Music, like all art, engages the mind and the heart.
The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.
A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney.
Elaine Fitz Gibbon is a doctoral candidate in Historical Musicology at Harvard University. She received her MA in German Studies from Princeton, and her BA in Musicology and German Studies from the University of Pennsylvania. She also holds a Diploma of Advanced Studies in music journalism from the Musik Akademie Basel and has been active as a journalist in the field of new music in the German speaking realm. Her dissertation, which focuses on the music-conceptual work of the Argentine German composer Mauricio Kagel, explores trends and relations of opera, music theater and electro-acoustic music of the avant-garde from 1945 to today from the perspective of circum-Atlantic migration and mobility. Fitz Gibbon has published translations of texts by Bernd Alois Zimmermann for The Opera Quarterly (2014) and Hans Merian for Princeton University Press (Puccini and His World, 2015). Her article, “Beethoven Returns to Bonn: Origins, Belonging and Misuse in Mauricio Kagel’s Ludwig van (1969),” was published in Current Musicology (107) in 2021 and her chapter on the music notational practices of conceptual artist Hanne Darboven recently appeared in the volume Material Cultures of Music Notation (Routledge, 2022). An interview with the Irish composer Jennifer Walshe (b. 1974) is forthcoming in The Opera Quarterly. In her free time, Fitz Gibbon enjoys playing chamber music on modern and Baroque cellos.
Sasha Romero
Trombone
Sasha Romero
Sasha Romero was appointed principal trombone of the Metropolitan Opera Orchestra in 2018. Prior to her appointment at The MET, she held the position of principal trombone with the Fort Worth Symphony Orchestra from 2016-2018.
Hailing from Longview, Texas, Sasha grew up within the acclaimed and robust Texas band system and achieved great musical success at a young age. She went on to earn her Bachelor of Music degree at Baylor University, where she studied with Brent Phillips; and her Master of Music degree at Rice University, studying with Allen Barnhill.
In addition to a lengthy list of national and international solo and chamber music competition wins to her name, Sasha is honored to have been a semi-finalist in the first Brass Division of the 2019 XVI International Tchaikovsky Competition in St. Petersburg, Russia.
Sasha is a passionate educator, and currently serves on the trombone faculties at Rutgers University, Mannes School of Music, and Bard College Conservatory of Music. A highly sought-after teacher, soloist, and clinician, she has presented solo recitals and masterclasses at numerous colleges, universities, music conservatories, and industry conventions across the United States.
When she is not at The MET, teaching, or screaming into the night at the shortcomings of NYC’s public transportation system (looking at you, weekend subway service), Sasha is occasionally invited to perform as a guest trombonist with the world’s major orchestras, including the New York Philharmonic, London Philharmonic, Dallas Symphony, Houston Symphony, and others. She can be heard on Weezer’s OK Human album, as well as the film soundtracks to The Good Liar (2019) and Joker (2019).
Sasha currently makes her home in New York City, where she spends an embarrassing amount of time catering to the demands of her absurdly adorable cats and searching endlessly for decent Mexican food.
Sasha Romero is an S.E. Shires Performing Artist and she has a signature mouthpiece line with Long Island Brass Co.
Tan Dun
Dean of Bard Conservatory
Tan Dun
The world-renowned artist and UNESCO Global Goodwill Ambassador Tan Dun, has made an indelible mark on the world’s music scene with a creative repertoire that spans the boundaries of classical music, multimedia performance, and Eastern and Western traditions. A winner of today’s most prestigious honors including the Grammy Award, Oscar/Academy Award, Grawemeyer Award, Bach Prize, Shostakovich Award, and most recently Italy’s Golden Lion Award for Lifetime Achievement, Tan Dun’s music has been played throughout the world by leading orchestras, opera houses, international festivals, and on radio and television. Most recently, Tan Dun was named as Dean of the Bard College Conservatory of Music. As dean, Tan Dun will further demonstrate music’s extraordinary ability to transform lives and guide the Conservatory in fulfilling its mission of understanding music’s connection to history, art, culture, and society.
As a conductor of innovative programs around the world, Tan Dun has led the China tours of the Mahler Chamber Orchestra and Japan’s NHK Symphony Orchestra. His current season includes leading the Orchestre National de Lyon in a six-city China tour, the Guangzhou Symphony Orchestra in a four-city tour of Switzerland and Belgium as well as engagements with the Rai National Symphony Orchestra, Oslo Philharmonic, Hong Kong Philharmonic and Melbourne Symphony Orchestra where he was recently named Artistic Ambassador. Tan Dun currently serves as the Principle Guest Conductor of the Shenzhen Symphony Orchestra. In 2016, Tan Dun conducted the grand opening celebration of Disneyland Shanghai which was broadcast to a record-breaking audience worldwide. Tan Dun has led the world’s most esteemed orchestras, including the Royal Concertgebouw Orchestra, London Symphony Orchestra, the Philadelphia Orchestra, Metropolitan Opera Orchestra, Royal Stockholm Philharmonic Orchestra, Los Angeles Philharmonic, Orchestre National de France, BBC Symphony Orchestra, Filarmonica della Scala, Münchner Philharmoniker, the Orchestra dell’Accademia Nazionale di Santa Cecilia, Sydney Symphony Orchestra, among others.
Tan Dun’s individual voice has been heard widely by international audiences. His first Internet Symphony, which was commissioned by Google/YouTube, has reached over 23 million people online. His Organic Music Trilogy of Water, Paper and Ceramic has frequented major concert halls and festivals. Paper Concerto was premiered with the Los Angeles Philharmonic at the opening of the Walt Disney Hall. His multimedia work, The Map, premiered by YoYo Ma and the Boston Symphony Orchestra, has toured more than 30 countries worldwide. Its manuscript has been collected by the Carnegie Hall Composers Gallery. His Orchestral Theatre IV: The Gate was premiered by Japan’s NHK Symphony Orchestra and crosses the cultural boundaries of Peking Opera, Western Opera and puppet theatre traditions. Other important premieres include Four Secret Roads of Marco Polo for the Berlin Philharmonic, Piano Concerto “The Fire” for Lang Lang and the New York Philharmonic. In recent seasons, his percussion concerto, The Tears of Nature, for soloist Martin Grubinger premiered in 2012 with the NDR Symphony Orchestra and Nu Shu: The Secret Songs of Women Symphony for 13 Microfilms, Harp and Orchestra was co-commissioned by The Philadelphia Orchestra, NHK Symphony Orchestra and the Royal Concertgebouw Orchestra Amsterdam. Most recently, Tan Dun conducted the premiere of his new oratorio epic Buddha Passion at the Dresden Festival with the Münchner Philharmoniker, the piece was co-commissioned by the New York Philharmonic, Los Angeles Philharmonic, Melbourne Symphony Orchestra and the Dresden Festival and will go on to have performances in Melbourne, Hong Kong, Los Angeles, Rome, Hamburg, Paris, Singapore and London in the coming seasons.
As a visual artist, Tan Dun’s work has been featured at the opening of the China Pavilion at the 56th Venice Art Biennale. Other solo exhibitions include the New York’s Guggenheim Museum, Museum of Modern Art (MoMA), Beijing’s Chambers Fine Art Gallery, and Shanghai Gallery of Art. Most recently, Tan Dun conducted The Juilliard Orchestra in the world premiere of his Symphony of Colors: Terracotta for the opening of New York’s Metropolitan Museum of Art’s epic exhibition The Age of Empires.
As a global cultural leader, Tan Dun uses his creativity to raise awareness of environmental issues and to protect cultural diversity. In 2010, as “Cultural Ambassador to the World” for the World EXPO Shanghai, Tan Dun envisioned, curated and composed two special site-specific performances that perform year-round and have since become cultural representations of Shanghai: Peony Pavilion, a Chinese opera set in a Ming Dynasty garden and his Water Heavens string quartet which promotes water conservation and environmental awareness. Tan Dun was also commissioned by the International Olympic Committee (IOC) to write the Logo Music and Award Ceremony Music for the Beijing 2008 Olympic Games. Tan Dun currently serves as Honorary Chair of Carnegie Hall’s China Advisory Council, and has previously served as Creative Chair of the 2014 Philadelphia Orchestra China Tour, Associate Composer/Conductor of the BBC Scottish Symphony, and Artistic Director of the Festival Water Crossing Fire held at the Barbican Centre.
Tan Dun records for Sony Classical, Deutsche Grammophon, EMI, Opus Arte, BIS and Naxos. His recordings have garnered many accolades, including a Grammy Award (Crouching Tiger, Hidden Dragon) and nomination (The First Emperor; Marco Polo; Pipa Concerto), Japan’s Recording Academy Awards for Best Contemporary Music CD (Water Passion after St. Matthew) and the BBC’s Best Orchestral Album (Death and Fire). Tan Dun’s music is published by G. Schirmer, Inc. and represented worldwide by the Music Sales Group of Classical Companies.
Missy Mazzoli
Composer in Residence
Missy Mazzoli
Recently deemed “one of the more consistently inventive, surprising composers now working in New York” (NY Times), “Brooklyn’s post-millennial Mozart” (Time Out NY), and praised for her “apocalyptic imagination” (Alex Ross, The New Yorker), Missy Mazzoli has had her music performed by the Kronos Quartet, LA Opera, eighth blackbird, the BBC Symphony, the Minnesota Orchestra, Scottish Opera and many others. In 2018 she became, along with Jeanine Tesori, the first woman to receive a main stage commission from the Metropolitan Opera, and was nominated for a Grammy award in the category of “Best Classical Composition". From 2018-2021 she was Mead Composer-in-Residence at the Chicago Symphony Orchestra, and from 2012-2015 was Composer-in-Residence with Opera Philadelphia. Her 2018 opera Proving Up, created with longtime collaborator librettist Royce Vavrek and based on a short story by Karen Russell, is a surreal commentary on the American dream. It was commissioned and premiered by Washington National Opera, Opera Omaha and Miller Theatre, and was deemed “harrowing… a true opera for its time” by the Washington Post. Her 2016 opera Breaking the Waves, commissioned by Opera Philadelphia and Beth Morrison Projects, was called “one of the best 21st-century American operas yet” by Opera News. Breaking the Waves received its European premiere at the 2019 Edinburgh Festival; future performances are planned at LA Opera, Houston Grand Opera, and the Adelaide Festival. Her next opera, The Listeners, will premiere in 2022 at the Norwegian National Opera, Chicago Lyric Opera and Opera Philadelphia. Missy is also active in the orchestral and chamber music field, recently writing new works for the National Symphony, Cincinnati Symphony, BBC Philharmonia, and the Bergen Symphony, among others. In 2016, Missy and composer Ellen Reid founded Luna Lab, a mentorship program for young female, non-binary and gender nonconforming composers created in partnership with the Kaufman Music Center. Her works are published by G. Schirmer. missymazzoli.com