Skip to main content.
Bard Conservatory
  • Menu sub-menuMenu
      Programs
    • Undergraduate Double Degree
    • Graduate Vocal Arts
    • Graduate Conducting
    • Graduate Instrumental Arts
    • Collaborative Piano Fellowship
    • Advanced Performance Studies
    • MA in Chinese Music and Culture
    • US-China Music Institute
    • Preparatory Division
      About
    • Our Story
    • Facilities
    • Staff
    • Faculty
    • Contact Us
      News + Events
    • Newsroom
    • Events
    • Kurtag Festival
    • 20th Anniversary
    • Archive
    • Information For:
    • Admitted Undergraduate Students
    • Admitted Graduate Students
  • Bard Conservatory Logo
  • Apply
  • Inquire
  • Events
  • Support
  • Search

     

     

Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

More About Us
  • Visiting Bard
    Interested in visiting Bard for a campus tour or performance? 
    Learn More
A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
Learn More
The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

Read More
a man conducts an orchestra

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily 

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

Read More
a woman in a pink dress sings on stage

Opera Concert by Bard Conservatory of Music and Bard Graduate Vocal Arts Program Reviewed in the Millbrook Independent

A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney. 

Read More

Upcoming Events and Performances

  • Graduate Degree Recital: Hongfan Su, piano
    5/14
    Thursday
    Graduate Degree Recital: Hongfan Su, piano 4:00 pm
    Olin Hall
  • Cover of the musical score of Khantshe in Amerike.; Khantshe in Amerike — An Operetta by Joseph Rumshinsky
    5/14
    Thursday
    Khantshe in Amerike — An Operetta by Joseph Rumshinsky 7:00 pm
    Bitó Conservatory Building, Performance Space
  • The Bard Trumpet Studio posing backstage after a concert. ; Studio Recital: Trumpet Students of Edward Carroll
    5/14
    Thursday
    Studio Recital: Trumpet Students of Edward Carroll 7:00 pm
    Olin Hall
  • Undergraduate Degree Recital: Rodney Clark, percussion
    5/15
    Friday
    Undergraduate Degree Recital: Rodney Clark, percussion 12:00 pm
    Bitó Conservatory Building, Performance Space
  • CANCELED: Student Recital: Olivia Jackson, trombone
    5/15
    Friday
    CANCELED: Student Recital: Olivia Jackson, trombone 12:00 pm
    Olin Hall

Meet Our Faculty

See All Faculty
  • Demian Austin
    Trombone

    Demian Austin

    Demian Austin is principal trombonist of the Metropolitan Opera Orchestra. He is also a member of the MET Chamber Ensemble, which performs regularly at Carnegie’s Weill and Zankel halls. He has performed with The Chamber Music Society of Lincoln Center, and in the Mostly Mozart festival at Lincoln Center. Mr. Austin has played on numerous recordings including the Metropolitan Opera Brass CDs, several movie soundtracks, Dialogues with Double Bass with Jeremy McCoy on Bridge Records, the GM Recordings issue of Beethoven’s Fifth Symphony and Brahms’ First Symphony conducted by Gunther Schuller, and many recordings with the Metropolitan Opera Orchestra, including Strauss’ Tod und Verklarung. He can also be heard regularly on Sirius Satellite Radio’s Live at the Met Broadcasts, the Saturday Matinee Broadcasts of the Met, and on The Met: Live in HD worldwide movie simulcasts. Mr. Austin is also on the faculty of Juilliard’s precollege division. He received his Bachelor of Music degree in 1992 from Oberlin College, where he studied with Raymond Premru, and his Masters of Music degree in 1995 from The Juilliard School, where he studied with Per Brevig. Aside from his career in music, Mr. Austin has a keen interest in film and has attended several intensive seminars on screenwriting.
  • Eric Cha-Beach
    Percussion

    Eric Cha-Beach

    A member of the ensemble Sō Percussion (called "brilliant" and "consistently impressive" by the New York Times) since 2007, Eric has performed at Carnegie Hall, the Brooklyn Academy of Music, The Lincoln Center Festival, Stanford Lively Arts, The Walker Center and dozens of other venues in the United States. In that time, Sō Percussion has toured Russia, Australia, Colombia and throughout Europe. They have performed on The Late Show with Steven Colbert, at the TED Conference and Bonnaroo Festival, and with Radiolab Live. Eric has had the opportunity to work closely with Steve Reich, Caroline Shaw, David Lang, Julia Wolfe, Bryce Dessner, Steve Mackey, Dan Trueman, Fred Frith, Suzanne Farrin, Glenn Kotche, Paul Lansky, Donnacha Dennehy, Vijay Iyer, Dawn Upshaw, Shara Nova, Matmos, The National, Dan Deacon, Buke and Gase, Dave Douglas, Angelica Negron, and many others.  And he has performed on eighteen of So Percussion’s albums.

    As a composer, he has written works for JACK Quartet, Modern Medieval, Buke and Gase, Shara Nova, Caroline Shaw, Sirius String Quartet, and This Is How We Fly. Eric's pieces written for Sō Percussion are featured in ‘A Gun Show’ (BAM Next Wave 2016); ‘From Out a Darker Sea’ (Forma Arts UK commission 2016); 'Where (we) Live'; (BAM Next Wave 2012); 'Five Songs, Dances, and Meditations'; written to accompany Martin Kersels 'Five Songs' (Whitney Biennial 2010); 'Imaginary City' (BAM Next Wave 2009); and 'Music for Trains' - a site-specific performance on the train and at train stations in Brattleboro and Bellows Falls, VT (2008).  With Jason Treuting and Josh Quillen, he co-composed music for Shen Wei Dance's 'Undivided/Divided' (Park Avenue Armory 2011), the 2wice 'Fifth Wall' app for iPad with dancer Jonah Bokaer, and the sound installation 'On/Off' as part of Bring to Light/Nuit Blanche New York 2011.  He has composed the music for the dance film 'Parts Don't Work' (2011) by choreographer KT Niehoff and Lingo Dance, and the transition music for the internet radio station Q2 (2010 and 2013).  His compositions have also been featured in the 'Bell by Bell' parade as part of Make Music Winter in 2011 and 2012.  And his electronic music has been featured during the 2012 Look and Listen Festival and on the album 'Amid the Noise Remixes' (2011).

    Outside of Sō Percussion, Eric has premiered new works from Lukas Ligeti, Caroline Shaw, Frank Nuyts and Jacob Cooper. Upcoming solo commissions are in development with Andrea Mazzariello and Dan Trueman. And he has performed and collaborated with pianist Peter Serkin, rock band The National, electronic artist Nicolas Jaar, composer Tristan Perich, the St. Louis Symphony Chamber Ensemble with David Robertson, bass player Evan Lipson, composer Daniel Wohl and many others.

    Together with the other members of Sō Percussion, Eric serves as Edward T. Cone Performer-in-Residence at the Princeton University Music Department. He is also Co-Director of the Sō Percussion Summer Institute at Princeton University, an annual intensive course for college-aged percussionists started in 2009. And he is co-director of the percussion program at the Bard College Conservatory of Music.

    Studying with Robert van Sice, Eric received his Bachelor of Music and Graduate Performance Diploma at the Peabody Conservatory, where he won the Yale Gordon Concerto Competition, and his Master of Music at the Yale School of Music. He also received a Fulbright fellowship and pursued additional study with Bernhard Wulff in Freiburg, Germany.
  • Satoshi Okamoto
    Double Bass

    Satoshi Okamoto

    Satoshi Okamoto has been a member of New York Philharmonic since 2003. He served as an acting principal and assistant principal in 2013-16. Prior to the Philharmonic he was an assistant principal double bassist in the San Antonio Symphony for eight years and a member of the New York City Ballet Orchestra for a year. As a soloist, he was a finalist of the International Society of Bassist Solo Competition and the Izuminomori International Double Bass Competition, also a twice winner of the Aspen bass competition. He was a faculty member at Stonybrook University from 2023-24. He has given master classes at institutions such as The Juilliard School Pre-College, Toho school of music, LSU at Baton Rouge, TCU, Aichi University of fine arts, and Pyongyang Conservatory. He received his master’s degree from The Juilliard School, and a bachelor’s degree from Tokyo University of Fine Arts.
  • Alexandra Knoll
    Oboe

    Alexandra Knoll

    Alexandra was born in Zimbabwe and emigrated to South Africa at age eleven. After graduating from high school, she worked professionally for two years in the Natal Philharmonic Orchestra and then moved to the United States for further studies. She is an alumna of the Curtis Institute of Music and The Juilliard School. Alexandra is much in demand as an oboist in New York City. She is Associate Principal Oboist of the New York City Ballet Orchestra, Principal Oboist of the American Symphony Orchestra and a member of New York City Opera. Alexandra frequently plays with the Metropolitan Opera, the New Jersey Symphony Orchestra, the American Composers Orchestra and the Knights. On Broadway, she was the oboist for “Mary Poppins”, “Fiddler on the Roof” and “Miss Saigon” and has been featured on recordings by Rufus Wainwright, Lenny Kravitz, Antony and the Johnsons and Baby Dee. Alexandra is on the oboe faculty of the Bard College Conservatory of Music. She lives in Brooklyn with her husband, Maxim Moston, their daughter and cats.
Powered by Curator.io

Follow @bardcollegeconservatory on Instagram!

Bard College
Bard College
Conservatory of Music
30 Campus Road
Annandale-on-Hudson
New York 12504-5000
845-758-7196
[email protected]
More Music at Bard: 
Bard Music Program
The Orchestra Now
Musical Mentorship Initiative
Contact Us
Visit the Conservatory
Join our Mailing List
Support Us
Accreditation 
Undergraduate Inquiry Form
Graduate Inquiry Form
Virtual Viewbook
Join the Conversation
Facebook
Twitter
Instagram
YouTube

All photos by Karl Rabe unless stated otherwise.