and doctoral advisor. In 2022, he was admitted to the doctoral program in Dizi Performance at the Central Conservatory of Music, continuing his studies with Professor Dai Ya.

In recent years, Li has been invited to perform as a dizi soloist with leading orchestras and ensembles worldwide, including the Detroit Symphony Orchestra, the Royal Philharmonic Orchestra, the Russian National Folk Chamber Orchestra, the German Radio Philharmonic Orchestra, the China National Symphony Orchestra, and the China National Traditional Orchestra, among many others, giving hundreds of performances.

Li joined the faculty of the US-China Music Institute at Bard in 2025 through USCMI's ongoing partnership with the Central Conservatory of Music in Beijing.