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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

A professional photo of Composer in Residence Missy Mazzoli.

Composer in Residence Missy Mazzoli Profiled in the New York Times

“We want the field to expand,” said Mazzoli, “and so bringing in [diversity] helps the field survive and thrive.”
 

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a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

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a man conducts an orchestra

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily 

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

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Meet Our Faculty

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  • Jin Yang
    Pipa

    Jin Yang

    Hailed as one of the most energetic, passionate, and respected pipa masters, Yang Jin graduated from the renowned Central Conservatory of Music in Beijing and subsequently taught at the Wuhan Conservatory of Music. Yang has won many awards. In 2004, she earned the prestigious Golden Bell Award for Music in China, and in 2024, she won a Silver Award at the Global Music Awards. Jin collaborates with Yo-Yo Ma's Silk Road Ensemble and has performed at esteemed venues such as Carnegie Hall, Lincoln Center, the Kennedy Center, and Harris Theater. She is an instructor at the University of Delaware’s Master Players Concert & Festival and serves as a judge for the Hummingbird International Music Competition at the Eastman School of Music.

    Yang Jin has performed as a soloist with many prominent orchestras, including the Hong Kong Chinese Orchestra, Macao Chinese Orchestra, Shanghai Symphony Orchestra, Japan's Royal City Orchestra, the Chinese Orchestra of the Central Conservatory of Music, the Oriental Chinese Orchestra and The Chamber Orchestra of Pittsburgh. She was also the featured pipa performer at the 2020 Tucson Winter Chamber Music Festival for the World Premiere of Quintet: Four Inscapes, composed by Ross Edwards. Since 2013, Yang Jin has led various crossover ensembles, including the Pittsburgh Purple Bamboo Music Ensemble, the Helio Phoenix Trio, HarmoniZing, Afro Yaqui Music Collective, J4, and the Summer Breeze Jazz Ensemble.
  • Luosha Fang
    Violin, Viola

    Luosha Fang

    Violinist and violist Luosha Fang brings her adventurous spirit to music ranging from canonical repertoire to world premieres. As a violinist, she has performed as soloist with the Albany Symphony, Saint Paul Chamber Orchestra, Louisville Orchestra, American Symphony Orchestra, and the West Virginia Symphony, and she was a winner of Astral Artists’ 2013 National Auditions and the S&R Foundation’s 2015 Washington Award. As a violist, she won 1st Prize in the 2019 Classic Strings International Competition in Vienna, performing Bartok’s Viola Concerto with the Slovak Radio Symphony Orchestra. She also won 1st Prize in the 2018 Tokyo International Viola Competition, performing Paul Hindemith's "Der Schwanendreher" concerto with the New Japan Philharmonic and subsequently touring in Japan with Antoine Tamestit and Nobuko Imai. She will return in 2019 for Bartok’s Viola Concerto with the Nagoya Philharmonic Orchestra, in 2020 for Toshio Hosokawa’s Viola Concerto with the Hiroshima Symphony Orchestra, and will perform at the Tokyo "Viola Space" festivals in 2019 and 2020. In 2020, she will present a Violin/Viola recital at the Tel Aviv Museum of Art Concert Series followed by performances of the Bruch Double Concerto for Clarinet and Viola with the Israel Camerata Orchestra Jerusalem. Other recent performance highlights include Bartok’s Viola Concerto with the Atlantic Symphony, Prokofiev’s Violin Concerto No. 2 with the Bay-Atlantic Symphony and appearances in the Mozart Sinfonia Concertante with the Suzhou Royal Chamber Orchestra in China (violin soloist) and at the Auditorio Nacional de Música in Madrid (viola soloist). She is a frequent performer at Bard Music West (San Francisco) and Krzy?owa-Music (Poland), and she worked most recently with Gidon Kremer, Christian Tetzlaff and Steven Isserlis at the Kronberg Academy's "Chamber Music Connects the World" project. In 2019, she appeared with the "Musicians from Marlboro" tour as both violinist and violist. Ms. Fang has a strong interest in championing contemporary works. She recorded George Tsontakis’s double violin concerto "Unforgettable" with the Albany Symphony Orchestra for release on NAXOS Records, and she worked closely with composer Krzysztof Penderecki in preparation for a 2014 Carnegie Hall performance of his Sextet. She premiered Chinese composer Shen Yiwen’s violin concerto "Mulan" with the American Symphony Orchestra and has commissioned a solo violin work by Michael Djupstrom, "Lautar." As a chamber musician, Ms. Fang was awarded the Silver Medal at the 2010 Fischoff National Chamber Music Competition as the first violinist of the Chimeng Quartet, of which she was a founding member. She has appeared in leading venues including Carnegie Hall, Kennedy Center, and the Library of Congress, and her festival appearances include Marlboro, Ravinia, Festspiele Mecklenburg-Vorpommern, Caramoor Evnin Rising Stars, Jupiter Symphony Chamber Players, Norfolk, Aspen, Kneisel Hall, Music from Angel Fire, Incontri in Terra di Siena, and Bard. She has worked with such musicians as Mitsuko Uchida, Nobuko Imai, Viviane Hagner, Claudio Bohórquez, Matthias Kirschnereit, Pamela Frank, Timothy Eddy, Gilbert Kalish, Bruno Canino, Benita Valente, Marina Piccinini, Peter Wiley, Ida Kavafian, Steven Tenenbom, Paul Katz, Hsin-Yun Huang and members of the Guarneri and Juilliard string quartets. In addition, she has been a guest artist with the Saint Paul Chamber Orchestra and the Orpheus Chamber Orchestra. Ms. Fang made her debut at age eight in her native China with Mozart’s Violin Concerto No. 3, and at sixteen moved to the USA on a scholarship to the Bard College Conservatory of Music, where she studied with Ida Kavafian and Arnold Steinhardt. After graduating from Bard with degrees in violin and Russian Studies, she attended the Curtis Institute of Music as a violin student of Ida Kavafian and Shmuel Ashkenasi. At this time, she began viola studies with Steven Tenenbom, and in 2016, she entered the Escuela Superior de Música Reina Sofía in Madrid as a viola student of Nobuko Imai. Starting in Fall 2019, she will be teaching at the Bard College Consevatory of Music as instructor of violin/viola. Always in pursuit of new artistic frontiers, Ms. Fang has also collaborated with the Almanac Dance Circus Theatre and the Bill T. Jones/Arnie Zane Dance Company. She studied acting and theater at Bard College and the University of Pennsylvania. Fang plays on a Pietro Guarneri violin made in 1734 and a Dominique Peccatte bow kindly loaned by Dr. Ryuji Ueno. She will be lent the 'Josefowitz' 1690 Andrea Guarneri viola.
  • Jiazhen Zhao
    Guqin

    Jiazhen Zhao

    Zhao Jiazhen is a professor of guqin in the Traditional Music Department at the Central Conservatory of Music in Beijing, China. She studied at the Central Conservatory, graduating in 1984. Zhao has performed with the Chinese Symphony Orchestra, Film Orchestra of China, Beijing Symphony Orchestra, Brussels Symphony Orchestra of Belgium, and National Orchestra of Taipei City. In 2001 and 2002 she performed in the “World Renowned Musicians and Instruments Concert” at Zhong Shan Hall inside the Forbidden City in Beijing, featuring three priceless guqins from the Tang Dynasty and five Guarneri and Antonio Stradivari violins. Zhao has performed in films such as The History of the Three Kingdoms, Dream of the Red Chamber, Swordsman, Fire on Yuanming Yuan, and Wu Ze Tian. She has also produced more than 10 albums of guqin music. At the 10th annual Independent Music Awards, her album Qin: Masterpieces of Chinese Qin from the Tang Dynasty to Today won best album in the World Traditional Music category.
  • Wu Man
    Master Classes

    Wu Man

    Recognized as the world’s premier pipa virtuoso and leading ambassador of Chinese music, Wu Man has carved out a career as a soloist, educator, and composer, giving her lute-like instrument—which has a history of over 2,000 years in China—a new role in both traditional and contemporary music. Through numerous concert tours Wu Man has premiered hundreds of new works for the pipa, while spearheading multimedia projects to both preserve and create awareness of China’s ancient musical traditions.

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Bard College
Bard College
Conservatory of Music
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All photos by Karl Rabe unless stated otherwise.