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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a woman in a pink dress sings on stage

Opera Concert by Bard Conservatory of Music and Bard Graduate Vocal Arts Program Reviewed in the Millbrook Independent

A dual opera performance featuring Gian Carlo Menotti’s Amelia Goes to the Ball and Giacomo Puccini’s Gianni Schicchi, performed by the Bard College Conservatory of Music and Graduate Vocal Arts Program, was reviewed in the Millbrook Independent. “Both witty operettas celebrate skillful women in a male-dominated society,” wrote Kevin McEneaney. 

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Jindong Cai conducts The Orchestra Now onstage at Jazz at Lincoln Center.

Seventh Annual Sound of Spring Concert Reviewed in Several Publications

The Millbrook Independent describes the concert as “a mélange of city and landscape visions."

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Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

Professor Joan Tower Wins Columbia University Dean’s Award for Lifetime Achievement

“[Tower has] expanded the possibilities and audiences of modern classical Composition,” wrote GSAS Dean Carlos Alonso.

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Upcoming Events and Performances

  • Signs, Games, and Messages 2026: A Kurtág Festival
    3/25
    Wednesday
    Signs, Games, and Messages 2026: A Kurtág Festival Bitó Conservatory Building, Performance Space
  • Photo above of composer György Kurtág.; Signs, Games, and Messages 2026 - Program Two
    3/27
    Friday
    Signs, Games, and Messages 2026 - Program Two
    Abrahamsen’s Schnee

    7:00 pm
    Bitó Conservatory Building, Performance Space
  • Signs, Games, and Messages 2026 - Program Three
    3/28
    Saturday
    Signs, Games, and Messages 2026 - Program Three
    Bach Inventions and Sinfonias

    1:00 pm
    Bitó Conservatory Building, Performance Space
  • Kurtág Fragments, film poster.; Signs, Games, and Messages 2026: Special Program
    3/28
    Saturday
    Signs, Games, and Messages 2026: Special Program
    Film: Kurtág Fragments

    3:30 pm
    Jim Ottaway Jr. Film Center
  • Photo above of composer György Kurtág.; Signs, Games, and Messages 2026 - Program Four
    3/28
    Saturday
    Signs, Games, and Messages 2026 - Program Four
    Songs, Laments, Dances, Games

    7:00 pm
    Chapel of the Holy Innocents

Meet Our Faculty

See All Faculty
  • Joan Patenaude-Yarnell
    Graduate Voice

    Joan Patenaude-Yarnell

    Following her debut with the Canadian Opera Company as Micaela in Carmen, this Canadian-born soprano joined both the New York City and San Francisco Operas. She has also sung with opera companies throughout North America and Europe. Her roles have included Violetta in La Traviata, Alice Ford in Falstaff, Gilda in Rigoletto, Nedda in I Pagliacci, the title role in Suor Angelica, Mimì in La Bohème, Juliette in Roméo et Juliette, Elle in La Voix Humaine, and Héro in Béatrice et Bénédict. As a recitalist she performed internationally under the auspices of the Canadian Government, the Australian Broadcasting Corporation, Les Jeunesses musicales, and the United States Department of State. With orchestra she sang under the batons of Sir Charles Mackerras, Charles Dutoit, Seiji Ozawa, Julius Rudel, and James De Preist. Her recordings include Songs of the Great Opera Composers with Mikael Eliasen, pianist, on the Musical Heritage Society label, as well as releases on the C.B.C. International Series and Vanguard labels. In addition to her position at Bard Conservatory, Miss Patenaude-Yarnell also serves on the voice faculties of Manhattan School of Music and the Curtis Institute of Music. Her students perform with the Metropolitan Opera, New York City Opera, San Francisco Opera, Royal Opera Covent Garden, Paris Opéra, Chicago Lyric Opera, and Stuttgart Opera and are participants in the young artists programs at Santa Fe Opera, Houston Grand Opera, Seattle Opera, Opera Center (Zurich, Switzerland), and Volksoper (Vienna). Several of her students are current winners of the George London Foundation Awards, Marilyn Horne Foundation Awards, and Puccini Foundation Awards, as well as the Metropolitan Opera National Council Auditions First Prize Winner, 2004. She has presented her master class “The Principals of Bel Canto” throughout the U.S. and Canada. In the 2014-15 season Miss Patenaude-Yarnell has given master classes in the Art of Bel Canto at the Royal Opera House (Covent Garden) Young Artists Program, Princeton University, and the University of Southern Ontario (Canada). She is presenting classes in spring 2015 at Guild Hall (London, England), the Royal Welsh College of Music/Drama (Cardiff, Wales), and Oberlin in Italy (Arezzo, Italy).



    For more information about Ms. Patenaude-Yarnell and her teaching philosophy, please visit singingwithmanyvoices.com. 

     
  • Adele Anthony
    Violin

    Adele Anthony

    Since her triumph at Denmark’s 1996 Carl Nielsen International Violin Competition, Adele Anthony has enjoyed an acclaimed and expanding international career. Performing as a soloist with orchestra and in recital, as well as being active in chamber music, Ms. Anthony’s career spans the continents of North America, Europe, Australia, India and Asia.

    In addition to appearances with all six symphonies of the Australian Broadcasting Corporation, Ms. Anthony’s highlights from recent seasons have included performances with the symphony orchestras of Houston, San Diego, Seattle, Ft. Worth, and Indianapolis, as well as the Leipzig Gewandhaus Orchestra and the Orchestre Philharmonique de Radio France. Being an avid chamber music player, Ms. Anthony appears regularly at La Jolla SummerFest and Aspen Music Festival. Her wide-ranging repertoire extends from the Baroque of Bach and Vivaldi to contemporary works of Ross Edwards, Arvo Pärt and Phillip Glass.

    An active recording artist, Ms. Anthony’s work includes releases with Sejong Soloists, Eric Ewazen, Concerto for Violin and String Orchestra (Albany), a recording of the Philip Glass Violin Concerto with Takuo Yuasa and the Ulster Orchestra (Naxos), Arvo Pärt’s ‘Tabula rasa’ with Gil Shaham, Neeme Järvi and the Gothenburg Symphony Orchestra (Deutsche Grammophon), and her latest recording of the Sibelius Violin Concerto and Ross Edwards “Maninyas” with the Adelaide Symphony Orchestra (Canary Classics/ABC Classics).

    Adele Anthony performs on an Antonio Stradivarius violin, crafted in 1728.
  • Daniel Phillips
    Violin

    Daniel Phillips

    Violinist Daniel Phillips enjoys a versatile career as an established chamber musician, solo artist, and teacher. A graduate of Juilliard, his major teachers were his father, Eugene Phillips, Ivan Galamian, Sally Thomas, Nathan Milstein, Sandor Vegh, and George Neikrug. He is a founding member of the 32-year-old Orion String Quartet, long time artist members of The Chamber Music Society of Lincoln Center. Available on recording are the complete quartets of Beethoven and Leon Kirchner. Since winning the 1976 Young Concert Artists Competition, he has been an up and coming soloist , including engagements with many orchestras, like the Pittsburgh, Boston,  Houston, New Jersey, Phoenix, San Antonio, and Yakima symphonies. He appears regularly at the Spoleto USA Festival, Santa Fe Chamber Music Festival, Chamber Music Northwest, Chesapeake Music Festival, Music@Menlo, and has participated in the International Musicians Seminar in Cornwall, England since its inception. He also has served on the summer faculty of the Heifetz Institute , St. Lawrence String Quartet Seminar at Stanford, the new Vivace online festival. He was a member of the renowned Bach Aria Group, and has toured and recorded in a string quartet for SONY with Gidon Kremer, Kim Kashkashian, and Yo-Yo Ma. A judge in the 2018 Seoul International Violin Competition, he is a professor at the Aaron Copland School of Music at Queens College and on the faculties of the Mannes College of Music, Bard College Conservatory, and The Juilliard School. And his wife, flutist Tara Helen O'Connor, are newly appointed artistic directors of Music from Angel Fire in New Mexico, They live on Manhattan's upper west side with their two adorable dachshunds. 
  • Satoshi Okamoto
    Double Bass

    Satoshi Okamoto

    Satoshi Okamoto has been a member of New York Philharmonic since 2003. He served as an acting principal and assistant principal in 2013-16. Prior to the Philharmonic he was an assistant principal double bassist in the San Antonio Symphony for eight years and a member of the New York City Ballet Orchestra for a year. As a soloist, he was a finalist of the International Society of Bassist Solo Competition and the Izuminomori International Double Bass Competition, also a twice winner of the Aspen bass competition. He was a faculty member at Stonybrook University from 2023-24. He has given master classes at institutions such as The Juilliard School Pre-College, Toho school of music, LSU at Baton Rouge, TCU, Aichi University of fine arts, and Pyongyang Conservatory. He received his master’s degree from The Juilliard School, and a bachelor’s degree from Tokyo University of Fine Arts.
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Bard College
Bard College
Conservatory of Music
30 Campus Road
Annandale-on-Hudson
New York 12504-5000
845-758-7196
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All photos by Karl Rabe unless stated otherwise.