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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

A professional photo of Composer in Residence Missy Mazzoli.

Composer in Residence Missy Mazzoli Profiled in the New York Times

“We want the field to expand,” said Mazzoli, “and so bringing in [diversity] helps the field survive and thrive.”
 

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a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

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a man conducts an orchestra

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily 

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

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Meet Our Faculty

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  • Alexander Farkas
    Alexander Technique

    Alexander Farkas

    Alexander Farkas, qualified as a teacher of the Alexander Technique in 1998, trained in London with Shoshana Kaminitz and had prior and further study with Patrick Macdonald, Margaret Goldie, Marjorie Barlow and Elisabeth Walker. A musician as well, he received a MM in piano from the Manhattan School of Music and, with a focus on becoming a collaborative artist, had further study with Brooks Smith, John Wustmann and Paul Ulanowsky. His earlier piano studies were with Nadia Reisenberg. As a teacher Alex has been on the faculty of the Yale School of Music, the Hartt School, University of Hartford, and Vassar College. He was also the recipient of an IREX Grant for study in Hungary and has translated several books on music for Editio Musica, Budapest, most notably the Selected Writings of Lajos Bardos. As a pianist Alex has played for Jennie Tourel and served as accompanist for the class of Pierre Bernac. Applying the Alexander Technique to the vocal arts, Alex has presented workshops and masterclasses both here and abroad including the Royal College of Music, the Royal Academy of Music, Trinity College of Music, London, the Musikhochschule Luzern and the Musikschule Basel, Switzerland and as a guest teacher for Alexander students at training courses in the U. K., Australia and France. Alex has taught for the Bard Conservatory of Music since 2005. His new book, The Alexander Technique; Arising from Quiet, was published in London last fall and contains articles dealing with the many challenges that face all players.
  • Christopher H. Gibbs
    James H. Ottaway Jr. Professor of Music; Faculty, Bard College Conservatory of Music; Artistic Codirector, Bard Music Festival

    Christopher H. Gibbs

    Christopher H. Gibbs is executive editor of The Musical Quarterly; editor of The Cambridge Companion to Schubert (1997); author of The Life of Schubert (2000), which has been translated into five languages; coeditor of Franz Liszt and His World (2006) and Franz Schubert and His World (2014); and coauthor of The Oxford History of Western Music, College Edition (2013; 2nd ed., 2018). He is a contributor to New Grove Dictionary of Music and Musicians, 19th-Century Music, Schubert durch die Brille, Current Musicology, Opera Quarterly, and Chronicle of Higher Education. Additionally, he has served as program annotator and musicological consultant to the Philadelphia Orchestra (2000– ); musicological director of the Schubertiade at the 92nd Street Y in New York City; musicological adviser for the Schubert Festival at Carnegie Hall (1997); and artistic codirector of the Bard Music Festival (2003– ). Gibbs is the recipient of numerous honors, including the Dissertation Prize of the Austrian Cultural Institute (1992), ASCAP–Deems Taylor Award (1998), and American Council of Learned Societies fellowship (1999–2000). He previously taught at SUNY Buffalo (1993–2003). BA, Haverford College; MA, MPhil, PhD, Columbia University. At Bard since 2002.
  • Lorraine Nubar
    Graduate Voice

    Lorraine Nubar

    Vocalist. B.A., M.A., The Juilliard School. Studied with Jennie Tourel, William Vennard, Daniel Ferro, Martial Singher, Frank Corsaro, Gerard Souzay, Elly Ameling, Jeanine Reiss, and pianist Dalton Baldwin, with whom she conducts annual master classes at Vermont Opera Theater’s “Foliage Art Song” festival. First American to be appointed to the voice faculty of the Paris Conservatory; has prepared singers for the Paris and Lyon Operas and regularly conducts summer master classes at Foundation Royaumont in Val d’Oise, Centre International de Formation Musicale in Nice, and summer vocal chamber music program at Les Azuriales Opera. Has served as juror for Young Concert Artists International competition, Paris Concours, and Marseille Concours. Teaches at Bard College Conservatory, Juilliard, and New England Conservatory.
  • Jason Treuting
    Percussion

    Jason Treuting

    Jason Treuting has performed and recorded in venues as diverse as the Brooklyn Academy of Music, the Walker Art Center, the Knitting Factory, the Andy Warhol Museum, Zankel Hall, Lincoln Center, DOM (Moscow) and Le National (Montreal). As a member of So Percussion, he has collaborated with artists and composers including Steve Reich, David Lang, John Zorn, Dan Trueman, tabla master Zakir Hussain, the electronic music duo Matmos and choreographer Eliot Feld. In addition to his work with So, Jason performs improvised music with Simpl, a group with laptop artist/composer Cenk Ergun; Alligator Eats Fish with guitarist Grey McMurray; Little Farm, with guitarist/composer Steve Mackey; QQQ (a quartet consisting of hardinger fiddle, viola, guitar and drums); and Big Farm (a foursome led by Rinde Eckert and Steve Mackey). Jason also composes music. His many compositions for So Percussion include So's third album Amid the Noise, and contributions to Imaginary City, an evening length work that appeared on the Brooklyn Academy of Music's 2009 Next Wave Festival. Recent commissions for other ensembles have included Oblique Music for 4 plus (blank), a concerto for So Percussion and string orchestra for the League of Composers Orchestra; Circus of One, music for a video installation in collaboration with Alison Crocetta; and Diorama, an evening length collaboration with the French choreographers in Project Situ. Jason received his Bachelors in Music and the Performer's Certificate at the Eastman School of Music where he studied percussion with John Beck and drum set and improvisation with Steve Gadd, Ralph Alessi and Michael Cain. He received his Masters in Music along with an Artist Diploma from Yale University where he studied percussion with Robert Van Sice. Jason has also traveled to Japan to study marimba with Keiko Abe and to Bali to study gamelan with Pac I Nyoman Suadin. He joins the Bard Conservatory faculty in the fall of 2011.
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Bard College
Bard College
Conservatory of Music
30 Campus Road
Annandale-on-Hudson
New York 12504-5000
845-758-7196
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